Showing posts with label Jewish. Show all posts
Showing posts with label Jewish. Show all posts

Wednesday, October 01, 2014

Beyond Bagels And Sushi: Meet Francesca Yukari Biller


Aloha, Hip Hapa Homeez. If you love bagels and sushi, we have a treat for you! This month’s Hip Hapa Homee is an award-winning journalist who loves to serve up delicious fusion meals representing both of her cultures—Jewish and Japanese. But she’s about more than just diverse food combos, as you will see below. Dear Hip Hapa Homeez, meet Francesca Yukari Biller:

Francesca serving up cultural fusion
Francesca with parents and siblings
Q: Francesca, who are your parents and how did they meet?

A: My parents are quite honestly two of the most interesting people that I know (and it's not just because they are artists and polar opposites in so many ways), making their intercultural marriage creatively flourish for more than 57 years with four children and six grandchildren.

My father, Les Biller, was born and raised in Los Angeles and his ethnic background is Russian-Jewish, English, Welsh and Irish. He is a full-time artist and was an art professor at USC, UCLA and the University of Hawai’i. My mother, Sumiko Aoki, is 2nd generation Japanese (Nisei) and was born in Captain Cook, Hawaii. Her family owned and farmed Kona coffee lands, and her brothers served as decorated soldiers in the 442nd Infantry during World War II. Today, she is a fashion designer and owns an upscale clothing boutique in Santa Monica, California.

My father has always been a rebel, and I say this quite fondly. After graduating high school, he attended The University of Hawai’i. This was quite a shock, and a wild and an unconventional thing to do, as this was the 1950's not long after World War II when there was still a lot of anti-Japanese sentiment throughout the U.S. This is where he met my mother as she was attending the University of Hawai’i while studying for a Masters degree in teaching. They married shortly after, had two children and spent three years in Kyoto, Japan where my father was a Fulbright Scholar.

"famous L.A. martini", anyone?
Q: You've written about the meals you ate as a child. How did your mother learn to cook Jewish dishes, and did your father share any culinary duties with her?

A: Some of my very first memories as a child includes both images and sounds of my mother cooking as she sang classic jazz standards in our seaside home. No matter what else was happening, our family could always count on my mother's loving brand of homestyle cooking, fashionable and stylish well before international fusion meals became the norm.

I believe that my mother learned to cook classic Jewish dishes like “Sweet and Sour Cabbage Stew”, “Beef Brisket” and “Matzah Ball Soup” not only because my father loved them, but because she truly enjoyed experimenting and trying new recipes; and, the more unique and new, the better.

Some of the recipes were handed down from my Jewish grandparents, and others, like the classic brunch of lox, bagels and cream cheese were borrowed from the numerous Jewish delis that we visited throughout Los Angeles during the 1970's, including the infamous Cantor's Deli where we often saw Jewish comedians like Mel Brooks and Milton Berle.

As for my father, he did not share in any of the preparing or cooking of our meals, although his great priceless contribution included a biting sense of both slapstick and intellectual humor, story telling, and deep conversations about art and culture, along with his "famous L.A. martinis" which attracted unique and colorful guests from many different backgrounds.

Francesca in her "writer's hat"
Q: When did you know you would become a writer?

A: Writing is such a fluid and organic art form, that I candidly cannot recall whether I was first a writer, a person, or a person who was a writer. As I grew up amongst a family of artists going back several generations, my every breath was sewn in music, colorful images and creative cultural thoughts and energy as a natural remedy and rhythm that formed the lives of my siblings and me.

My very first memory as a writer was when I started to write poetry at about four or five-years old. I was in love with the way that words simply looked when letters came together as they both started and ended on a page. Before I attended kindergarten, I was stringing words together that both rhymed and echoed themes of nature and home. First, I wrote short lists of birds, and then of trees and the sun. By the time I was seven, I was writing longer poems about my visits to the seashore with both of my grandfathers, one a Japanese fisherman and the other, a Russian wandering adventurer.

those encouraging parents
Q: With your mother being a fashion designer and your father a painter, in what ways did they encourage you towards a writing career--either consciously or unconsciously?

A: Growing up in my house was like living inside of a symphony that never seemed to have an intermission. Fluid creativity seasoned every sense of both courage and somber attempts, and my parents outwardly and inwardly encouraged passion beyond all other values.

Whether I was watching my mother hand-sew hundreds of intimate silk rosebuds onto a kimono-influenced wedding gown, or my father thrash about his paintbrushes in turpentine and fleshy oils of bright and dark colors, I only knew that I felt alive.

And I felt most alive when I was singing, drawing and writing, which I did religiously each day, even though our home boasted of no religious deities or icons. Rather, the creative process was in and of itself our flames of joy and faith, as my father painted on both small and massive canvases in our living room, and my mother always seemed to have a needle and thread dancing on ribbons of velvets and linen dresses that she designed beneath the large picture window that framed our living room.

Sumiko with flowers in her hair
As a writer, the visual images that my parents continually created before my eyes gave me boundless material to write about--and to become lost in--as I spent whole weekends in which I wrote with barely sleeping or eating, as I developed calluses on my fingers from the art pencils that I grasped with both a sense of longing and calmness. 

Q: It seems you've experienced more than the "usual" mixed-race experience through having a Japanese American mother who grew up in Hawai’i with relatives who were part of the 442nd all-Nisei military as well as being Jewish. How has all of that factored in your life?

A: I believe that having an exotic and unusual mixed-race and cultural background is what has given me the drive to create even more than the average artist, as I feel so much emotional history from the blending and fusion of both. Whether I am inspired by riveting tales of my Japanese samurai and World War II hero relatives, or by stories of bravery, isolation and philosophy from my Jewish ancestors, I know that having the opportunity to be part of both gives me a sense of tenacity and purpose I may not otherwise have.

meet Francesca's daughters
Q:  Do you think by marrying a Jewish man your children may lose some of their Japanese side? What do you do to keep them connected to that part of their identity?

A: I am now divorced from the father of my daughters. However, their thirst and interest for their Japanese identity remains strong, perhaps even stronger than some children who are 100 percent Japanese as they are continually excited about being born into two distinct cultures and, therefore, more curious. As a writer, I have found this to be a usual occurrence among children who are a quarter of some strong thread of race and culture. Our home and extended family inspires our daily life with Japanese culture, whether it be through recipes, painting and writing, watching classic films by director Akira Kurosawa such as “Rashoman” or “Seven Samurai”, or attending cultural events and museums.

Rose and Jade
Q: Tell us about any of your future speaking engagements, panel presentations, etc. 

A: I am an award winning investigative journalist, author, writer, poet, speaker and singer. My work is published for The Japanese American National Museum, Elephant Journal, Salon, The Chicago Sun Times, The Huffington Post, My Jewish Learning.com, Interfaith family.com, USA on Race, for radio and television and events.  

This month, I will be reporting special coverage and writing a unique personal perspective for the exhibit "Hello! Exploring the Super Cute World of Hello Kitty", the first large scale Hello Kitty museum retrospective in the United States in honor of the 40th anniversary of Hello Kitty to open October 11 at the Japanese American National Museum in Los Angeles.

far beyond bagels and sushi
I am also writing two books to be published in 2015. The first book is a collection of humorous and thoughtful essays and short stories about my more than colorful experiences growing up as a Japanese Jewish girl in Los Angeles and Hawai’i during the 1970's.

The second book will be a compilation of poetry and prose that tell stories of a multicultural family and their artistic adventures, as well as motherhood as told through the lens of creativity, idealism and cultural inspiration. Here’s the link to the Author Page: 


Speaking engagements include a special talk for The American Association for University Women in San Francisco in March 2015 about “Girls and Empowerment”, as well as writings and conversation for the Mixed Remixed Festival in June 2015 to be held at the Japanese American National Museum.

Francesca, your story was delicious! Oiishi desu. Mahalo for sharing with us. Hey, Hip Hapa Homeez, if you’re still not full, here’s a short list of some of Francesca’s many accomplishments:

Award Winning Investigative Journalist

Edward R. Murrow Recipient

Writer, Author, Poet, Speaker
Print, Broadcast, Radio, Television
Multiculturalism & Identity
Parenting & Relationships
Inspirational & Philosophy
The Arts & Pop Culture
Short Stories & Essays
Poetry & Prose
Reporting & Documentaries

You can also check out her website:


To learn more about us at Watermelon Sushi World, please check out these links:

Watermelon Sushi film

Watermelon Sushi on Facebook

Hapa*Teez on YouTube

Hapa*Teez on Facebook

Hapa*Teez on Café Press

War Brides of Japan v.2 on YouTube

War Brides of Japan on YouTube

War Brides of Japan on Facebook

Yayoi Lena Winfrey fan page on Facebook (sorry, but Your Hip Hapa can’t add any more friends to her regular profile page)

Sexy Voices of Hollywood

Twitter

Until we meet again on December 3, here’s to all the bagels and sushi your Hip Hapa Homee’s heart desires.

Your Hip Hapa,

Yayoi

Wednesday, September 08, 2010

RAW: Complicated, Controversial, Conspiracy Theorist


Your Hip Hapa meets so many interesting Hip Hapa Homeez everywhere she goes, and Sean Hardin is no exception. We bumped into each other several years ago at a website that promotes vegetarian living. Instantly, I became fascinated with Sean’s raw food lifestyle. While Your Hip Hapa eschews all animal products including suede and leather, taking that one extra step towards a raw diet feels a little intimidating. Below, Sean shares with us some of his other interests, which are numerous as well as complicated and controversial.

Q: What's a nice mixed-race guy like you doing making so much noise about the world?

A: My podcast series Truther is about global public affairs. Most of my podcasts are interviews. Sometimes, I’ll do one where I’m talking by myself, doing an editorial. As to why I deal with public affairs issues, it’s because I still have some hope for humanity. I want to get this information to people, as much as possible, to those who will listen. Most of my audience is people who have been in the truth and freedom movements for a long time. However, there are some mainstreamers, too, and I’m working to increase them because my main motivation for doing what I do is to reach out to them.

I deal with Conspiracy with a capital C. I’ve been investigating the global aristocratic class for about 13 years now, as well as alternative health, and an eclectic mix of other topics that are off the beaten path. I did an interview with Professor Anderlini from University of Puerto Rico who believes in sexual freedom. She’s an advocate for the Gaia mode, as well as Polyamory. I deal with health topics ranging from the AIDS scam, natural ways to reverse conditions like diabetes, and how to get and stay in good health. One of my favorite interviews this year is with Leah Salmon in Luton, U.K., who’s a natural health practitioner. She gives all kinds of eye opening information on how to be healthy. There’s nothing mystical about health, there’s no need for anyone to be in a diseased condition.

My podcast series is aired on one of two hosting providers I use--Blip TV and Vimeo--and I average about 8 podcasts per month. Here are the links:


Prior to my podcast series Truther, I was writing articles online. I’ve been an independent journalist since about 1995.

Q: Who are your parents, and where did you grow up?

A: My mother is Jewish and my father was black although I never got to meet him. I know his name is John Lewis Hardin and mom is Cara Nina Hardin. I have inquired about my father, but my mom always avoids the subject so I gave up inquiring.

I grew up in downtown Minneapolis in an apartment building on Hennepin Avenue, which is no longer there. It was torn down.

Q: Did you grow up with a lot of Jewish culture--customs, food, holidays, rituals and religion?

A: No, my mom was not into religious practice too much although she does believe in a God. I don’t because I’ve seen no evidence to support that theory. I did not grow up going to a synagogue. I don’t practice any religion and I don’t believe in any of the theories of the world’s religions because none of them have any evidence to support their theories. I’m a very clinical thinker and I always demand evidence to support a theory anyone presents. If they can’t support their theory with evidence, than I consider that theory worthless.

Q: How about on your black side?

A: I only know a couple of relatives on my father’s side; two cousins, Angie, and Cara (named after mom). I have not heard from either of them for a long time. I often think about Angie and Cara, and I hope they’re doing well. My mom always had a lot of black friends though, so I was surrounded by black people--mostly intellectual black people.

Q: When and how did you first become so interested in politics and the global picture?

A: I’ve been studying the global aristocratic (Illuminati) for about 13 years now. I got into this area of research because in the 1990’s I began to realize that things are not right with humans around this world. We are plagued with problems that virtually no other species has that I’ve ever heard of.

I met my friend, Brother Ptah, who’s a very intelligent brother from Kenya, who’s been studying this for longer than me. He turned me on to books by David Icke, Dr. John Coleman, Coast to Coast AM, and many other sources. From there, I intensely researched to verify as much of the information I was gathering as possible, and since then I have not been able to get away from this research. I have made my life following the Illuminati.

Q: You don't seem to focus much on racial groups, but on the bigger human race.

A: I do periodically delve into race issues when I deem it called for. I bring race up, for example, when I’m covering the AIDS fraud because I suspect that there are aspects of it that are racially motivated. There are more AIDS testing facilities in black and Hispanic neighborhoods in Western countries than in white neighborhoods by far. Those billboard and poster ads at bus stops and trains stations that says things like “AIDS, get tested, know your status”, etc.; you see those in black and Hispanic neighborhoods overwhelmingly and hardly at all in white neighborhoods in cities like London, Chicago, Paris, etc.

Since Canada became the first Western country to implement criminal laws based on this scientific fraud, nearly all of the people who have been convicted in court in Canada and sentenced to life prison terms are men, and of all the cases I’ve researched out of Canada, all except one are black. That leads me to suspect that this is racially motivated.

What, one might ask, is the purpose for something like this? A possible answer is the money interests from the pharmaceutical cartel. Here’s the ultimate answer though; control of sexual activity, which leads to population control (of the population of people they look down on, that is). Of everything this global cabal has perpetrated upon humanity, the AIDS fraud just about tops everything else. Western countries now have criminal laws predicated on this fraud. That’s right, criminal laws! A person can be locked up in a cage for life if they’re found guilty in a Kangaroo Court for giving their sex partners so-called AIDS.

One question that demands addressing pertaining to the AIDS scam is how in the world is a black woman 20 times more likely to get a positive result from those testing devices than a white woman. Is there a precedent for a pathogen behaving like that? No!

I’m in this to reach out to humanity, to help and benefit humanity; that’s what I will continue to do with my life unless I end up in a FEMA camp. My goal is to plant as many seeds as possible to hopefully make a better world for all humans in the future. As a member of humanity, I value all of it including mainstreamers although they’re dumbed down and gullible. Hopefully, that can be changed.

My hope is that with the efforts of myself and others in the alternative media who are doing all we can to expose the psychopaths, people will not only learn about the criminal global aristocratic cabal, but also learn to tap into the infinite knowledge of how things in the Universe work that we all have programmed in our DNA.

 Q: Why is having a raw vegan diet so important to your beliefs?

A: I’ll never forget in 2000, my friend Peter Arneson and I were at a wedding of a couple of mutual friends of ours. At the reception, I noticed that of all the kinds of food they had to offer, the only thing Peter was eating was the salad. I asked him why, and he said he practiced a raw food diet, and we started talking about that. Everything Peter said made so much sense that I decided at that point to give a raw diet a go, and have stuck with it ever since.

Humans are the only species that cook its food, and there are different theories about why that is. Not all raw foodists are vegan like me. There are some who eat flesh. However, the vast majority of people could never imagine eating flesh raw, so that demands a question: Should humans be eating flesh at all if it can only be palatable cooked?

Cooking fruits, vegetables, and seeds is no good because it destroys the life-giving properties in the food, and creates a lot of carcinogens. That’s what causes all of the disease problems we have because people, whether they realize it, are in a constant state of malnutrition. I’ve been practicing a raw-vegan diet for about 10 years now, and am not having any thought of going back.

Thank you, Sean. That’s some pretty heavy stuff to take in all at once and we appreciate you breaking it down for us.

On another note, remember to join our Hip Hapa Homeez Group on Facebook where we post info of interest to blendies, mixies and multi-cultis. You can also “like” our Watermelon Sushi Fan page on Facebook, which supports our Watermelon Sushi film. And, your purchase of a Hapa*Teez t-shirt, like the one Julia Baker wears below, gets you a rear crawl credit once our film is produced.



Until we meet again, here's a shout-out and big-up for being you!

Your Hip Hapa,
Yayoi


Friday, April 04, 2008

New York Times Punks Out: Hot, Hapa Mess!

Well, as promised, below is the link to the New York Times "Mixed Messenger" article on hapas which was not even written by a hapa, but by the Jewish mother of a hapa daughter. After you read the article, please return to my blog to read my rebuttal which was not accepted by the New York Times' short-sighted editors.

Even if they had edited it (it was too long for both the Letters and OpEd pages), I would've been happy just to see them acknowledge an article about hapas written by a hapa. And, people wonder why race relationships in this country are so bad! If I, a Japanese-black woman, decided to write a piece on what it means to be Jewish, I'd either be laughed out of town or hideously chastised. Instead, the vice versa is perfectly acceptable.

Sign me,
Disgusted.


March 25, 2008

Editor/Op Ed, New York Times

Dear Editor,

I was very surprised to read an article in your publication about hapas written by someone who is NOT hapa. Just because a mono-racial person has a biracial child doesn't make her an expert on hapas. And, in Ms. Orenstein's case, that goes double (pun intended).

First of all, for her to write that Senator "Obama has increasingly positioned himself as a black man" is wrong. Most biracial people aren't allowed to choose their own identity, but are thrust into one by mono-racial people based on nothing more than their physical appearance. She also makes no mention of the One Drop Rule, a legacy of slavery that is still in effect today--which is substantiated by her next remark:

"White America, too, has a vested interest in seeing him as black (as) it's certainly a more exciting, more romantic and more concrete prospect than the "first biracial president"...

Please. White America wants Senator Obama identified as black in order to perpetuate the One Drop Rule, which was enforced by white slave masters seeking to ensure that their property never fell into the hands of their half-Negro slave offspring.

The anti-miscegenation laws Ms. Orenstein refers to were enacted to prevent WHITES from intermarrying. Period. Those laws were based on the concept of white supremacy and were enforced to keep white blood from being tainted by any other race. Certainly, no one would arrest a black man and an Asian woman who married, or vice versa.

Ms. Orenstein is also misdirected when she says that hapa is a Hawai'ian word meaning half. Native Hawai'ians didn't have a word for half because they had no concept of it. If Ms. Orenstein had done her homework, she would've learned that hapa is a mispronunciation of the English word half. Hawai'ian phonetics, which adds vowels to endings of words, would dictate that half comes out sounding like hapa. Half-a. Hapa.

Ms. Orenstein's article is rife with misinformation. If your paper's intent was to educate the mainstream about hapas, you should've asked a genuine one like Jen Chau, head of the largest mixed-race organization in the world--http://www.swirlinc.org--to comment.

In fact, there are dozens of well-known hapas who write, speak and promote hapa-ness that would've given a much clearer and more accurate picture of what it means to be biracial. Thanks to Ms. Orenstein, we now have a hot, hapa mess on our hands.

Your Hip Hapa,
Yayoi Lena Winfrey

btw, that's Jen Chau above, right, with my friend Doris when I visited both in NYC in 2000.