Showing posts with label mulatto. Show all posts
Showing posts with label mulatto. Show all posts

Tuesday, June 30, 2026

HAPA Summer!

 Aloha, Hip Hapa Homeez!

Can you believe that it’s been 20 years since we launched this blog?


In the beginning, there was so much HAPA-ning!


In 2020, for the first time in history, the U.S. Census allowed its citizens to choose more than one racial category to identify themselves. Those of you old enough to remember will recall previous nail-biting days filling out forms and trying to decide whether you were the same race as your mother or your father.


Up to that point, most of us had been told all of our lives what we were by other people who were nothing like us.


A few of us reluctantly chose the parent we most resembled in appearance which made no sense if you embraced both parents and their cultures. And, if you had one Black parent, you were considered Black, period, due to the One Drop Rule. It didn’t matter whether or not you were accepted or recognized as being Black by the Black Community. 


Even if your parents shared the same culture, i.e., being American, they still had different backgrounds due to their ethnicities. So, how to choose?


In those early days, we began rebelling and calling ourselves mixed-race, multiracial, multicultural, hapa, blasian, wasian and some even referred to themselves as being mulatto—a word that was once synonymous with mix-bred animals. 


Based on our personal experiences of being mixed, we wrote books, made films and organized conferences and festivals all honoring the mixed-race agenda.


Our film, Watermelon Sushi, has been in the works now for 28 years. Well, it’s been in existence, but only worked on sporadically. That is, until we acquired our executive producer, Doug Ing, who a few years ago, had all of our footage digitized. Now, we’re editing and utilizing AI for enhancements.


Please stand by. 


Juggling three films (including Tokyo Lily and Vegan Jin) seriously cuts down on our time. Therefore, we are directing you to our Hip Hapa Homeez group page on Facebook to discuss any issues surrounding multiculturalism.


Hip Hapa Homeez


We won’t be updating this blog until the end of 2026.


You can also check out these links for any news:


https://watermelonsushi.com/


https://www.youtube.com/c/WatermelonSushi/videos


https://yayoiclanart.com/


https://www.redbubble.com/people/yayoiclanart/shop


https://www.teepublic.com/user/yayoiclanart


Here are our Facebook links:

https://www.facebook.com/watermelonsushi

https://www.facebook.com/hapateez

Enjoy a HAPA summer!


Your Hip Hapa,

Yayoi




Wednesday, June 16, 2010

Hip Hapa Hare Krishna

Welcome back to Watermelon Sushi World, all you Hip Hapa Homeez! Recently, someone informed me about his disdain for our Facebook Group name, also called Hip Hapa Homeez, but Your Hip Hapa begs to differ. Being the playful person that I am, I opted for a name that described us multiethnic folks as cool and together beings. Dude, we’re hip, we’re hapa, we’re homeez!

As you’re probably aware, the word “hapa” is currently misused in our community. What started out as the way Native Hawai’ian people (Kanaka Maoli) pronounced the English word "half" (due to the lack of certain phonetics in their language), the word “hapa” incorrectly became the way to describe mixies who are half Asian. Nothing could be farther from the truth since the original blendies in Hawai’i were of Kanaka Maoli and European ancestry.

Since the purpose of this blog is to present information in an entertaining fashion, the aforementioned group; our Watermelon Sushi film, website, and Facebook fan page; and, our line of Hapa*Teez t-shirts all have names reflecting that attitude. While we blendies and mixes have an important message to present, we should also attempt to do so with a sense of humor. By taking a pop culture approach, we will attract those from the mainstream who want to be supportive yet could possibly be turned off by a strictly academic mode. For now, the name(s) stay(s), but if you have any ideas, please drop us a line at yourhiphapa@me.com

Now, for this week's featured Hip Hapa Homee, meet Charles Byrd. You can read about him at his website here:


And, here’s the blog for his book, The Bhagavad-gita in Black and White: From Mulatto Pride to Krishna Consciousness:


Below are photos of Charles and, at the very bottom, a link to his book that you can purchase on Amazon.


Q: What's a nice multiracial guy like you doing authoring, blogging and writing about transcending race?

A: My political activism and writing regarding multiracial identity and transcending race-consciousness stem from my racial mixture and upbringing. I was born in the 1950’s in Abingdon Virginia, and am of white, black and Cherokee heritage.

Like many mixed-race individuals, I suffered through identity crises--specifically the one wherein it dawns on you that the image in the mirror in no way resembles the label that society hangs on you at birth. Writing about being mixed or mulatto in the segregated South and the need to create an identity for myself, other than simply black or passing for white, has been therapeutic as well as instrumental in networking with others in the same situation around the globe.

Q: Who are you parents and how did you grow up?

A: My black mother and white father could not legally marry in Virginia in 1952 and, for various reasons, I actually never knew my dad. My mom left me with my maternal grandparents who raised me in their house. Though white in appearance, I attended the all-black Kings Mountain Elementary in Abingdon from 1958 to 1964. The following year, integration came to the public schools and I attended Abingdon High School in 1965. That, interestingly enough, was my first exposure to white kids in an academic environment.

Kings Mountain was one of the three predominately black neighborhoods in Abingdon, and I was one of three white-looking students in elementary school. Most of the black kids treated us relatively well, though I did receive my fair share of “white nigger” and “high yellow” epithets over the years.

My mother’s family was mixed for generations, so I am not a first-generation mixie like President Obama. My maternal grandmother, for example, was as light as me with high cheekbones and long straight hair characteristic of Native American tribes. Her father was half black and half Cherokee.

In 1966, I moved to New York City. What a huge change that was!


Q: When did you first learn about Vedic philosophy, and are you a Hare Krishna?

A: I was introduced to the Bhagavad-gita (the “Hindu Bible” to some) about ten years ago or so. The word Veda is Sanskrit for "knowledge" and the Vedas are a large body of texts originating in ancient India. These texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism--if not the entire world as they are thought to be well over four thousand-years old. The Gita, an important source book on yoga, is the essence of India's Vedic wisdom and is one of the great spiritual and philosophical classics of the world.

I haven’t donned the saffron or shaved my head (fashion-wise, I’ve always preferred that long-haired Jesus Christ look), but back in June 2002 I did take harinam initiation (receiving the Mahamantra or the “great chant for deliverance” from a guru) from His Divine Grace Sri Srimad Bhaktivedanta Narayana Maharaja who gave me the spiritual name Charukrishna Das. (“Charukrishna” means “Beautiful Krishna” and “Das” indicates that I am a devotee of Krishna.)

Q: How long did it take you to write your book, and what was the process?

A: Not that long as it is a compilation of essays relating to racial identity politics that I wrote between 1995 and 2003. All of those essays or editorials are still archived on the Interracial Voice website.

Essentially, I named and fashioned each section of the book after the eighteen chapters of the Bhagavad-gita. Along with synopses of each Gita chapter, I included commentary culled from those Interracial Voice editorials as well as from other contributors. In addition to each chapter’s race commentary, I included a specific Gita verse or two for the purpose of expanding on that commentary from the Vedic perspective.

I believe the mix of tough political commentary with spiritual meditations works, and I did it because so many people are not aware of what has transpired over the past decade and more in this country vis-à-vis the politics of racial identity. Specifically, I’m referring to the battles to freely and publicly name self (whether on Census forms or otherwise) and for freedom of association; e.g., the fight over the legalization of interracial marriage.

Once the insanity of it all becomes crystal clear, perhaps those reading this interview (regardless of how they currently self-identify racially) will opt to spend the rest of their lives cultivating spiritual enlightenment--the ability not merely to name self but to know self. If they do so decide, my suggestion for a starting point is Vedanta. I encourage all of your readers to buy a copy.

Q: Your book seems to impart the message that we are all spirits having a human experience; that flesh, especially its color, doesn't matter, and that race doesn't exist. Have you been able to convince a lot of people of that?

A: Yeah, that’s the age-old question: Are we human beings having occasional spiritual experiences, or are we spiritual beings having occasional human experiences? I think it’s the latter, and when you realize that you are not your body--rather you are the soul or spirit that survives the death of the body--it gives you a totally different perspective on the whole notion of racial identity. We’re so immersed in bodily-consciousness--identifying with flesh instead of spirit, form instead of essence--that we have a tough time relinquishing our hold on racial, ethnic or cultural identity, however. Most people are exceedingly comfortable with the racial identity imposed upon them by society, and they are often hostile to someone who comes along and suggests an alternate approach.

Organized religion is a hindrance in this regard as well. Most religious sects still march in unconscious lockstep to the American racialist party line that proclaims the existence of separate and distinct racial groupings on planet Earth. Is it any wonder, then, that so many people turn their gaze eastward toward India’s ancient wisdom?

Q: Your Interracial Voice website contains some very controversial articles, especially about community leaders like Kwesi Mfume and Jesse Jackson.

A: I have never been a fan of either Jackson or Mfume, and I have never been shy saying that. For my money, Jackson is a politician cloaked in the guise of religiosity. He is the farthest thing from being a spiritual leader. Mfume’s NAACP was the organization most virulently and stridently opposed to any sort of change to the 2000 Census, any change that would allow mixed folk to self-identify as something other than a single race. So much for the “progressive” nature of liberal politics. 

These sentiments of mine have, inexplicably, caused some to accuse me of an anti-black bias. Nothing is further from the truth. While I have criticized the self-appointed black political leadership (when exactly was Jesse Jackson elected President of Black America? ), I have taken care not to condemn the black populace in general. Unfortunately, some equate any negative critique of the former with criticism of the latter.

From my vantage point, the black priesthood--which still dominates black political discourse of the type that brooks no competition of political or philosophical views--advances a largely political agenda based on maintaining racial divisiveness, rather than a vision of the spirit soul attaining eternal association with God.

As the illegitimate, white-looking son born of a dark-skinned woman in a small Virginia town, I squandered innumerable years wandering in the darkest mental ignorance before ultimately discovering that my atma-dharma (the natural devotional inclination of the soul or atma) or purpose on this planet was not to be a loyal servant to the politics of racial identity. Our eternal atma-dharma has nothing to do with the dharma of body, dynasty, caste or race, although those who falsely identify the body as the real self cannot understand this.

If that adds up to being anti-black, I plead guilty as charged.

Q: Any future plans?

A: I would like to write another book and, this time around, have a mainstream publisher buy it. There’s a love story loosely centered around my employment at a federal agency that I’m kicking around in my head. Maybe I’ll go in that direction.

Namaste, Charles, for the enlightenment.

Okay, you Hip Hapa Homeez, show your love by joining our HHH Group page and our Watermelon Sushi Fan page on Facebook. You can also follow us on Twitter. And, by purchasing a Hapa*Teez t-shirt, you will not only support our film but will also receive a rear-crawl credit. Until we meet again, ohm shanti from

Your Hip Hapa,
Yayoi

Wednesday, January 13, 2010

In Character With Tony Insignares

Welcome back, Hip Hapa Homeez! This week’s featured guest is actor/model Tony Insignares, pictured here and below. Since Tony is so willing to share, let’s just jump right into his thoughts.


Q: What’s a nice multiracial guy like you doing in show biz?


A: It’s actually been something I’ve wanted to do since I was young, but I never really committed to it because I was participating in sports. It wasn’t until I was playing college football that I caught the “acting bug”. All I remember is something inside of me said that I’m supposed to be an actor. After I prayed about it and talked with my family, I told my coach that I was moving on from football. I’ve been acting in projects ever since and never looked back.


Q: What are your parents’ ethnicities, and how did they meet?


A: My mother is black, Cherokee, and Irish. My father is Guajira Indian, Hispanic and Italian. My parents met in Caracas Venezuela at a book fair, and I guess you can say they were both on the same page. They married in the U.S., and my brother and I were born.


Q: The word “Hispanic”, like the word “European”, can mean a lot of things. Do you know some of your Latin roots?


A: My family name is Italian. My grandfather on my father’s side came to South America from Italy when he was a little boy, and the family settled in Venezuela. My father was born in Caracas.


Q: You work in film, TV, onstage, in music videos, and commercials; and, also model. What do you enjoy about each one, and why?


A: It’s fun being in front of the camera no matter whether it’s film or television because the relationship of the story and the character are very detailed. I love the entertainment side of film and TV because viewers watch you on screen in given circumstances and it takes their minds off everyday life. It’s the same in doing music videos and commercials.


I love being on stage doing theatre because it’s where I can express myself through a character and be truthful. It can still be entertaining, but it also allows me to really use my imagination. There’s nothing better than being in the moment and the audience is on the edge of their seats sensing everything going on in front them through your eyes. That’s what I love about theatre.


I enjoy the work involved in modeling when it comes to looking good and seeing myself in photos. What I really love about modeling is how it has helped me to have more confidence in myself. Modeling forces me to be body-oriented. By that, I mean it requires a person to make health and fitness a priority as well as good grooming. In addition, it makes you aware of how you move by refining and controlling posture and walking, like the discipline of a dancer. It can really develop poise and confidence.


Q: Some might say you’re just another pretty face, but you’ve had some academic achievements, too, haven’t you?


A: Throughout my years in high school and college, I’ve won awards for being a scholar-athlete and earned scholarships for my academics from The National Society of Collegiate Scholars and The International Scholar Laureate Program where I traveled to China as a diplomat. I made the Dean’s List every semester in college and graduated Cum Laude with a Bachelor’s Degree in Speech Communication and Theatre. But I would say that my biggest academic achievement was being in special education for eight years and graduating college with honors without any assistance.


Q: What have been your favorite or least favorite roles so far?


A: Wow! I have many favorite roles, but I don’t really have a least favorite. And that’s because every role, no matter how big or small, has its own purpose. In addition, with each role I learn something about myself either as a person or about my craft as a professional.


My favorite characters are Village from The Blacks: A Clown Show, Miss Roj from The Colored Museum, and Tybalt from Romeo and Juliet. The character Village helped me to become a better interpreter and made me better at learning lines faster because we didn’t have a lot of time. I used to be a very shy person, but this character opened me up and now I’m able to take command of any speaking situation.


The character Miss Roj is actually a drag queen. She has a 15-minute monologue by herself in the play. What I liked about playing that character was the research. It taught me not to judge or be scared to get to know a stranger that’s misunderstood. At one time, I think I may have been homophobic, but playing that character helped me to have respect for people no matter who they are. The bottom line is we are all human beings.


Lastly, playing the role of Tybalt was remarkable for me because the theme of this Romeo and Juliet production was about “gangsta life”. So, the director decided that this presentation should be a Crips and Blood version. I loved playing this character because it made Shakespeare fun. Instead of using the usual Elizabethan elements, we used our own. We wore the red and blue bandanas of the two gangs and used guns instead of swords. This interpretation helped me to view the play in a broader perspective so that there is a contemporary message and context for Tybalt with thugs and gangsters of today.


Q: What are some of the positives and negatives of having an ambiguous racial identity when it comes to your career?


A: The positives about it are that I stand out like a sore thumb on a hitchhiker. I like it because I get to play so many diverse characters that aren’t considered black or Hispanic. It gives me more flexibility as an actor and it doesn’t put me in a specific category. I don’t have to be something that I’m not so I get to be what’s true to me. I’ve been fortunate to play African, Mexican, and Japanese characters and each one has taught me to respect each culture and identity including my own.


The negative side of it is that sometimes I may not get jobs because the casting director doesn’t consider me black or Hispanic enough to play a character. It’s bittersweet because I live in Nashville and the city doesn’t cater much to those who are ethnic. As much I have respect for the city and all it does, I’ve learned from agents and casting directors that I need to be in Los Angeles or New York because I have a very distinct look that doesn’t fit in with this town’s environment.


One example is an ongoing play that I’m in right now called The Dance on Widow’s Row, which consists of an all-black cast. I was helping out with show at first because they had already cast their actors, but a couple of them dropped out because of scheduling conflicts and we had nobody else to play the characters. I was thinking that the director of the show would let me step in and perform one of the roles since we’ve worked with each other for years. But he didn’t want me in the show because I didn’t look “black”, even from the audience standpoint. He chose two new black actors, but one of them dropped out a week before the show. He finally called and asked me to perform in the show. I learned my lines and learned the blocking, and I’ve been in the show ever since. I’ve even performed as the understudy for the second lead actor in the show. I wasn’t mad about not being in the show because of my look. It taught me to appreciate who I am, be patient, and have faith because every director/producer has a vision of what he/she wants the show to be, and I wouldn’t want to be cast if I didn’t fit that vision.


I would have done the same thing if I were in that position.


Q: We first spoke last year about a role you were offered playing a mixed-race Japanese. How do you feel about actors playing characters not of their own race? Does a minority playing a different kind of minority still risk accusations of “blackface” or, in this case, “yellowface”?


A: I have mixed feelings about that because if an actor plays a character that isn’t their own race or culture, they have to be careful about the message they interpret to the audience. But I’ve also watched one-man/woman shows where the actor plays multiple characters and some of them are outside of their race, but they portray the characters respectfully and with truth so the audience can relate to the character. They make you look past the color of their skin and use your imagination.


On the contrary, there are actors who only present the stereotype of race, color, and ethnicity. Instead of showing respect for characters, they neglect them and don’t try to learn or research about their cultures, which causes this stigma of it being “blackface” or “yellowface”. In The Dance on Widow’s Row play, I play a black man, and I have to put on make-up to become the character, but I don’t try to insult the character or the audience who relate to the character. Of course, I use what I know about the locale of the play and what I’ve researched, but I do my best to play the character with authenticity and honesty. As actors, we reflect reality and teach people about a person’s circumstance when we’re in their shoes. Acting is about putting yourself in somebody else’s shoes, no matter who they are or where they come from, so we can understand human nature and the mystery of life.


For more information, Hip Hapa Homeez can contact Tony at:


jcinsignares@gmail.com

Facebook: Tony Insignares

Myspace.com/jcinsignares


As usual, we invite you to join our Hip Hapa Homeez group page on Facebook for updated news about multiethnic and transracially-adopted people. You can also sign up as a Watermelon Sushi Fan on Facebook, follow us on Twitter, and buy a t-shirt to help support our film.


In closing, Watermelon Sushi World extends our condolences and best wishes for a speedy recovery to our Haitian friends reeling from their recent catastrophe.


Bonjou Konpe-m! Since 1804, when Haiti liberated herself from French slavemasters to become the first free black republic of the Western world, she has struggled. Other countries refused to recognize her government, instituted unfair trade embargos, occupied this autonomous nation, and worse. Haitians have suffered from immense poverty, diseases like AIDS, ecological calamities, brutal governments, and more. The inequity of a racial caste system based on skin color that firmly placed mulatto elites at the top (witness dictator Papa Doc) further damaged the potential of this island state. In spite of it all, Haiti has survived and we know she will rise again. Mwen renmen ou!


Until we meet again, I am now and forever...


Your Hip Hapa,

Yayoi

Wednesday, October 07, 2009

Taking A Chance

Big-ups to you Hip Hapa Homeez and Watermelon Sushi Fans for your continued love. This week’s Hip Hapa Homee is Chance, in the photo, who solemnly hosts an interactive website about being mixed. Check it out here: http://www.mgmix.com; then, read the Q&A below. This is some serious stuff, and sure to invite controversy!

Q: What’s a nice multiracial guy like you doing moderating MGmix.com?

A: MGmix is a multiracial website for biracials and multi-generation mixed people. It caters to biracials, and the issues and views that affect them in society. At the same time, there are many people who are not biracial but are multi-generation mixed. But, due to the "One Drop Rule", the majority of them have been labeled "black" and raised black/African American. Those of the multi-generation mixed, who could pass for white or another race, could escape this fate if they wanted.

The website also deals with topics about other mixed-race groups like Creoles, and mixed-race ethnic history from other countries. MGmix deals with biracialism, and the study of mixed-race people who are not biracial, but are also mixed. It's good that biracials get to know a little history about other biracials of the past who contributed to America politically, economically, religiously, and fought for the rights of blacks and mixed-race people.

I wanted to make MGmix a site that does not limit itself to one type of topic. That is why you find articles and commentaries on many subjects from biracialism, multi-generation mixed, Creoles, international mixed, politics, economics, religion, celebrities, music, etc. The more diverse topics you have, the more interesting the site. And, seldom will you have people getting bored because the same old subject is always posted. Variety is unity.

Q: What was your motivation for creating this site?

A: I visited many other multiracial websites, and I noticed that there were some things lacking in some of them--not all, just some. I noticed that some did not have a section for readers to leave comments, so there could be no feedback. When there is no opportunity for feedback, it discourages readers and they don’t return frequently. Then, there are some biracial and multiracial sites that have a forum which allows feedback. Now, having a forum is very good, but many readers don’t want to participate in a forum all the time. I also noticed that some biracial and multiracial sites were not updated frequently. I have seen posted articles sitting on the front page of some sites for over a year.

At some sites, there were many biracials who felt dissatisfied for various reasons--one of them was that some biracials felt they were being unfairly labeled "anti-black" because they disagreed with blacks pushing the “One Drop Rule”. Any type of criticism of blacks about certain issues would sometimes be met with an accusation of being "anti-black". Other biracials and some blacks would make these allegations against other biracials. Some were anti-black and many others were not--they were just stating observations they had made; like blacks frequently pushing the "One Drop Rule".

I felt that there were not enough websites out there for biracials and other multi-generation mixed people, and this lack of other sites forced people to have to settle for sites that were already well-known. So I decided to create a site for biracials that would welcome multi-generation mixed people, Creoles, monoracials, and supporters who were interested. I remember feeling a deep sorrow at times for many mixed-race people at other sites because of their being criticized just because they spoke the truth about certain things.

Q: But there's no personal information about you on your site. Who are you?

A: I’m not biracial; I’m a multi-generation mixed person. My ancestry on both my father and mother’s side of the family are mixed. On my father’s side there is black and white, on my mother’s side there is black, white, and Native American. I was raised by my mother, and she always said we were mixed and that is what stuck with me. She didn't talk constantly about race and ethnicity, but when the subject came up she would say we were mixed.

Now, some African Americans, biracials, and other people say it does not count if you have white and other ancestry from the past. I say this, I have never seen a black ancestor yet you call me black (African American). So if I have never seen a white, black, or Native American ancestor, then I guess that leaves the slate open for me to label myself. Notice people don’t challenge Latinos (who are multi-generation mixed) about their mixed ancestry. Many Latinos have never seen a white ancestor from Spain nor a Native Aztec, Mayan, or Inca ancestor. Many Latinos claim to be white even though they are visibly mixed, and they have that right even though they have never met a white ancestor. You are what you are, especially if it is visible and people take notice of it. Therefore, it counts.

For me, a mulatto is a person with one black parent and one white parent or a person who is mixed with black and white ancestry--especially if it is visible. Also phenotype (physical appearance), if a debate breaks out about whether some light-skinned African American is to be considered mulatto or not. The deciding factor that doesn't lie is physical appearance. Therefore, mulatto is also a physical appearance. Many biracials who are not born light-skinned have verified that often they are seen as "just black". Many light-skinned African Americans can verify that they are often asked by other African Americans and people from other ethnic groups what they are mixed with. This proves that phenotype carries more weight than just being biracial. So, when a person says they are mulatto, you should ask what type--biracial mulatto or multi-generation mulatto. I’m sure some biracials find it shocking to see many mixed-race, light-skinned African Americans walking around without them being directly biracial. Especially, those biracials who are darker than the multi-generation mixed-race person.

If the mixed-race ancestry of multi-generation mixed Africa Americans didn’t count, then why is it that they, in some situations, are chosen over darker African Americans simply because they look "less black" and more mixed? Obviously, the choosers are seeing something other than black. If mixed-race ancestry didn’t count, then why do people take notice of hair texture; blue, green, hazel eyes; light skin; soft European features, and features of other ethnic groups one is mixed with? If mixed-race ancestry didn’t count, then why do many light-skinned African Americans and Creoles have to defend themselves from accusations by darker skinned blacks and other people who claim that light-skinned African Americans and Creoles think they are better because they are mixed? This proves that people recognize differences.

Q : How has your racial make-up affected your life?

A: From my life experiences, people go by how you look more than anything. I did not know that I was considered black until the third grade. I was sitting in class one day at school, and another third grade teacher came into the classroom and spoke with my teacher, then left. My teacher stood up and said there was a black kid running around on the playground with his head down chasing other kids. He had something crawling in his hair and they found out it was lice. So the teacher wanted all of her black students to stand up and form a line.

There were white students in the class, but since the boy with lice was black I guess she felt it was better to check the black kids’ hair instead. I did not get up. I felt fearful because I knew that I was mixed with black, but I didn’t look like a black kid with dark black skin or caramel brown skin. For me, black was a color. I have yellowish brown skin. I knew I was not white either because I didn’t look like them in color. I was the only yellow kid in the room; none of the others looked like me. I felt afraid and very scared because I wasn’t sure what I was because I didn’t fit in either the black or white group in appearance.

I stood up and continued to stand just looking at all the black kids lined up until my teacher looked at me, called my name, and said 'come on'. I felt a relief not because I saw myself as black, but because the pressure of not knowing was gone. At least I was put somewhere and this took the fear away, and the fear of worrying that the other kids were going to start staring at me. I have experienced racism from other black kids growing up because I was lighter and some kids liked me a lot because I was lighter. I could pick up on these things as a kid. Some adults and kids would make compliments about my skin color. Being a light-skinned boy at times was tough, and at times very rewarding because I could tell people felt a little comfortable with me because of it.

As an adult, the same factors played themselves out with certain darker and sometimes caramel brown skin blacks creating problems for me for being lighter. Being lighter, I noticed that black females seen to find me a little more attractive--not all, but many. This is because of the white ancestry showing up or some other non-black ancestry that is visible. But when I am among other females from other ethnic backgrounds, some of them find the black ancestry more attractive. Some employers feel a little more comfortable with you if you are light-skinned, too. Being mixed-race and having all of these wonderful and interesting experiences constantly reminds me that I’m seen as mixed and not "black only" all the time. If you have to defend it, then it is a part of you.

Q: Briefly explain the FGM v. MGM battle.

A: An FGM is a first-generation mixed-race person, meaning a biracial. MGM is a multi-generation mixed-race person, meaning the person is mixed in their ancestry but are not biracial. Some biracials, but not all, get angry when they see someone who is not biracial being labeled as mixed. They feel that it should only be them being labeled as mixed. One of reasons for this is that they feel that people who are not biracial, and are being labeled as mixed, actually helps keep biracials seen as black. But they fail to understand that if you don’t look black by America’s standards, then you don’t have to worry about it. They seem to hold a special anger towards light-skinned African Americans because they look mixed; and, some even more mixed than some biracials. I noticed that it is mainly biracials who can’t pass for white or another race that are the most hostile.

Light-skinned African Americans are the result of biracials and multi-generation mulattos who married into the black race. Matter of fact, this is the origin of the white ancestry among African Americans in general regardless of their phenotype and skin color. Biracials look like African Americans because African Americans are already mixed. Biracials who can pass for white or another ethnicity look like those multi-generation mixed African Americans who could pass for white or another race.

An example is former Senator Adam Clayton Powell, Jr. who looked like a white man with some Native American ancestry. Powell was not biracial. Walter White had an octoroon phenotype, and even walked among whites down South to investigate lynchings that had happened to blacks. He looked totally white, and this is why he could walk among whites to investigate the lynchings. Walter White was not biracial. He was the president of the NAACP for 20 years. W.E.B. Dubois was not biracial, but notice in many books and articles written about him, or mentioning him, that he was called black and mulatto.

Powell and White were MGM’s. Frederick Douglass and Booker T. Washington were biracial, but Powell and White both could pass for white. Powell once joined a white fraternity while in college, and they later did a background check and discovered that he was labeled "Negro". He was then told that his membersmembership had been revoked by the white fraternity at his college. All of these men, whether they were FGM or MGM, helped African Americans progress.

Q: What's the difference between being African American and black?

A: African American is an ethnic group. Ethnic groups are made up of culture not phenotype, while black is more of a description of a phenotype (physical appearance). Many people around the world are black, but not everybody is an African American. African Americans descend from the survivors of American slavery. Those black and mixed-race slaves who came out of slavery are the survivors, even though some blacks and mixed-race were already free before slavery.

Q: What do you think of Obama and his racial identification?

A: Barack Obama is not by birth an African American according to what America considers to be African American. Neither one of his parents descend from black American slaves. This not being an African American by birth actually benefits him and played a role in why he was elected president. I feel he likes being a part of the African American ethnicity, and at the same time he understands his uniqueness of not being born as one. This forms his personality, and helps him view things more with an open mind because he did not have a black parent to pass along to him black anger at whites. He was raised by his white mother and her family in Hawai'i, so he understands that ethnic group. At the same time, he realizes he is seen as black and, before he became a famous politician, he was treated accordingly. Obama has related some of his experiences with racism. He's mentioned that, because of being black, how hard it was for him to get a cab.

Obama is biracial/mixed-race, and I feel he is very proud of that. He sees himself as mixed-race, white and black, and, therefore, an internationalist who can touch all people around the world. His father Barack Obama, Sr. was Muslim, and he himself has studied Islam, the Jewish Talmud, and the Bible.

Believe it or not, Obama is a part of the new mulatto elite, and it’s not by choice either. African Americans helped get him elected as president. They saw hope in him. The mulatto elite will continue as long as African Americans continue to not be able to get past certain problems that they have created for themselves; obstacles like lingering racism, the lingering effects of white social discrimination in all spheres of society, police brutality, etc.

W.E.B. Dubois spoke of a talented tenth, and Obama is one. African Americans, especially the darker ones, have often looked at the talented tenth as elitist. If they were like every other African American, they would not be able to help very much. The talented tenth is the result of a person making efforts to educate themselves and help African Americans and humanity in general regardless of ethnic background. The problem that has been noted by some African Americans is that many of these talented men have always been mixed-race, light-skinned or biracial, and this is why the tenth was seen as elitist.

Many multi-generation mixed men and biracials who helped African Americans progress education-wise, politically, and economically saw themselves as mixed-race. This, no doubt, played a role in influencing their personalities and behaviors. Like Obama, they were seen as black yet not "officially black" but more from a mixed-race group. Any group should be grateful that there are men who think outside the box and have a more open mind which leads to new ideas about how to go about accomplishing something. Barack Obama enjoys being biracial and enjoys being an adopted member of the African American ethnic group. By becoming president, he has helped bring attention to multiracial awareness. This interest and awareness will continue to grow nationally and internationally.

Q: Have race relations improved with his election?

A: Race relations improve with time. Just look at how bad race relations were just 45 years ago in the 1960s, and worse the farther you go back in time. The success of the Civil Rights movement helped destroy legalized segregation and race relations improved a lot. The country and the world are becoming more mixed racially and culturally, and this is a very good thing. There is a lot we can learn from each other, contributing our genetics and culture into one mixed world. I want to leave some footprints in the sand by contributing what I can and by doing my part.

Wow! That was a lot of information, and we thank Chance for sharing. Tune in again next week for another featured Hip Hapa Homee, and if you have something to unload hollah at hiphapa@comcast.net


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Your Hip Hapa,
Yayoi