Showing posts with label Kanaka Maoli. Show all posts
Showing posts with label Kanaka Maoli. Show all posts

Wednesday, November 06, 2013

To Weave An Identity




Aloha, Hip Hapa Homeez!

Last month’s Hawai’i International Film Festival featured some amazing movies from around the world. Among them was a documentary directed by a local, Christen Hepuakoa (Hepuakoamanaaheleihiehieonaonamekekapu’o’nali'iamekahanohanoamauanaia) Marquez.
Christen’s film is a journey to explore the middle name “woven” by her mother and its ensuing loss when Christen’s family is torn apart. Kanaka Maoli (Native Hawaiian people) believe names are sacred and should evoke their ancestors. After Christen’s mother is diagnosed with mental illness, Christen and her siblings are taken away by their father to the mainland. But decades later, Christen returns to learn the true meaning of her name and to heal the relationship between her and the mother she once lost.

To learn more about Christen’s film, E Haku Inoa (To Weave a Name), check out the links below. Meanwhile, here’s what the director has to say about her mixed roots and more:

Q: Christen, who are your parents and how did they meet?

A: My mother is Native Hawaiian/Filipino and my father is Caucasian. (French/English/German). They met through my Mom's sister. 

Q: How did you grow up?

A: In Hawai’i, where I lived until I was in third grade, the whole island is a mixed race environment. After that, it was Seattle, then as an adult, New York and Los Angeles.







Q: What made you decide to explore your Kanaka Maoli culture and the meaning of your Hawaiian name through your film?

A: I felt ashamed that I did not know the meaning of my own name, but I chose to turn that into a positive curiosity instead of something self-loathing and destructive. 

photo credit: Linda Marquez Schmidt
Q: How did your family feel about you making their lives so public?

A: They were surprisingly okay with it. I think it was because at first they didn’t ever believe that the film would be on television, but I had been telling everyone in the family that it would be. So, when it finally started to materialize, they couldn’t say that I never warned them.

photo credit: Amber McClure

Q: What was the most important discovery in your quest to reconnect with your Hawaiian roots?

A: It was important for me to reconnect with other people who validated the spiritual connection that I feel to the islands. 

Q: You also made a film about a Cambodian woman searching for her siblings in Two Shadows. Do you find yourself crossing cultures often? How much of that is attributable to your being mixed yourself?

A: That is a great question! I do think it has a lot to do with being multi-racial myself. As multi-racial people, we get glimpses of bigotry that might otherwise be hidden to us and also get treated as insiders into places we might not actually be from. Because of that, it is really important for me to be as culturally educated and as sensitive as I possibly can be. All of that paired with my personal enjoyment of new experiences, I think, leads me to cross cultures more comfortably than some other people. 

Q: Please share information about your future projects.

A: I’m currently working on a project about Hawaiian Language sovereignty songs that I hope to begin shooting in 2014. For other information about my projects and work, please visit me at www.paradocsproductions.com or www.hakuinoa.com as well as on facebook at www.facebook.com/weaveaname and twitter @paradocsfilm

Mahalo nui loa, Christen.

Hey, Hip Hapa Homeez, please show your support by visiting our website, YouTube links and Facebook pages listed here. Also, request membership in our Facebook group, Hip Hapa Homeez, where we discuss being mixed, interracially involved, transracially adopted and crossing cultures.


Hapa*Teez on YouTube

Hapa*Teez on Facebook

Hapa*Teez on Café Press

War Brides of Japan v.2 on YouTube

War Brides of Japan on YouTube

War Brides of Japan on Facebook

Yayoi Lena Winfrey fan page on Facebook (sorry, but Your Hip Hapa can’t add any more friends to her regular profile page)

Sexy Voices of Hollywood

Twitter

A hui hou.

Your Hip Hapa,
Yayoi


Wednesday, May 01, 2013

Spirits Aloha

Anna Malone
Aloha, Hip Hapa Homeez. What’s HAPA-ning? 

One of the most mixed-race locales to reside in the U.S. is Hawai’i. It seems that a lot of folks here are a combo of ethnicities and even if they HAPA-en to be so-called monoracial, they still love to cross cultures. As strong as the East Asian presence is in Hawai’i though, it still remains well, Hawai’ian. Streets are named after indigenous Kanaka Maoli and, anyone who lives here for a length of time will soon learn to say "Kamehameha" with the utmost ease. Kanaka history is powerful, its culture colorful, and the melding locals truly reflect the Aloha Spirit originated by them.

This month, we feature two Hip Hapa Homeez both abundantly infused with the Aloha Spirit.

First, meet Anna Malone, a Japanese national who settled in Honolulu after attending school on the mainland. The mother of a blasian boy, Anna shares her story—the shorter version--here with you.

Q: Anna-san, where are you from, and how did you end up living in America?

A: I’m from Osaka City in Osaka Prefecture. I first came to the States when I was 19, graduated college, went back to Japan for 3 years, came back to the States, and married. It’s been about 20 years since I came to the U.S. for the first time!

feeling the Aloha Spirit...
Q: What are some of the differences between living in Japan and the U.S.?

A: In Japan, people tend to gather as group. So, they think of themselves as a group or unit. But in the U.S., people think of themselves as individuals.

In the U.S., I need to think about my race, but in Japan I don't need to. I’ve experienced racism on the mainland, but not in Hawai’i since the majority here is Asian.

Q: What have been the biggest cultural issues that you had to overcome living in America?

A: Racism. In the American town where I lived about 20 years ago, there was only one Chinese restaurant! Kids there met an Asian (me) in person for the first time. That’s how closed off that place was.

Another big cultural issue is learning English.

Q: What do you miss most about not living in Japan?

A: The food, but I’m lucky enough to get some ingredients to make Japanese meals in Hawai’i. So I’m not missing that much.

Mr. Sag
Q: What's it like for you to have a son, Sag (pronounced Saj), whose father is African American?

A: A long time ago I went to a black barbershop with my son, and I was accepted. But when I visited there by myself for the first time, they just looked at me like, "you came here for what?"

But mixed races are very common now, and I think it makes racial issues less important than a few decades ago. It’s making opening racial doors easier. 

Q: Do you think it's better to raise Sag in the U.S. or Japan?

A: Definitely in the U.S. Japan is not as open-minded as it should be--only in major cities, I think.

Sag feeling the Spirit
Q: In your opinion, what's the future look like for mixed-race people like Sag?

A: I think more people will be mixed-raced in the future and it will be harder to find single-raced people, especially in the States. In Hawai’i, I have heard of people mixed with as many as 9 races, and 2 to 3 race mixes is very common here. My son is mixed with 4 races.

Mahalo nui loa, Anna-san. 

Next up, Hip Hapa Homeez, please reacquaint yourself with Traion Le whom we featured here some time ago.


Below, Traion aka Traika tells her story in her own words:

Traion aka Traika
Aloha, Yayoi and readers!

It's your new Hawaiiana friend, Traika, from Honolulu on the island of Oahu, aka "The Gathering Place".

I'm a mixed-raced hapa lady (African-American, Irish, Native American) originally from the East Coast (Northern Virginia), and I'm a 9-year resident of Oahu. I love Hawai’i! I like the local people, and the ono grindz! I like being one with paradise. Feeling the island breeze. Cooling off in the Pacific Ocean. Smelling the sweet red, pink, yellow hibiscus flowers and, let's not forget, the pretty plumeria flowers. And the tradition of wearing flowers tucked behind your ears for the extra beautiful island flair! Tasting the island foods; Leonard's Malasada's, and all kine local cuisine. Favorites are the Japanese steakhouses, Tanaka's and Kobe's. Also, Northshore's Giovanni's shrimp and rice plate, and townside of Oahu's Pearl's Korean BBQ. Mmm, lish!

Hawai'ian hibiscus
As a 45 year-old mixed-race hapa lady, I've always loved Asian culture. I love all god's children, yes, however, there's a weakness for Asian men! Ha ha. Yep, that's right! I've dated and loved Asian guys since I was young. Watching my first Bruce Lee film, Fists of Fury, I was a goner; crushin' on Bruce. He did it for me! In addition, I was raised in the melting pot nation--the metropolitan area of Washington, D.C. "Chocolate City". I had friends of every foreign nationality imaginable. So enriching!

LMT'ing
My profession is Licensed Massage Therapist (LMT) for 13 years. I've also enjoyed modeling and acting gigs, but my greatest passion now is writing. Please check out my info below.

Living in Hawai’i inspired me to write and publish books. My latest book, Destiny, is an AMBW (Asian Man Black Woman) true story. I believe all of you interracial couples, AMBW or other mixed couples out there, will relate to what I bring to a 6x9 250-page documentary.

Hawai'ian style toenails...
Destiny by Traika Le (2013)
"A coming-of-age, true story. In 1975, a young Vietnamese refugee boy flees Saigon and the war. In 1985, he meets his unrequited forbidden love, a Southern, African American girl. His enemies and family warn him to keep his distance from her. He joins a crime organization for fast money, hoping to live the American Dream and win her heart."

Look for your copy of Destiny, a story of forbidden interracial love and redemption. Watch for it on Amazon.com July/August 2013!

local girl...
Thank you for reading! All the best and god bless!












Please frequent my sites:


AMBW:
www.amazon.com (search Traika Le)-Book, Faith Your Fears
big Aloha kiss from Traika...

Mahalo! Thank you!

Traika

Thank you, Traika. Hey, Hip Hapa Homeez, for a clarification of the word hapa, check out our Hip Hapa Homeez group page on Facebook. Send us a request for membership and you can join in discussions about being mixed-race, transracially adopted, interracially involved, or just crossing cultures. Remember, we have a Watermelon Sushi film and fan page, and our Hapa Teez t-shirts fund our projects.

Until we meet again, aloha nui loa from

Your Hip Hapa,

Yayoi

PS Lisa Giamo is conducting research on mixed Asian/Caucasian people as part of her dissertation at Simon Fraser University. Check it out:



Wednesday, September 05, 2012

A Celtic Samurai, A Hapa Haole, A MexiCali, An Afro Asian, And Hapa*Teez on YouTube


Aloha, Hip Hapa Homeez!

Have you checked out our Hapa*Teez video on YouTube? Remember to send us a photo of yourself wearing one of our t-shirts (which supports our Watermelon Sushi film) to be included in the new video we’re currently producing. Here's the old one:

http://www.youtube.com/watch?v=ZBIMaJUljjI
Your Hip Hapa continues to be amazed by the many halfies, hapas, mixies and multi-cultis among us these days. Recently, while traveling long distance, I met an authentic ‘hapa haole’ named Meilani. ‘Hapa’ is Hawai’ian pidgin for ‘half’. ‘Ha-ole’ means literally ‘without sacred breath’—‘ha’ for breath expelled in front of Hawai’ian kings and ‘ole’ for nothing. The first visitors to Hawai’i were unaware of the custom so were thought to have no breath to expel. Children born to them and Native Hawai’ians were then called ‘hapa haole’—half ‘without sacred breath’.

Your Hip Hapa with Meilani
Besides being a writer and publisher, my new friend Meilani has a Kanaka Maoli (Native Hawai’ian) mother and Irish American father. Although she’d been living in the Northwest, she was headed back to her kama’aina (child of the land) roots and her mother. Another woman I met on my travels was MexiCali, half Mexican and half white growing up in California. Admittedly, she lived a more ‘white life’ due to lack of exposure to her other culture, which she’s now actively exploring. On this same trip, I also met with the intriguing Grace Etsuko Lee. An AfroAsian with a Japanese mother and a father from St. Croix, U.S. Virgin Islands, Grace has published a book about her life and is now involved in our War Brides of Japan documentary. More about Grace below.

More and more, we are living on a multi-culti planet filled with hapa haoles, MexiCalis, AfroAsians and Celtic Samurais like Stephen Murphy-Shigematsu, a consulting professor and published writer, who is this month’s featured Hip Hapa Homee. I first met Stephen at the Hapa Japan Conference 2011 in Berkeley where he was ‘talking story’.

Stephen's Mom and Dad
Q: Stephen, who are your parents and how did they meet?

A: My parents met in Tokyo after the war. So, I was born in Occupied Japan, as were my two older sisters. My father was a reluctant, former American soldier who had luckily never engaged in combat and had left the military as soon as he could. He remained in Japan and was working at GHQ, where MacArthur’s office was, when he met my mother. Somehow, my mother had managed to learn enough English during the war years as a college student to get a job as an interpreter. They shared a love of literature and music, and started dating and considered marriage. However, they encountered numerous roadblocks that delayed the legal aspects of marriage and, by the time I was born, they’d had two girls who, by the nationality laws, were born as Shigematsu, and Japanese. My parents were legally married when I was born so I became a Murphy, and an American. My grandparents were open-minded about all of this, and we lived with them in Tokyo from the time before my sisters were born. All they cared about, they told me, was that my dad respected them and my mother, and he did, so that was enough.

Q: How did you grow up?

The Shigematsu-Murphy's
A: My dad stayed in Japan eight years, but eventually wanted to return to the States. His parents, who had emigrated from Ireland, had died but he had sisters and brothers in Massachusetts so that’s where we went and settled. My Japanese grandparents were devastated to lose us, as my mother was an only child and we were their only grandchildren, but it seems that everyone thought that it was better to raise mixed-race kids in the U.S. Where we lived in Western Massachusetts was a hostile environment, but tolerable because we were only one Japanese family and no threat to anyone. I endured vicious treatment, but survived through my own resilience, my pride in being Japanese, and the support of friends.

While I never met any other Japanese or other Asians, my association with blacks in high school was crucial in helping me to get over the desire to be white. I became empowered as they were during the “Black Power” days and left the U.S. to re-embrace my roots on what became an extended journey of twenty years in which I became Japanese in every way, including naturalizing as a Japanese citizen and working for the Japanese government. In my own mind, I had always been Japanese and was simply rediscovering a “surrendered identity” and realizing my wholeness.

Q: How has teaching on two continents helped you to realize your own ethnic identity?

A: Becoming a counselor and teacher in both countries of my heritage has enriched my life beyond belief. I have been immersed in both cultures at the deepest and most intimate levels, nourishing me with “soul food”. I find myself in both places and embrace each for its contribution to my wholeness. Of course, in each I also find myself displaced and a stranger, and I must also deal with this, accepting a sense of homelessness and my position as a marginal person who brings something of value to each by virtue of who I am in relation to that culture.

Q: What about your involvement in teaching medicine?

A: My role in medicine is trying to bring together the areas of health humanities and cultural sensitivity. This means using cultural awareness as a means of keeping alive the human side of health care. To me, the focus on cultural differences can be a pathway to the realization that we need to remain open to the uniqueness of the person before us, whether this is in a clinical encounter or just on the street. We need to be cognizant of our limited ways of seeing others, in stereotypes, in quick judgments based on physical cues, and be mindful of overcoming these views so that we can empathize and engage with the individuals we encounter.
The Celtic Samurai

Q: Talk about your oral storytelling and The Celtic Samurai.

A: A few years ago I started to tell stories to a live audience. I called it The Celtic Samurai: A Boy's Transcultural Journey. Writing is a lonely job and I desired to get together with people in a more interactive way by connecting through telling our stories. I tell stories that are deeply personal, but also connect to the political so that they are not just my stories in a self-indulgent way, but are the stories of others as well. To me this is the challenge, to make it less ego-driven and more service-driven by offering a story that resonates with the stories of others. Storytelling is perhaps a mid-life transition from a pattern of reserved, self-deprecating behavior exacerbated by the inhibiting forces of racist treatment to a desire to take the stage, to present myself openly and authentically.

Q: What about your writing career?

Stephen today
A: Much of my work is still writing, which I find deeply rewarding in the sense that I believe we find meaning in life by discovering what we do well simply by virtue of who we are and then working hard at it. I can listen well and I can write so I listen to people’s stories and I write them down, asking myself what they meant to me in hopes that they mean something to someone else, too. I wrote a book of "clinical ethnographies" called Multicultural Encounters which were case narratives from my counseling practice with clients of diverse cultural backgrounds.

I also published it in Japanese and that is something I have valued doing. I published another book in Japanese, which translates as Amerasian Children: An Unknown Minority Problem.  I felt it was important to reach Japanese readers so I published with a trade press, which made the book available to the general public. It also led to a portion of the book being reprinted in a nationally used middle school social studies textbook introducing minorities and human rights.

I just completed a book called When Half is Whole. The image on the cover is a half moon. So the metaphor is rich and open to interpretation, but to me it shows the ways in which we are fragmented by society and lose touch with our wholeness. People see only part of who we are and assume that is all there is. In reality, there is much more than can be seen by the naked eye. Our own limitations prevent us from seeing all that exists, in ourselves and in others. So healing is a journey toward wholeness, connecting to, finding meaning in, realizing and embracing all of our parts and our inherent wholeness. I interviewed some extraordinary people and wrote their stories of how their ethnic identity plays a role in wellness.

I have another book coming out at the same time called Synergy, Healing and Empowerment. It applies the concept of synergy to education and health, integrating knowledge from traditional and modern sources to creative developments in which seemingly disparate parts come together in a whole that is greater than the sum of its parts. The book shows how synergy is expressed in identities and communities. Besides books, I write essays for academic journals about health and illness. I also have a blog I call Multicultural Family that is fun to write.


Q: And, you’re a consultant, too.

A: Yes, in a strange development that shows that life is stranger than fiction I have become a cultural trainer for the U.S Military. The still numerous and vast military bases in Japan employ thousands of Japanese and there are predictable problems between them and their American bosses. A few years back, the Marines identified me, because of my Japanese and American backgrounds and knowledge of cultural psychology, as an ideal person to work in bringing the two groups together. So that is what I do, basically teaching mutual respect and treating each other with dignity by modeling those value and behaviors. This is another meaningful way to use my background as Japanese and American.

Domo arrigatou gozaimasu, Stephen. 

Here are links to the Celtic Samurai’s website and blog:

His books:

His creds:

Your Hip Hapa with Grace Etsuko Lee
As for Grace, we’ll be interviewing her in the near future. In the interim, here are links to her website:


Finally, a shout-out to Pat S. for hosting, and for her Japanese Hawai’ian aloha. Mahalo nui loa, watashi-wa tomodachi.

Remember to join us at our Facebook Hip Hapa Homeez group page to discuss being mixed-race, multiethnic, interracially involved, transracially adopted and more. You can also join the Watermelon Sushi movement by “liking” our pages and checking out our various websites:


Twitter: watermelonsushi

Aloha nui loa until next month.

Your Hip Hapa,
Yayoi