Ethnically Ambiguous Folks Of Yesteryear

I know that a lot of us mixed-race folks think we still have it tough even with biracial Obama in the White House. I mean, here we are in 2009 feeling the need to publish books, make films and hold conferences about why we should be validated as folks who identify with two (or more) races. Even the marvelous Mixed Chicks of L.A. are holding a Mixed Roots Film and Literary Festival in June. I mean, none of this stuff existed when I was growing up--which, truthfully, was so long ago that your grandmother probably doesn't even remember. So, although I think the world has some distance to travel in learning about us mixies and what it means to be multiracial, I do believe that we have made some progress.

For instance, back in the 60's and 70's, there were few faces of color (let alone blendies) gracing magazine covers or looking out from TV or movie screens. Sure, there was the occasional "token". Sidney Poitier put a lot of fearful white minds at rest with his graceful manners and non-threatening "Magical Negro" movie roles. And, there was Victor Sen Yung playing the harmless Hop Sing--the Chinese houseboy/cook on the cowboy TV series Bonanza. And, I'm sure there were others that I just don't recall at the moment.

But the appearance of anyone looking ethnically ambiguous like myself was so rare that I would remember that person forever. If I saw that person on TV, I would get up close to the screen and just stare. I would try to find info (back in the day before the Internet) in my mother's Good Housekeeping magazines or my own teen publications. And, if I discovered a photo in one of them, I 'd obsess about that person to the point of ridiculousness.

Honestly, I can't remember how old I was when I first noticed the all-girl group The Ronettes. Like a lot of female singers of their time, The Ronettes sang sweetly about a lot of mushy stuff--tunes about romance, about teen angst, about breaking up, and about making up. Produced by Phil Spector, this group caught my eye because although they appeared to have black blood, they also had light skin and long hair (before weaves became common). They also hailed from New York so I just assumed they were Puerto Rican.

Somehow, growing up biracial, I really connected with Puerto Ricans. While we lived on military bases, many of our neighbors were Puerto Rican. My best friend in grade school, Sondra, was Puerto Rican. Later, when I was old enough to analyze just what Puerto Rican meant, I realized that the ones I knew were mestizo--a mix of Indian, Spanish and African--because of the history of their island. Perhaps it was that reality of them being a combo of races like myself that drew me to their culture.

Sadly, Estelle Bennett of the Ronettes passed away last week. I know little of their personal lives except they were ripped off and sued for royalties, and that the lead singer, Ronnie, married then divorced Spector. But I wondered how it was for them growing up in New York as mixed-race children. In Estelle's obituary, it reports that she and her sister, Ronnie, were black, American Indian and Irish, while the third member of their group, Nedra Talley, was black, Indian and Puerto Rican. In other words, throw in the kitchen sink! Yet these ladies' ethnicities was something that was never written about anywhere that I recall. It just wasn't an issue back in the day of One Drop Rule.

But here we are some 46 years after the Ronettes had their first hit, and things are changing. Next year, the U.S. Census will allow us, for only the second time in history, to choose more than one. Poor Estelle. Reading her obit, I wondered if any of her purported mental problems were caused by her inability to forge a racial identity. I'll never know.

Here's the link to the New York Times article:

http://www.nytimes.com/2009/02/17/arts/music/17rone.html?_r=1scp=3&sq=ronettes&st=cse

And, here's a link to Janice Malone's Film Festival Radio show that I was interviewed on last week:

http://www.blogtalkradio.com/Film-Festival-Radio-/2009/02/08/Film-Festival-Radio

And, one more. Here's the link to the interview I did with Jaz Dorsey for AAPEX:

http://africanamericanplaywrightsexchange.blogspot.com/2009/02/yo-its-yayoi.html

Okay, boys and girls. Keep the cards and letters coming. Watermelon Sushi is still casting, and we could be looking for you. So, go to Facebook and join the Hip Hapa Homeez group where you can read a copy of the casting call.

In honor of the Ronettes, that's a pix of me, above, looking my most Ronette-like self in the 1980's.

Your Hip Hapa,

Yayoi

Light-Skinned Men Organize!

Although I couldn't get permission by press time to post the following email I received from film producer Sheldon Lane, I'm going to chance it anyway. All that can happen is that I'm asked to remove it. However, I think this post is important enough to risk punishment--as long as it doesn't involve water-boarding. Read it and tell me if you don't agree.

Light-Skinned Brothers Start Voter Registration Drive For Obama

New Group Organizes For Change!

Extremely pleased that the presidential campaign of Senator Barack Obama is "bringing light-skinned brothers back", a new organization of black men of very light complexion have launched a voter registration drive aimed at "getting every light-skinned brother to the polls on November 5," said the organization's founder, Dan "White Boy" Williamson.

Williamson organized Light-skin and Interested in True Equity (LITE) to give men like himself a platform to share their experiences for healing purposes and to advocate for equity, especially in the dating game and in the entertainment world.

"Through my research, I have found out that we still do well in corporate America," he admitted.

"(But) these dark-skinned brothers have been on top of the dating and entertainment games for a long time," said the 40 year-old Williamson.

"It's been about 30 years and it's about time! I knew things were looking up for us light brothers when Wesley Snipes got into all that tax trouble with the IRS, " he added. "Folks asking if Barack will paint the White House black if he gets into office. I hope not. I hope he paint it high yella. Call it the High Yella House. That will stop all the cruel ridiculing."

Light-skinned activists also point to the recent incident with Tyson. The male supermodel's recent public display of nakedness was simply another sign that the winds of complexion popularity are changing, explained Williamson.

"He's desperate because he's not the 'it' guy anymore," said Williamson.

The Coalition urges all light-skinned brothers in politics, entertainment, and those in the dating circuit to take their games up a notch because "the playing field just got level again."

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When it comes to light-skinned black folks, a double standard seems to exist. I'm not sure how much of an issue it is now, but back in the day light-skinned men were considered weak and effeminate. Except for Ron O'Neal's Superfly, there was rarely any light-skinned, or high yella, male movie heroes. From Richard Roundtree's Shaft to Calvin Lockhart's Rev. Deke O'Malley in Cotton Comes to Harlem to William Marshall in Blacula, chocolate brothers were definitely happenin'. True, there was always a Harry Belafonte or two, but the majority of black heartthrobs looked more like Sidney Poitier. I remember my best friends, The Twins, admonishing me not to go out with "yella mens" because they were all latently homosexual. How's that again?

Yet, on the female side, light-skinned women fared better than their darker sisters. Why? In fact, a lot of light-skinned women were actually biracial, but either were coerced into the One Drop Rule, or readily accepted their blackness without attempting to claim their other heritage. Check out Halle Berry today, and in the past stars like Lena Horne, Eartha Kitt, Lonette McKee, Irene Cara and Jennifer Beals. All of them are either biracial or multiracial, but were presented as being only black. Their lighter skin made them more desirable in Hollywood than the average brown-skinned sister, yet they were still considered monoracially black.

How did browner skin come to be associated with masculinity in the first place? Well, I'm not going to attempt to answer that here, but if you have any ideas I'd like to hear them.

Ah, if only Wesley Snipes would speak to us, but he's too busy applauding his incredible good luck in the photo above (which I snapped at the Pan African Film Festival).

Until later, I am...

Your Hip Hapa,

Yayoi