Ending Of A Year, Beginning Of A Dream

Aloha no, Hip Hapa Homeez!

With 2011 coming to a close, Your Hip Hapa is taking this opportunity to express her gratitude to all who have supported us throughout the years.

Although I started this blog in 2006, after only one post I immediately lost interest. It wasn’t until 2008 and the Year of the Earth Rat, that I began again and, on a nightly basis, wrote about being biracial. Nightly! What was I thinking? By the next month, I was only posting twice a week, but soon regulated myself to a weekly format to keep from boring you readers with my venting about multiethnic identity issues.

By 2010 and the Year of the Metal Tiger, I was posting bimonthly and, last year, finally went monthly.

Your Hip Hapa

At some point, I had nothing left to say about my multi-culti life, so I began interviewing some of you as my featured Hip Hapa Homee. I've never regretted it. Not only have I learned through your stories that we're more similar than different, but I’ve also enjoyed knowing you on a deeper level. Thank you for your willingness to share!

Tonight, I interview myself:

Q: Your Hip Hapa, who are your parents and how did they meet?

A: My Japanese mother met my African American soldier father while he was stationed in Japan. I lived in Tokyo until I was two; then, in segregated Texas before moving on to Germany and, finally, the Northwest. As an adult, I’ve resided in San Bruno, Pacific Grove, Santa Monica, Anchorage, Honolulu and St. Thomas USVI. I credit all that moving around and exposure to various people to my need for absolute diversity.

Q: What is Watermelon Sushi?

A: Watermelon Sushi began as a film, but has now grown into a movement. I first wrote the script about two Afro Asian sisters in 1997 and attempted to shoot it as an indie project in 1998. After a horrifying experience with an unscrupulous producer, I hired an editor to cut a trailer from the footage on hand (which wasn’t much) in hopes we’d raise enough money for a re-shoot. Over the years, we’ve buried this project in the closet, but it won’t stay put. People from all over the world have contacted me, begging me to remake this movie because, ultimately, it’s a story about clashing cultures, family matters, love and desire…in other words, about all of us.

Q: What are some of the other ancillary products that go with Watermelon Sushi?

A: Besides the film, we have a novel we hope to publish soon as well as a script for a staged musical. We’ve had a chapbook since 2000, and still print copies whenever we get requests for it. There’s a Watermelon Sushi vegan cookbook in the works—we’re hoping fans will send us their favorite recipes for watermelon, sushi, or both. Because there are some vegan characters in the film, the recipes need to be, too. We also plan to launch a package of paper dolls along with fashions featured in the film. Since the story takes place in the late 1980’s, there’s a hip-hop-glam-rock flava throughout. Think: “The Fresh Prince meets Prince”. Of course, the album soundtrack will go platinum, and we have several known musical artists--both old school rappers and Japanese enka singers--lined up for it.

Your Hip Hapa with enka singer Jero-san

Q: What else you got?

A: Well, we have this monthly blog where we promote other mixed-race people, those who are in interracial relationships, those who cross cultures, and/or those who are transracially adopted. If you scroll through some old posts, you’ll find a variety of amazing stories. Oh, and our “Official Cause” is Tyler Ransom, a multi-racial child with some health issues. He could really use our help so Watermelon Sushi will donate a percentage of its profits to him. Check him out here:

http://healingtyler.blogspot.com/2011/01/gracie-mag-features-tyler-ransom.html

Tyler Ransom

Q: How can we help Watermelon Sushi get made?

A: Thank you for asking that! Wink, wink. The best way is to purchase a Hapa*Teez t-shirt at http://www.cafepress.com/hapateez We make very little profit on these shirts, individually, so the more we sell the more likely we will raise the necessary funds to reshoot the movie. Right now, we have several international producers interested in joining us, but if we come to the table with some of our own money we can definitely make this production happen. And, by the way, each purchase earns a rear crawl credit. That means your name will appear onscreen at the end of the film. If you’ve already bought a Hapa*Teez, please make sure we have your correct name. Sometimes people make purchases with someone else’s credit card and we want to be sure that the right person gets the credit. Email us at hapateez@me.com Right now, during the holidays, it’s an excellent time to give your favorite hip hapa a Hapa*Teez. Remember, hapa simply means “half” in Hawai’ian pidgin, so you can be of any mix, or not mixed at all, to enjoy our shirts.

get your Hapa*Teez at Cafe Press

We’re also currently running an Ask My Cuz @Oprah campaign. Since Oprah is my kin, I’ve been tweeting about her several times a week. There’s a “twitition” that people can sign that we’ll eventually present to Oprah when our numbers reach in the thousands. Here are those links:

http://ning.it/oEQYHS http://twitition.com/gneyv

Finally, we would be thankful if you “like” any of the following Facebook pages:

Watermelon Sushi Fan Page

http://www.facebook.com/pages/WatermelonSushi

Hapa*Teez T-shirts Fan Page

http://www.facebook.com/hapateez

Yayoi Lena Winfrey Fan Page

http://www.facebook.com/yayoilenawinfreyfanpage

Ahem, apologies for that personal fan page, but I get so many Friend requests that I’ve been at the limit of 5,000 for a couple of years. I’m now attempting to make my Fan page my Profile page and transfer all my info to it so I can personally connect with more of you. I said, “attempting” so please give me some time.

We also have a Hip Hapa Homeez Group page where we discuss issues of interest to people who are mixed, transracially adopted, interracially involved or who cross cultures. You can request membership by going to that page on Facebook.

http://www.facebook.com

Of course, we’re on twitter and if you follow us, we’ll absolutely follow you back.

http://twitter.com/watermelonsushi

And, we’re also always on the lookout for more Associate Producers. Our AP’s are scattered around the world and keep us on alert for potential executive producers.

Jaz Dorsey

One of them is Nashville playwright Jaz Dorsey who has been instrumental in getting AAPEX (African American Playwrights Exchange) to recognize Your Hip Hapa. 

Here’s an award I recently received. Don’t let the applause scare you, and thank you to Dave Copeland: http://africanamericanplaywrightsexchange.blogspot.com/2011/09/yayoi-winfrey-wins-first-aapex.html

Derrick Holmes

Our man in Tokyo, Derrick Holmes, is responsible for promotion and publicity of all our products. If you’re on any social networking site, chances are Derrick’s a member so drop him a friend request.

Andye AndinhaNiakan

Thanks also to Associate Producer, Andye AndinhaNiakan of Atlanta, who recently blogged this:

http://africanasianbusinessandculturalexchange.wordpress.com/2011/08/12/yayoi-winfrey-japanese-african-american-film-maker-pioneer/

And, here’s a special shout-out to my long lost cousin Gregg Winfrey who has resurfaced to become an Associate Producer. Hey, cuz! got that direct line to the Big “O” yet?

Eva

Cassie

Also, last year, Robert Taylor and I began broadcasting Sexy Voices of Hollywood, an Internet series of interviews with show biz celebrities. This is another means of support for Watermelon Sushi although we’re currently on hiatus.

Teri LaFlesh

Julia Baker

So many of you have been wonderful supporters and since I don’t have your permission to out you, I’ll only list those who’ve sent me photos for publication—except for Carol Sugihara who rocks! with her multiple purchases of Hapa*Teez. Thank you, too, to our perpetual poster girl Cassie, Eva, Teri LaFlesh, Julia Baker…and Robert Taylor for this: http://www.youtube.com/watch?v=qKi0ie3SKpI

Amina of Mixed Child, Arana of The Topaz Club, and the rest of you, please get your pictures in so we can post you here and on the Watermelon Sushi website.

Hip Hapa Homeez, we promise that 2012 and the Year of the Water Dragon beginning January 23 will make all our dreams come true. Best wishes for a HAPA holiday season and, until next year, I am and will always be

Your Hip Hapa,

Yayoi 

Mixed Arts, Mixed Marriage, And Riding The Metal Tiger

Gung Hay Fat Choy! Sun Neen Fai Lok!

HAPA Lunar New Year of the Metal Tiger, my Hip Hapa Homeez. Are you ready to ride the tiger yet? Grrrr, so are we! This Saturday, the planet celebrates Lunar Year 4708 so Your Hip Hapa thought it appropriate to feature painter, poet, author, newspaper arts editor and produce worker Alan Chong Lau. Every single year, no matter where in the world Your Hip Hapa calls home, Alan sends her a hand-painted Lunar New Year card from his Seattle digs.

That’s Alan with his grandmother in the photo here taken in 1955 in California, and below are three of his paintings. The first one, a self-portrait of him working at his produce job, appeared in his book Blues and Greens: A Produce Worker’s Journal. The second image is called Gods of the People and the third, Bittermelon Achieving Overripeness.

You can find out more about Alan’s artwork by going to the gallery link where Alan’s artwork is featured and clicking his name: http://www.sedersgallery.com/

To learn more about his poetry and published work, drop us a line at hiphapa@comcast.net, and Your Hip Hapa will hook you up with Alan.

Q: How did your family end up in California?

A: My father was originally from a small village in Guangdong Province in Southern China. He left his village as a young boy and lived in Hong Kong with a relative, eventually joining the merchant marines and sailing numerous times to the U.S. One day, he just decided to "jump ship" and when the ship docked for a few days in San Francisco, he got off and never returned. He became one of hundreds of illegal immigrants working the fields as a laborer in the Sacramento Valley. Eventually, he enlisted in the Army when World War II broke out and was granted a pardon for enlisting, becoming a naturalized citizen.

My mother is a second generation Chinese American who grew up in Stockton where her folks had a Chinese restaurant on El Dorado Street. Both of my parents are Haka Chinese. Eventually, my folks settled in Paradise California, which was then a small, conservative, mostly-white retirement community in the upper Sacramento Valley just at the foothills of the Sierra Nevadas--15 miles from Chico. My father often said, "I wanted to start a Chinese restaurant where there wouldn't be any competition."

Q: What was it like for you, a Chinese American, living in Japan?

A: Having an Asian face in an Asian country at first is totally liberating! To go from being a minority in the U.S. where it seems, at times, your every move and action is scrutinized and where you feel you have to explain yourself constantly to being part of the majority where you can just be yourself is initially an exhilarating feeling. But your cover is blown as soon as you open your mouth, or your body language gives you away. “Asian American” was a difficult concept for Japanese to fathom when I was there in the late 1960's to early 1970's. Right away, they try to relate to you by speaking of China; the older folks will speak of the wisdom of Chinese culture or the time they spent in the Japanese army in China during WWII. I lost count of the times I was serenaded by well-meaning old Japanese guys once the sake flowed freely with their rendition of "China Nights" (Shina No Yoru), a nostalgic old song that reminded them of their time spent in China. I think the younger Japanese understood more clearly when you said you were “Asian American”. The way Japanese feel about their place in Asia and their relationship to the U.S. is complicated and definitely colored by history and colonialism. I still remember once, in my morning English conversation class, when one of my students corrected me as I read out his name. He said, "Oh, that's my Japanese name. I am actually a Korean living in Japan." There was dead silence in the room from his fellow Japanese students. I mean, you could have heard a pin drop. Like I said, it’s complicated and something that is being worked out continually.

I spent six months hitchhiking around Japan in 1968-1969 during a leave of absence from San Francisco State University one semester. The second time I ended up in Japan was at the tail end of a trip that took me to Copenhagen to represent my family at my sister's wedding to a boy from Bangkok. They met at the Royal Hotel. He was a busboy and she was a maid. After the wedding, I just kept traveling overland across Europe, Yugoslavia, Greece, Turkey, the Middle East, India, Southeast Asia, and eventually landed back in Kyoto totally penniless. It was the early 1970's and I ended up staying for 3 1/2 years studying brush painting and meeting my wife Kazuko.

Q: How did you two meet? Were there any cultural clashes between your families?

A: The only jobs most foreigners can get are as English conversation teachers. A friend whom I met on the boat to Japan (my first trip was from San Francisco to Yokohama on a cruise ship) had gone to U.C. Santa Barbara and loved Bob Dylan, becoming a Japanese folksinger himself. He got me a job teaching beginning English conversation at Kyoto Unesco. Students would take the class at 7 a.m. before going off to their office jobs. My wife was one of those early morning students.

At the time, I did not speak much Japanese and her parents spoke no English and through that wall of non-communication, somehow we got along. The first time my mother met Kazuko, she told her, "If my mother were still alive, she would be shocked that her grandson married a Japanese woman like you." She was referring to my grandmother's very real hatred of the invading Japanese army who came to her village in China. She once told me about her memory of seeing a Japanese soldier bayonet a pregnant woman, which haunted her for years.

Q: Do you two eat mostly Japanese or Chinese, and who does the cooking?

A: A little of both and all of the rest, although since I am partially vegetarian (I eat fish once in a while), that limits what we eat at times. Kazuko does most of the cooking although at times it really comes down to who gets home first and who's the hungriest. I pick out the produce at work if I am not in a big hurry to go home.

Q: Is Chinese or Japanese spoken at home?

A: I would have to say we speak kind of a "baby" version of both languages. It's strange, but I can speak more Japanese than Chinese. But I think my comprehension of Chinese (in my own Haka dialect) is more thorough than my comprehension of Japanese. Plus, I probably speak Japanese like a girl since I learned it from my wife and some of my female students. So, sometimes Kazuko will say key words in Japanese and fit them into an English sentence or vice versa. Or, sometimes when we don't want to be overhead in a crowd, i.e., when riding the bus, I might say in Japanese, "Someone just cut a fart. Let's move to the back of the bus."

Q: How do you juggle so many careers—poetry, painting, editing the arts section of a newspaper, being a produce worker?

A: I guess my life is a jigsaw and every piece contributes something to make me whole. I am in awe of poetry and just amazed at the magic and power of words. Poetry in an oral sense may have been one of mankind's first utterances--feelings and emotions put to song, notes going out and up into an empty sky. Painting is something that to me is very immediate. You may not have a clear idea in your head, but you can just start splashing ink on paper and before you know it you follow where the painting takes you and wants you to go. I love that feeling when you can't totally control where the journey takes you. Growing up during the Asian American student movement left an indelible mark on my consciousness. I came away from that experience feeling that some part of what you do has to contribute to society and that you have to give back, if only to give thanks to those who came before you and paved the way. So, working on a non-profit community newspaper like the International Examiner is my way of contributing to that dialogue. Plus, I feel it's important to make sure that people realize the importance of the arts in society. And working in the community, in an Asian produce market, keeps you grounded and keeps you real. Plus, it's a great way to interact with and meet people as they go about one of their most important functions, shopping for food to eat.

Q: Any upcoming exhibits or readings?

A: Current and upcoming projects include the following: I have new work in a group show currently at Francine Seders gallery (which represents me locally) that celebrates the owner's birthday until February 14. I had a recent one-person show there in the fall of 2009. I’m writing poems in response to the work of sculptor Marc Wenet. I have also been asked by American poet Cralan Keldar, who lives in Amsterdam, to do the artwork for his first book of poetry due out later this year. And, my work is being considered for a group show on the theme of artists who live and work in the International District for the fall at Wing Luke Asian Museum. Finally, I have been invited to participate in a group project for Richard Hugo House next year where writers will be commissioned to write and read totally new work around the theme of "Born in the U.S.A."

Q: Every year, you hand paint Lunar New Year cards and send them to all your friends. What’s your inspiration?

A: I got that idea from living in Japan and just thought it was a nice way of keeping in touch with friends whom you may never see again or who live far away or that you don't get to see that often. It's my way of staying in touch and saying, "Hello, my friend! I am still thinking of you and wish you the best for the new year." I do around 300 and each card is hand-painted and it's labor intensive. Every year I say I gotta quit doing it, but I haven't yet. What am I going to do--send everyone a generic email card listing all the things I did in the past year? Plus, there are so many religious holidays that separate us or make us different, but "happy new year!" is a sentiment that has a universal commonality and I like that idea.

We like that idea, too, Alan. So, HAPA New Year Hip Hapa Homeez!

Here’s the usual spiel: Please join our Hip Hapa Homeez group page on Facebook where we keep you posted about the latest news affecting blendies, mixies, transracial adoptees and interested parties. While you’re there, check out our Watermelon Sushi Fan page and sign up. This is where we keep you updated about our film’s progress. We also post dialogue from the Watermelon Sushi script on Twitter. If you’d like to participate, check out our Hapa*Teez t-shirts and earn a rear crawl credit on the film with your purchase.

In closing, here’s what Alan replied to our inquiry about his prediction for the Year of the Metal Tiger:

“Living in the moment is always a challenge. I do feel we can influence part of what happens by our actions, and other things we just have no control over.”

Gambatte!

Your Hip Hapa,

Yayoi

Blasian Baby Blogging

Habari Gani, Hip Hapa Homeez! How's that brand-new year working out for you so far?

Everyone here in our Watermelon Sushi World sends you their best wishes for a peaceful and prosperous Year of the Metal Tiger due to descend upon us on February 14. Do check back for more about what that means. If you’re into feng shui, we’ll have some tips on how you can attract the lucky Tiger’s powerful energies. Tora!

Hey, this new year’s slate of interviews promises to provide you with more informative discussions about our multi-heritage experiences. Please feel free to leave your comments, or get in touch directly with some of your co-Hip Hapa Homeez through their links. They’d love to hear from you.

Remember, most newsworthy topics of interest for blendies and mixies are now being posted at the Facebook Hip Hapa Homeez group page. It’s an open group so sign up there to join us. Posting links and comments on the group page leaves this blog space open for lengthier interviews and more photos of our tres chic and looking good Hip Hapa Homeez. By the way, if you’re multi-culti and have a story about your world that you’d like to share, email hiphapa@comcast.net to be considered for an interview.

Don't forget to join our Watermelon Sushi Fan page on Facebook, too, and you can still support our film with your t-shirt purchase--which also earns you a rear crawl credit.

This week’s featured Hip Hapa Homee, pictured above, has quite the cyber life. I first noticed her blogging about what’s referred to as “blasian” issues. You may know that the term literally means black+Asian=blasian; whether referring to offspring of an Asian/black pairing or the coupling of a monoracial black and a monoracial Asian person. Onica Cupido, aka Nikki, is a single mother of a blasian—half Korean--son, Daniel, and writes about what that’s all about. Below is a photo of mother and child, as well as links to Onica’s blogs:

http://euphorialuv.wordpress.com

http://blasianbabynotes.blogspot.com

http://twitter.com/euphorialuv

Q: What's a nice African American girl like you doing blogging about blasian relationships?

A: It sorta just happened. A few years back I was married to a Chinese American and, as we started planning our life together, we wondered where all the other Asian and black families were. After doing a search online, we found very little information beyond a few yahoo groups. So, we started a website and then a blog to offer information and support for other couples and families of this mix.

Q: What's your ethnic heritage?

A: I consider myself a black woman of West Indian Guyanese descent. Both of my parents are from Guyana, in South America.

Q: Being a single mother must be really tough, but you probably experience some really rewarding times, too. Can you tell us a little about both?

A: Being a single parent can be hard when your child is sick and you have to choose to stay home from work repeatedly. Or when you need just a few hours to yourself, but there's no one to take over the second parenting role. But seeing the joy of my son who's confident that I will comfort him, or be there for him, when needed is amazing. I have more encouraging times than I do discouraging times.

Q: Do you think your son, who has very Asian features, is treated differently when you step into the picture and people can see that he has a black mother?

A: So far, this is an ironic thing. No one treats my son any differently even when they find out his mom is black. It's like I was just an incubator for him. Maybe this will change as he grows, but for now it's not an issue.

Q: What about how you're treated when you're alone versus when you're with Daniel? Or, for that matter, what about when you’re with an Asian man?

A: As you can understand, when I'm alone I am just a black woman and treated as such. When I’m on a date with an Asian man, it's not that much of a big deal. Most people have a favorable reaction and think we're a "cute" couple.

But being a mom to Daniel seems to provoke some interesting reactions from curiosity to disbelieving to anger. Each person seems to deal with the visual of Daniel and me differently. I cannot explain the reactions, but I suspect it's usually based on that person’s internal views of black women and interracial mixing.

Q: Any ideas why Asian men/black women couples are so rare among interracial relationships?

A: That's the thing; Asian men and black women couples and families are not rare. Blasian couples and families have been around since the dawn of men and women. Due to the lack of social and media attention, people think it's a rare coupling when compared against other types of interracial couples. But there's historical data and references that show the union of Asian and black people happening for years.

I also think there's a undermining of black women being seen as viable dating and marriage partners. Whenever the idea of interracial dating is highlighted, it’s usually in connection with a white partner. This naturally brings up all sorts of past racial issues and puts interracial dating in a negative light. It's not very encouraging for black women who want to date interracially.

Q: What are the most common questions you're asked by blasian mothers? How about mothers of blasian kids?

A: Blasian mothers have their own unique questions since they already have a dual heritage versus a black or Asian mother with a singular heritage.

Mothers of blasian kids worry if their child will be accepted for who they are as a whole in either community. We as mothers love our own community and the community of our partners, but we wonder whether these communities will love what our unions have produced. I think this is a main question for all mothers with biracial children—of any kind.

Many thanks, Nikki, for your wonderful words of wisdom. If any of you read the recent postings of the young Chinese woman with a black father who appeared on a television talent show in China, you may be aware that she received a lot of hateful reactions. Born and raised in Shanghai, this girl has literally no knowledge of African American culture, customs or rituals. Yet because her father is a black American, many in China refused to accept her as Chinese. It’s a sad planet we live on where others still want to dictate to us who we are in spite of our own selves claiming otherwise. However, here in our Watermelon Sushi World, we are free to just be.

Until next time, I am freely

Your Hip Hapa,

Yayoi