Showing posts with label race. Show all posts
Showing posts with label race. Show all posts

Wednesday, October 21, 2009

Cool, Like Jade

Hey, Hip Hapa Homeez! Welcome back. We are now 1,000 strong and growing daily. Although these numbers speak well for us, they’re especially gratifying as a reflection of the many folks in our group who don’t consider themselves to be mixed-race, but support our agenda anyway. Without them, we biracials, blendies, FGM’s, hapas, MGM’s, mixies, mulattos, multiracials, and transracial adoptees would have a much harder road to navigate—like driving through a strange city without GPS. Can I get a shout-out to all of our Hip Hapa Homeez in da houze?!?


Believe it or not, I met this week’s featured Hip Hapa Homee through Twitter. When I visited Jade Keller’s blog, I was blown away by her stunning photography, her comical discussions about food, and her intense interest in literature. That’s Jade in the photo to the left and below.


Take a peek at her links, and then check out the Q&A that follows:


Tasting Grace: http://jadekeller.com.

Twitter: http://twitter.com/JadeKeller

Facebook: http://www.facebook.com/jadekeller


Q: What’s a nice multiracial girl like you doing with such an eclectic blog?


A: My blog is an extension of my love for writing and for sharing ideas with others. It’s a collection of my thoughts, dreams, desires, worries, and fears…all the things I’m thinking about. I find the written word is my favorite mode of communication. I recently discovered just how much I love writing as I’ve just finished writing my first novel and, through this website, I can keep the words flowing. I love that I can put my thoughts out there, and find others thinking about the same things. Even though we may have vastly different perspectives, it makes me feel we have things to share anyway.


Q: What are your parents’ ethnic backgrounds, how did they meet, and why were you born in Mississippi?


A: My mother was born and raised in Thailand. My father comes from a Norwegian family, but was raised in South Africa. They both emigrated to the U.S. to pursue higher education, and they met at UC Santa Barbara while my dad worked on his PhD and my mom worked on her master’s degree. Unfortunately, times were tough in those days and the only job my father could get after finishing his doctorate was at the University of Mississippi. So they moved there, and that is where I was born. But since my mother was an Asian woman, she could not get a decent job there. They would call her in for interviews and as soon as she walked in the door, they would take one look at her and tell her the position was already filled. If they did interview her, they would express doubt that she could effectively manage an office of men despite her credentials. My parents eventually decided they would be better off on welfare in California than staying any longer in Mississippi. Thankfully, once arriving in California, the job prospects turned around for the better for both my parents.


Q: Does your novel, Fatima in Corinth, involve any multiracial characters?


A: Fatima in Corinth does in fact involve a multiracial character. Fatima is the daughter of a woman from Persia (the ancient Indus region) and a traveling merchant father from ancient Syria. Her mother had died at childbirth, leaving Fatima and her father to travel the world alone together, selling wares and goods. The story opens with Fatima and her father sailing to ancient Greece (or Hellas). When they arrive in Corinth, thieves murder her father and she is taken in as a slave girl. She befriends young, heroic Aeneas, and the two share their ideas on religion, honor, duty and love. But the shrewd, calculating Istran, consumed by jealousy, tries everything to keep Fatima in her rightful place. As she tries to navigate the delicate balance of forging her own identity and freedom in a foreign culture, Fatima is caught in a power struggle, threatening her very survival. In the end, she must choose between surrender and being true to herself, regardless of the cost. It’s a novel about choosing between fitting in and being true to yourself; it’s about choosing between family and friends, between honoring the past and making your own place in the world.


Q: You’re a grad student majoring in Political Science. How do you see race playing a role in politics, particularly now that there is a biracial president?


A: Our country has a very bloody and marred past when it comes to race relations--slavery of African Americans, sending Japanese Americans to internment camps, continued denigration of Hispanic immigrants, anti-Arab sentiments especially post 9-11, the list continues. Even people we now consider white (for example, Irish and Italian people) were once considered non-white and were cast out because of it. We have a very strong history of seeking to exclude others--ironic for a nation of immigrants. While, in a way, we made many important leaps forward through the civil rights movement in trying to promote legal equality, race remains a very strong barrier against equality and unity in this nation. And I think things have gotten…I don’t want to say harder…but perhaps less straightforward, or more complex for race relations since the civil rights movement (the same is true for women’s rights). People have become complacent. They think the race issue has been “dealt with already”. They don’t see that racism now rears its ugly head in much more subtle ways, much more insidious ways that are harder to counter because they are masked. For example, Obama’s opponents hate him for his policies, yes, and they can hide behind that. But the opposition has acquired a manic tinge to it, hovering ever so close to extremism and violence, that times now are downright scary. I think his biracial background fuels this extreme hate – that, and certain members of the news media actively persecuting him and inciting such rage. You can see it on the attacks regarding the legitimacy of his citizenship, the repeated rumors/lies about him being Muslim, and the way the opposition keeps likening his name to Osama bin Laden. They’ve stopped caring whether our country succeeds so long as they can help make sure he fails. This country would be very different indeed if we were not so consumed by issues of race.


Q: You’re also an artist and photographer who is passionate about Burning Man. How do you meld your mixed-race experiences with your love for creativity?


A: I would say my mixed-race experiences actually drive my creative efforts. I think most of what I try to explore, learn, and say come from the fact that I have such a multi-faceted background and from growing up where I could understand the perspective of those around me, but still feel totally separate from it. It gave me a sense of what it means to be different, even to the point of alienation – and yet to find those universal truths that bind us all. I don’t mean to say I have any answers at all; merely that this is what I try to explore and express in my writing. It’s interesting you mention Burning Man as the prelude to this question, because Burning Man celebrates precisely this: our unique and beautiful individuality coalescing towards a higher expression of humanity.


Q: You take some great photos for your blog. Are you a professional photographer?


A: No, I was an art major in college (specializing in painting), but that’s the extent of my artistic endeavors. I use the photos to add interest to my blog and to play around with words juxtaposed against imagery. But I’ve never been formally trained as a photographer or anything. It’s my husband who is the professional. So if I need any tips, I just ask him.

Q: You love to blog about food, and Thai food has become hugely popular in the U.S. Any idea why?


A: I’m probably biased in this, considering that I grew up with Thai food. In my house, spaghetti was pretty exotic, while stir-fries and curries were the usual fare. I think Thai food has such a lure because it combines so many different flavors: salty, sweet, sour, spicy, etc. Many other ethnic foods tend to focus on very similar combinations of flavors, but Thai food has a lot of variety. Plus really good Thai food relies on super fresh ingredients, allowing for healthy choices, and it is totally customizable for different diets, so it makes it easier for vegans or others on special diets to still have yummy options.


Q: You’ve said your mother didn’t make a concerted effort to teach you the Thai language, but did she raise as if you were Thai?


A: I’m not sure my mom consciously raised me as if I were Thai, but there are definite values and perspectives that we both share that I would say are more Thai than American. For example, deference towards elders and towards authority runs quite strong in me. For the longest time, I could never argue with my parents because it was such a sign of disrespect. To this day I find it difficult to argue with others, especially if they are angry and yelling and talking over one another. I much prefer to discuss things calmly and coolly, with each person waiting their turn to speak; and so I tend to also keep my anger and temper buried much deeper under the surface when it does get provoked. Food is also deeply important to me. I place great importance in family (and friends) collecting together around the dinner table and sharing food and conversation together every night. I view the making and preparation of food as an art in itself, and the sharing of food as a deeply soulful experience. I also have a habit of taking off my shoes when I enter the home, and I believe smiles and an accepting attitude towards others will go a long way towards soothing tensions.


Thank you for those cool words, cool lady Jade.

The big news this week was the story of a Justice of Peace in Louisiana who refused to marry an interracial couple based on, get this, his certainty that their mixed-race offspring wouldn’t be accepted by either side. Now, how this justice is so sure about that is really moot since what he did was illegal. Still, it’s interesting to note that there are still folks out there who believe they can make decisions for others based merely on their own opinions.

If you want to read the article, go to the Hip Hapa Homeez group page on Facebook. While you’re there, join the Watermelon Sushi Fan page where we post updates about our film. Remember, we still have Hapa*Teez t-shirts for you and if you make a purchase, let us know so we spell your name right in the rear crawl credits. And, don’t forget to tweet us on Twitter. You may just end up being our next featured Hip Hapa Homee.

Until we meet again, I cooly remain…

Your Hip Hapa,

Yayoi

Wednesday, August 26, 2009

Born In Japan, But Made In America

Big-ups and shout-outs to all you Hip Hapa Homeez for keepin' it real with your comments and emails. We love hearing from you so keep on keepin' on. Remember, if you're an actor, we still want your headshot for our Watermelon Sushi fan page on Facebook. And, join our Hip Hapa Homeez group while you're cruisin' Facebook. Plus, don't forget Hapa*Teez t-shirts for you, your family and friends. Every purchase helps support our Watermelon Sushi film and earns you a rear crawl credit, too. Be a big shot film producer while looking like a hot, haute, hip hapa homee!

Speaking of, this week's featured HHH is award-winning filmmaker Katsumi "Tim" Nagae of Ann Arbor Michigan. Originally from Fukuoka Japan, Tim came to America for school and liked it here so much that he stayed. That's him in the photo above tweaking some knobs in the studio and with Austin, below, the subject of one of his films.

First, check out these links to Tim's films, then join us in the Q&A following.

Austin's Movie

Haley and Madonna

Q: Tim-san, what's a nice Japanese guy like you doing making documentary films in America?

A: Thank you for describing me as "a nice Japanese guy", but I try to be as friendly as possible in terms of communicating with others. In order to make documentaries, I have to meet lots of different kinds of people to interview them. It's my job to make them feel comfortable with me. Also, the fact that I'm an international person definitely helps. For example, Haley and Madonna is about the Miss America pageant--which is very much an American thing. When I started this project, I didn't know anything about beauty pageants because I didn't grow up in this country. So, I didn't have a bias against pageants like a typically liberal person does, and it worked out well for me.

Q: You're known for tackling difficult subjects like autism and physical disabilities. Why do those topics interest you?

A: To be honest, I didn't really choose the topics of autism and physical disabilities. The subjects, Austin and Haley, are interesting individuals who happen to be affected with those disabilities. Both movies are not really about their disabilities, but about themselves. However, I'm glad I underscored those issues which makes the subjects much more interesting and significant. I believe those movies have contributed to public awareness of disability issues. If Austin's Movie was about a talented boy photographer without autism, I don't think it would've gotten so much attention.

Q: How does Japanese and American documentary filmmaking differ?

A: Since I learned how to make films and videos in America, I don't know much about Japanese documentaries. In general, filmmaking in Japan is not as business-oriented as in America. So many Japanese filmmakers try to create their own styles. For example, some directors use
only long shots for everything (like Michelangelo Antonioni's films) no matter what kind of movie they're making. This "I'm an artist" attitude somewhat works out, especially for independent filmmakers, but it also makes it hard for them to produce "everybody's cup of tea" movies. On the other hand, many American mainstream moviemakers and companies take extra efforts to make movies that don't bore the audience. Those movies are fast with a lot of cuts, keeping the audience's constant attention, but many are over exaggerated and make us think, "What's the point of this movie?" I go to movies probably 30 to 40 times a year, and enjoy them. But I wonder how many movies I can honestly call "good".

Also, because of public accessibility to computers and digital video technology, moviemaking is much easier than it used to be. Everybody can make movies now, especially documentaries. Even a movie about next-door neighbors may draw enormous attention if made right. Haley and Austin were just kids in your neighborhood before their movies came out. I feel good about contributing to the discovery of these very interesting individuals who, I believe, should be acknowledged in the community. This is the true mission of an independent filmmaker.

Q: Your next documentary is about an African American artist who went to Nagasaki shortly after the atomic bomb was dropped. How will you tell his story?

A: My purpose in making this film is not to point out who has the responsibility for the atomic bombs. Who is right or who is wrong is not the issue here, but Hiroshima and Nagasaki should be accepted as a tragic event that happened in human history. However, I do know many people will be upset with this movie so I have to be ready for that. But I also hope many people will look at it as a must-see "American movie" and change their views on war and humanity.

Q: A lot of people think that Japanese are intolerant and prejudiced against other ethnicities. True?

A: Where did you get that idea? If you go to Japan, you'll be surprised to find an intense eclecticism of cultures from around the world. Modern Japanese love American movies, pop music and ethnic food. They love major league baseball, too. Japanese have traditionally been very good at accepting other cultures, interpreting them in their own way, and re-inventing something new for themselves. Unfortunately, it's true that some people--especially in the countryside--are prejudiced against other ethnicities, particularly Koreans, Chinese or other Asian people. But things have been better, especially after Korean television drama became hugely popular in Japan. I wasn't in Japan then, but I heard there are fewer racists than there used to be.

Q: What is the most significant Japanese thing you've had to give up since moving to the U.S.?

A: Japanese people are always concerned about their own position, power and authority. For example, my brother who is only three years older is always arrogant with me only because he's older. I have to call him "Brother" yet he calls me by my first name. He can tell me what to do by demanding, "Do that". Nobody thinks that's rude. But I can only ask him to do something by asking, "Can you do that for me?" If I tell him, "Do that", it will be considered breaking a cultural rule. At work, in both Japan and the U.S., you have to show respect to your boss. But in the U.S., once you leave work, it's up to you to ignore or be friends with the boss outside of your workplace. That's not acceptable in Japan. In my opinion, it's much more stressful to live with Japanese culture than in the U.S. I don't have to follow Japanese customs as long as I live in this country, which is healthier for me.

Q: Can you envision a time in the world when race will not matter?

A: That's a hard question, but I would say race should matter in a positive way. Each culture, whether Japanese, Asian, black, Hispanic or white, has its own cultural heritage that should be treasured by everybody--which means people should respect each other. You may think this is an elitist and overly idealistic answer, but I don't think it's necessary for me to twist my comments over racial issues here.

If I may share my strange idea, I'd say if we found some creatures living outside of this planet, whether or not we saw them as friends or enemies, we'd consider all human beings as one group of creatures and race wouldn't matter anymore. Then, we would stop fighting wars.

Peace, Tim-san! Domo arrigato gozaimashite for sharing. For you budding filmmakers, contact Tim here:


Until next week, when we present another multi-culti Hip Hapa Homee,
I am...

Your Hip Hapa,
Yayoi