Showing posts with label Obama. Show all posts
Showing posts with label Obama. Show all posts

Friday, December 31, 2021

HAPA New Year!

Aloha, Hip Hapa Homeez!

a hip hapa homee
Akemashite Omedettou Gozaimasu! Hau’oli Makahiki Hou!

Hey, hip hapa homee, what are your New Year’s resolutions? Are any of them centered around issues of importance to BIPOC and, especially, us mixies?




















Since Your Hip Hapa began this blog in 2006 (and really moved forward with it in 2008), so much has changed in our Watermelon Sushi World.


In the old days, we rarely saw any outed multiracial images onscreen, in books, or anywhere public. There may have been actors who were mixed in real life, but they were often forced to play mono-racial characters. Except for a few pioneering films that addressed the issue of being mixed, the topic was mostly ignored.


Watermelon Sushi the Movie by B.R. Winfrey

But 2008 brought a biracial president of the U.S. into the public arena. Although he was “one-dropped” by most media, he also quietly stood apart from issues of ethnic identity. Despite having a white mother, Obama was considered to be a black man by the majority, and he went with it.


Still, there has been so much progress on the planet in the 15 years that we’ve been publishing this blog. We can hardly wait to see what’s coming next. Maybe soon, we might even stop writing this blog because, hopefully, the world will reach a point where there will be no reason to bring light to BIPOC and mixie-related topics.


featured family in Watermelon Sushi the Movie

Meanwhile, our goal for 2022 is to produce two films. One is in homage to a Japanese war bride married to an African American soldier. Her fantastic life includes her work as an artist, dancer, chef, and so much more.


Our second film is also a documentary. With major “arrigatous” and “mahalos” to VeganFlix for their generous grant, we are producing a short about Indigenous who were likely vegan before being colonized.


Here’s our VeganFlix interview:


https://veganflix.com/interview-with-2021-veganflix-video-seed-grant-recipient-yayoi-l-winfrey/


Additionally, we’re finally releasing some of our fiction. One will be a collection of short stories all featuring BIPOC, multicultural, mixed-race and interracially involved characters. Another is a novel about a multi-generational mixed-race family living in the Caribbean in the midst of race-based political turmoil.


2022 promises excitement, so please stay tuned!


Watermelon Sushi Youtube channel:


https://www.youtube.com/c/WatermelonSushi/featured


www.watermelonsushi.com


War Brides of Japan Youtube channel:


https://www.youtube.com/channel/UCPemluw0stoTsx8yvz2tCrg


www.warbridesofjapan.com



making War Brides of Japan



dir. Yayoi with war bride daughter, Diana Portugal


dir. Yayoi with war bride daughter, Roleta

dir. Yayoi with war bride daughter, Yoshi


Starwheels Productions website:


https://yourhiphapa.wixsite.com/starwheels


HAPA New Year to you!


Your Hip Hapa,


Yayoi




Wednesday, September 22, 2010

Damn It! Carolyn Battle-Cochrane Goes To Battle For Biracials


To all you Hip Hapa Homeez in the house, do we have a special treat for you this week! Perhaps you’ve already heard, but there’s a documentary about the biracial experience that is causing controversy on every side of the mixed-race experience. For one, the title “Biracial: Not Black, Damn It” has created huge debates. Below, we speak to director Carolyn Battle-Cochrane about her life and what inspired her to make this movie. Scattered below are photos of Carolyn along with promo pieces for the film.  

Q: Who are your parents and how did you grow up?

A: My father was a cotton-picking, cussing, pool hustling turned professional tailor black man from the South. My mother is a proper white woman from Boston who feels that certain etiquettes are always required. The extreme differences in their life experiences and/or lack of experiences made for an interesting behind-closed-doors-highly-dysfunctional reality show. I was one of the biracial folks who always knew I was walking the tightrope. My community constantly reminded me I had a white mother, and my father reminded me that "the white woman" was my mother.

I recently completed my memoir, "Private Conversations" telling the story of my extremely "different" parents (culturally) and my personal story about being biracial. Currently, I have two chapters on my website: www.battlecatt.com

Q: What’s your filmmaking background?

A: When I decided I wanted to make films, my daughter still lived at home. It was a serious choice to fall back from making the kind of money I was at the time and take a lesser position so that I could go to school. As a single parent, I had a talk with my daughter about cutting back. She said she was down with my choice to work full-time weekends while I took independent studies at the New School for Social Research in New York, as well as workshops and classes at NYU and several other film outlets. I was fortunate enough to make a great student film, which opened doors shortly after I left film school. I got a job as a consultant at Disney and was able to make a film that was used for cross-platforming business units into working together. Before the Disney gig, I had been in and out of Hollywood from NY because of a few scripts I had written. I got a call from an NBA player at the time who had read my script. He thought it was a hit and wanted to get me connected. We took meetings and I realized I had a lot to learn. I was not willing to compromise the storyline when the executives running the show had no idea about the world I was trying to bring to the forefront. Not much has changed. As people of color, we have few storylines. My scripts are about chicks that might be mixed or might not be, but have lived beyond the stereotypes. So the scripts are dusty, but still stories untold. That led me to making my documentary series. I decided I was going to do a project that I bankrolled that no one was going to control, but me. The money ran out, so I started selling a life from the past: LV's, Pradas, mink coats, diamonds. $350,000 later, part 1 and 2 are complete, and I am $150,000 in debt--but, still shooting and editing, still self-financed. 

Q: What’s surprised you the most about the people you've interviewed for your documentary?

A: That almost everyone has the same exact answers, that everyone felt so alone, isolated, even when they had siblings. Often the topic, the confusion, was/is never discussed.


Q: What’s disappointed you the most?

A: I can't think of anything disappointing about the interviews I have done. The closest thing to a disappointment is one chick I interviewed went really personal, dropping info that was shocking. She matter of factly mentioned that feeling so alone being biracial had turned her into a heroin addict. The experience with her after she chose to unleash the demon was a disappointing saga. I have decided that will not be an interview that I will put into the series. I have probably 20-30 interviews I will never use; too dark, too sad. I don't want a series that is only about the blues.


Q: How about what pleased you the most?

A: Pleased me the most is how open, easy and free the flow is when we're talking about "our" story. The element of knowing each other even though often it is a new relationship, and how healing it is for almost everyone that does an interview. Usually what they have to say has been laying heavy on their chest and unloading that burden is amazing to watch. The transformation from being in pain and then not is mad cool.

Q: That title upsets a lot of people who are not mixed. Was that intentional?

A: The title came from a place of pure honesty and frustration. I was tired of the arguments about my identity: 'No, you're black, you look black, your father is black, yada, yada.' I had no idea the impact the title was going to have, both positive and negative. I'd like to say for the most part it has been a much more positive response than negative. I get letters and emails from monoracial folks both black and white that thank me for telling the truth and keeping it real. After really pinpointing who has the biggest problem with the title, I have found that it is a small group that is still living the One Drop lie. There are people who like things the way they are for a number of reasons, and they would still hate the project regardless of the title, but this title got folks talking and that is what is needed. If we are not talking, we are not learning about each other. I do find it hysterical when folks suggest I should change the title because I might possibly hit a broader audience. Part one of this project was done a year and a half before it got any love. It just had another title, and no one was interested. That title opened the door.


Q: You have a huge Facebook following. Is social media a good platform for mixed-race agendas?

A: Social media is good for any agenda, that's where the world lives and plays and learns, but, yes, mixed-race issues can have a platform without asking for permission. It is still a hard knock-knock to get the doors open in mainstream America so this allows the support, the conversations, the unity that wasn't available years ago.  Eventually, the doors in mainstream media will open. It's just still an uncomfortable subject for whatever reason. I personally do not get it, but I am told folks are still not ready. That's why they have deemed Obama the first "black" president. 'Bulloney' is all I can say.

Q: What do you hope to accomplish with your documentary? Any future plans?

A: Hit mainstream and turn it into a television series. Multicultural/multiracial America is huge (and growing) and the interesting, funny, heart-provoking stories need a forum to breathe, to be told in truth, to be heard, to be documented.

I have plans, blueprints, and I am in constant motion to bring them to light. There is always something on the horizon, but I do not want to shoot myself in the foot by running my mouth before its time. I most recently got my first syndicated film review, which got me on Rotten Tomatoes and that was a great feeling. When I saw the review on the same page as three studio films, it was a ‘wow’ moment.

Thank you, Carolyn. Check out the multiple trailers for the documentary series at the official website: www.battlecatt.com

Also, remember to join our Hip Hapa Homeez group on Facebook where we post info about multiethnic and transracial adoptee communities. You can also “like” our Watermelon Sushi fan page which helps support our film, Watermelon Sushi. Purchasing a Hapa*Teez t-shirt will also assist in the production of our film, and you’ll receive a rear-crawl credit for your help. Just drop us a line a hapateez@me.com so we can spell your name right.

As always, it’s been real.

Your Hip Hapa,
Yayoi

Wednesday, April 21, 2010

Plate Lunch: Two Scoops Of Hapa

Aloha nui loa, Hip Hapa Homeez! As we say in Hawai’i, komo mai or welcome. He hale keia a (this is the house of) our multiethnic and cross-cultural agenda featuring folks we like to call da kine Hip Hapa Homeez.


This week’s featured Hip Hapa Homee is another Watermelon Sushi Associate Producer, Scott Lee, pictured above in mid-tea toast. Below, are photos of my fave dishes that Scott always orders for us at our preferred Waikiki eatery on Kapi’olani Boulevard. That’s cake noodle on top, and eggplant with tofu beneath it. Mmm. So ono da kine! No siree, no plate lunch here. If you’re hip, then you know the typical Hawai'ian plate lunch includes two scoops of white rice, or one of macaroni or potato salad.


Scott, who lives on Oahu where he’s a skillful chef, has been a reliable source for financial investment information for our independent film, Watermelon Sushi. If you have any ideas you’d like to discuss with Scott, do drop a line to yourhiphapa@me.com and we’ll forward your email to him.

Q: What makes you a Hip Hapa Homee?

A: I'm Chinese, Korean and Hawai’ian, which is considered a Poi Dog here in Hawai’i. Growing up in Honolulu in a working class family (that sacrificed to send me to private school in my early years only for me to end up in the secondary public system), I was exposed to both ends of the tracks. The multi-cultural culinary field in a predominately tourism economy allowed me exposure to the ‘rainbow’ diversity and, more importantly, acceptance of Hawai’i living as experienced by President Obama. I have lived here all my life visiting other states on occasion and, I look forward to experiencing more of what this planet has to offer.

Q: How did you grow up?

A: My parents were both educators and with it came all the bells and whistles of underachievement and accomplishments necessary for parental unit approval; more so the end result of my life working in the food industry. Personally, I don’t feel it matters what I do being that all the families with a long history here in Hawai’i descended from farm life in the pineapple and sugar cane fields.  

Q: What's your role in Watermelon Sushi?

A: To be honest, I really do not consciously know what my role is with Watermelon Sushi. Between all of you out there and me, I sometimes believe Yayoi keeps me around as a Hawai’ian pet in need of attention. Actually, for the past 15 years to mix up the sometimes "Groundhog Day" eventless mastery of my culinary career, I decided to experience some opportunistic activities in my spare time leading to a wealth of knowledge and useful contacts I believe will become assets to the production of Watermelon Sushi.

Q: What else do you do?

A: Paying the bills falls on my ability to food service particular working class clients who have had the chance to sample my 25 years experience in the hotels and restaurants of Oahu at "sub fast food prices".  When or if the economy improves anytime soon, I will be increasing my efforts in this arena.

Q: As a renowned chef, do you have a recipe to contribute to The Official Watermelon Sushi Cookbook?

A: Yes!  Mix your favorite b-b-q sauce with your favorite teriyaki sauce one part to one part and use it on everything; get rid of your favorite ketchup.  

Q: What impact do you think Obama's presidency has made on multiethnic agendas?

A: What! Are you kidding? It has everything to do with what our society has become culturally. I’m not talking about all the work the different ethnic backgrounds have produced in the last 50 years. I’m talking about forcing all the culturally ignorant individuals that were sitting on the fence deciding whether or not to accept publicly what they already knew in their hearts. Other than the few aliens roaming around lost on this planet, we are all 99.9% genetically the same. Just like all the doggy breeds, we have all the same genetics whether big, small, hairy, or not.

Q: Speaking of aliens, what do you see in Watermelon Sushi’s future?

A: Watermelon Sushi will kick start a revolution of all the people who have been looked down upon as being half-breeds in their perspective hometowns, in their home countries. It is now in the minority to be of only one cultural background.

Mahalo nui loa, Scott Lee! Moke shaka!

Remember, if you’re a Hip Hapa Homee with a story to share, email yourhiphapa@me.com so we can feature you here. Next up, look for our interview with author Teri LaFlesh discussing her book, Curly Like Me.

And, here are some updates from past Watermelon Sushi World interviewees:

Filmmaker Joe Doughrity’s Akira’s Hip Hop Shop


one of the finalists in BETs’ “Lens On Talent”--is now available through Amazon. 

Check it out here. You go, Joe!





























Actor Tony (Juan Carlos) Insignares 

has a role in a film released on April 17 called The Harps

Here’s the link:


Finally, congratulations to iPrince, Richard Todd Smith, last week’s featured Hip Hapa Homee. iPrince has been hustling so hard on behalf of our Watermelon Sushi film that he earned a promotion to Co-Producer! Congrats, and big up. Please friend iPrince Smitty on Facebook or email him at iprincemsmitty@gmail.com with any questions you have about production. Since our interview last week, iPrince forwarded this photo below of Detroit’s Chinatown. What a Hip Hapa Homee!

Remember, if you’d like to show your support, purchase a Hapa*Teez 
t-shirt and earn a rear crawl credit on the film. Also, join our Hip Hapa Homeez Group page on Facebook to stay informed about all the news pertaining to multiethnic communities and transracial adoptees. Become a fan of our Watermelon Sushi Fan page on Facebook to be kept up-to-date about our film. You can also follow the Watermelon Sushi World blog on Facebook. And, if all of that’s not enough to show us love, follow watermelonsushi on Twitter. We promise to follow back!

That’s all she wrote for now, but I am and always will be

Your Hip Hapa,
Yayoi

Wednesday, April 07, 2010

iPrince: The Monarchy Of A Multi-Culti Mind


Welcome back to Watermelon Sushi World! Please enter the portal to our universe of mixed-ness where cultures cross and ethnicities blend. Kick back and make yourself at home, Hip Hapa Homeez.

This week, Your Hip Hapa profiles one of several Watermelon Sushi Associate Producers located around the globe. What’s a Watermelon Sushi Associate Producer? Watermelon Sushi is our feature film, which our Associate Producers are dedicated to producing and bringing to the silver screen for you. The worldly Mr. Richard Todd Smith, better known as iPrince, explains. Above is his face, below his thoughts.

Q: What makes you a Hip Hapa Homee?

A: I'm African American and live in the inner city of Detroit Michigan. We’re internationally known as the Motor City and where the Motown musical legends came from.

But last year in 2008, I lived in Phoenix where I worked with the Latino population. As a youth and community developer, I partnered with the downtown, centrally located, YMCA. I established youth enrichment programs, summer camp programs, basketball and soccer tournaments, swim teams, Friday night jams, and parties with local radio stations. The YMCA has different partnerships, like with Arizona State University. Youth At Risk is another organization that we worked with; and, also six local high schools and four elementary schools in the district. There were over 100 participants in our program.

Not only was I able to eat great Latino meals in Phoenix, but I also learned the culture of the population, which is centered on food and family. Besides the hot weather, I was also exposed to bilingual speaking and learned some Spanish. I ate hot tamales, quesadillas and soft tacos with sun-dried tomatoes and jalapenos all day long, as well as lots of fresh fruits—apples, oranges, bananas and plantains; a Latino staple.

Q: What's your role in the Watermelon Sushi film--past and future?

A: My thing is outreach. I enjoy reaching out to multiethnic communities and sharing with them even as I learn more about their histories. I’m interested in teaching others about cross-cultural agendas and mixed-race people, and the message and motivation of Watermelon Sushi. I plan to approach diverse cultures and expose them not only to the producers behind the film project, but the project itself. I want to inform younger generations, teenagers, and my peer group--the 30 somethings, the Gen Xers—and reach out to educate them about crossing cultures and what it means to be multiethnic. I want to speak to an international audience. This project is an international project, and I want to teach about it globally. 

As a project for this summer, I’m also working on sponsoring a basketball team to buy Hapa*Teez t-shirts which advertise and finance the Watermelon Sushi film. We’ll approach, say, a local grocery store and ask them to donate a number of shirts to our team. 10% of the funds raised will be donated to the film’s production. This will give us the spin of outreach. I want to sponsor those ball players and take photos of them to be part of the film. I'm looking forward to doing my part. I plan to showcase these types of activities to potential financiers, especially in an urban setting.

I’m also researching film credits, incentives and tax breaks offered by the Michigan Film Office. Soon, I’ll be contacting some key players in that organization to see how we can work together on Watermelon Sushi. To quote Joe Biden, this is a big blankety-blank deal!

Q: What else do you do?

A: I'm a part-time student at Wayne State University where I study urban development and political science. I also work in the field of fine art and antiques; primarily 20th Century American furniture. I also read a lot to stay informed; mostly magazines like Architectural Digest, Fine Wine, Forbes, and Your Hip Hapa’s cousin’s, Oprah's, publication—O.

Q: How did you grow up?

A: I was born and raised on the east side of Detroit. My family is middle-class and, as business owners, gave me the incentive to be entrepreneurial. My folks owned re-sell shops, a gas station and a local Dairy Queen. The majority of my time was spent being involved in after-school programs, and sports for exercise and staying healthy.

Growing up, I attended a private Catholic school, St. David, where we had mixed populations with both black and white roots. Any mixed-race students were predominantly black and white although some had Asian mothers and black fathers. In Detroit, we have a Chinatown, so our family would go there to eat out. We also have a Mexicantown and Africantown--where West Africans from Ghana display their dance culture.

Q: What impact do you think Obama's presidency has made on multiethnic agendas?

A: I don't think he’s made an impact directly, but indirectly by his image because those communities benefit from his having an image of color. By us having a multiethnic president, it sends a hopeful message to multiracial people of color.

Q: Do you have a recipe for The Official Watermelon Sushi Cookbook?

A: You better believe it! It's going to be my caveat to being a part of the project. I'm not much of a cook though. I have sisters, so I eat and wash the dishes. Yes, that sounds sexist, but we role-play. I stay in my lane and they stay in theirs. I'm a willing participant of it. Even if I cook, my sisters taste the food and are like, “Well…” And, then, they may not wash the dishes, so I'll be stuck washing dishes and cooking, too.

Having said that, I may consider submitting a recipe for a fruit salad with watermelons, cherries, strawberries and apple slices. And, I’ll use hummus and olives rolled in rice and seaweed for what I’ll call “Middle Eastern Sushi.” It sounds terrible, but it is catchy.

Q: What do you see in Watermelon Sushi’s future?

A: Not only will it be a film, but a brand--a household name. It will be in your library as a novel, in your kitchen as a cookbook, in your den on a DVD, in your child’s room as a paper doll, and even in your home as houseware like china and linens. It will be in all kinds of homes of all different races as a constant reminder of what it takes to work together in the world. We live to learn about each other so what is it going to take for us to exist together? I see Watermelon Sushi educating the world about the ways and principals of how to relate and understand other ethnic groups and other cultures. 

Wow! No wonder Watermelon Sushi is growing so successfully—thanks to Associate Producers like iPrince. btw, HAPA birthday, iPrince! (Friday, April 9)

To contact Richard Todd Smith:

Friend him on Facebook: http://www.facebook.com/iPrinceSmitty
Follow him on Twitter at http://twitter.com/mrtsmitty

Stay tuned, Hip Hapa Homeez, as we continue to present Watermelon Sushi Associate Producers from around the planet along with regular profiles in the coming weeks. We’ll also be developing The Official Watermelon Sushi Cookbook where your vegan recipes will be published along with your photo and story. For more info about the cookbook, email yourhiphapa@me.com

Now, here’s a shout-out to our Hapa*Teez supporters. Remember, if you make a purchase, contact us at hapateez@me.com for your rear crawl credit. This week’s featured Hip Hapa Homee in Hapa*Teez t-shirt is British beauty Sogba Bruce Jaja. Looking good, girl!


And, here’s an announcement from Andrew Grant-Thomas, Deputy Director of the Kirwan Institute for the Study of Race and Ethnicity (Ohio State University). Andrew is soliciting a wide range of views on the subject of future race relations and besides tapping advocates, researchers and other professionals, he’s also looking for “bloggers, poets, writers of speculative fiction, futurists, young and old, immigrants, poor and working class people of color and just plain folk.” Get more info at this link:


Speaking of Obama, this week’s featured Amazon product is Watermelon Sushi Associate Producer Pearl, Jr.’s on-demand video titled Barack Obama: The Power of Change.

Let’s end with a BIG UP to all you Hip Hapa Homeez Group members and Watermelon Sushi Fans on Facebook, and to you tweeting Twitterers. Anyone can join us, so please do. And, keep your comments and emails coming. Like iPrince, above, we love it when you reach out. Soon we’ll meet again, and until then, I am

Your Hip Hapa,
Yayoi

Wednesday, October 07, 2009

Taking A Chance

Big-ups to you Hip Hapa Homeez and Watermelon Sushi Fans for your continued love. This week’s Hip Hapa Homee is Chance, in the photo, who solemnly hosts an interactive website about being mixed. Check it out here: http://www.mgmix.com; then, read the Q&A below. This is some serious stuff, and sure to invite controversy!

Q: What’s a nice multiracial guy like you doing moderating MGmix.com?

A: MGmix is a multiracial website for biracials and multi-generation mixed people. It caters to biracials, and the issues and views that affect them in society. At the same time, there are many people who are not biracial but are multi-generation mixed. But, due to the "One Drop Rule", the majority of them have been labeled "black" and raised black/African American. Those of the multi-generation mixed, who could pass for white or another race, could escape this fate if they wanted.

The website also deals with topics about other mixed-race groups like Creoles, and mixed-race ethnic history from other countries. MGmix deals with biracialism, and the study of mixed-race people who are not biracial, but are also mixed. It's good that biracials get to know a little history about other biracials of the past who contributed to America politically, economically, religiously, and fought for the rights of blacks and mixed-race people.

I wanted to make MGmix a site that does not limit itself to one type of topic. That is why you find articles and commentaries on many subjects from biracialism, multi-generation mixed, Creoles, international mixed, politics, economics, religion, celebrities, music, etc. The more diverse topics you have, the more interesting the site. And, seldom will you have people getting bored because the same old subject is always posted. Variety is unity.

Q: What was your motivation for creating this site?

A: I visited many other multiracial websites, and I noticed that there were some things lacking in some of them--not all, just some. I noticed that some did not have a section for readers to leave comments, so there could be no feedback. When there is no opportunity for feedback, it discourages readers and they don’t return frequently. Then, there are some biracial and multiracial sites that have a forum which allows feedback. Now, having a forum is very good, but many readers don’t want to participate in a forum all the time. I also noticed that some biracial and multiracial sites were not updated frequently. I have seen posted articles sitting on the front page of some sites for over a year.

At some sites, there were many biracials who felt dissatisfied for various reasons--one of them was that some biracials felt they were being unfairly labeled "anti-black" because they disagreed with blacks pushing the “One Drop Rule”. Any type of criticism of blacks about certain issues would sometimes be met with an accusation of being "anti-black". Other biracials and some blacks would make these allegations against other biracials. Some were anti-black and many others were not--they were just stating observations they had made; like blacks frequently pushing the "One Drop Rule".

I felt that there were not enough websites out there for biracials and other multi-generation mixed people, and this lack of other sites forced people to have to settle for sites that were already well-known. So I decided to create a site for biracials that would welcome multi-generation mixed people, Creoles, monoracials, and supporters who were interested. I remember feeling a deep sorrow at times for many mixed-race people at other sites because of their being criticized just because they spoke the truth about certain things.

Q: But there's no personal information about you on your site. Who are you?

A: I’m not biracial; I’m a multi-generation mixed person. My ancestry on both my father and mother’s side of the family are mixed. On my father’s side there is black and white, on my mother’s side there is black, white, and Native American. I was raised by my mother, and she always said we were mixed and that is what stuck with me. She didn't talk constantly about race and ethnicity, but when the subject came up she would say we were mixed.

Now, some African Americans, biracials, and other people say it does not count if you have white and other ancestry from the past. I say this, I have never seen a black ancestor yet you call me black (African American). So if I have never seen a white, black, or Native American ancestor, then I guess that leaves the slate open for me to label myself. Notice people don’t challenge Latinos (who are multi-generation mixed) about their mixed ancestry. Many Latinos have never seen a white ancestor from Spain nor a Native Aztec, Mayan, or Inca ancestor. Many Latinos claim to be white even though they are visibly mixed, and they have that right even though they have never met a white ancestor. You are what you are, especially if it is visible and people take notice of it. Therefore, it counts.

For me, a mulatto is a person with one black parent and one white parent or a person who is mixed with black and white ancestry--especially if it is visible. Also phenotype (physical appearance), if a debate breaks out about whether some light-skinned African American is to be considered mulatto or not. The deciding factor that doesn't lie is physical appearance. Therefore, mulatto is also a physical appearance. Many biracials who are not born light-skinned have verified that often they are seen as "just black". Many light-skinned African Americans can verify that they are often asked by other African Americans and people from other ethnic groups what they are mixed with. This proves that phenotype carries more weight than just being biracial. So, when a person says they are mulatto, you should ask what type--biracial mulatto or multi-generation mulatto. I’m sure some biracials find it shocking to see many mixed-race, light-skinned African Americans walking around without them being directly biracial. Especially, those biracials who are darker than the multi-generation mixed-race person.

If the mixed-race ancestry of multi-generation mixed Africa Americans didn’t count, then why is it that they, in some situations, are chosen over darker African Americans simply because they look "less black" and more mixed? Obviously, the choosers are seeing something other than black. If mixed-race ancestry didn’t count, then why do people take notice of hair texture; blue, green, hazel eyes; light skin; soft European features, and features of other ethnic groups one is mixed with? If mixed-race ancestry didn’t count, then why do many light-skinned African Americans and Creoles have to defend themselves from accusations by darker skinned blacks and other people who claim that light-skinned African Americans and Creoles think they are better because they are mixed? This proves that people recognize differences.

Q : How has your racial make-up affected your life?

A: From my life experiences, people go by how you look more than anything. I did not know that I was considered black until the third grade. I was sitting in class one day at school, and another third grade teacher came into the classroom and spoke with my teacher, then left. My teacher stood up and said there was a black kid running around on the playground with his head down chasing other kids. He had something crawling in his hair and they found out it was lice. So the teacher wanted all of her black students to stand up and form a line.

There were white students in the class, but since the boy with lice was black I guess she felt it was better to check the black kids’ hair instead. I did not get up. I felt fearful because I knew that I was mixed with black, but I didn’t look like a black kid with dark black skin or caramel brown skin. For me, black was a color. I have yellowish brown skin. I knew I was not white either because I didn’t look like them in color. I was the only yellow kid in the room; none of the others looked like me. I felt afraid and very scared because I wasn’t sure what I was because I didn’t fit in either the black or white group in appearance.

I stood up and continued to stand just looking at all the black kids lined up until my teacher looked at me, called my name, and said 'come on'. I felt a relief not because I saw myself as black, but because the pressure of not knowing was gone. At least I was put somewhere and this took the fear away, and the fear of worrying that the other kids were going to start staring at me. I have experienced racism from other black kids growing up because I was lighter and some kids liked me a lot because I was lighter. I could pick up on these things as a kid. Some adults and kids would make compliments about my skin color. Being a light-skinned boy at times was tough, and at times very rewarding because I could tell people felt a little comfortable with me because of it.

As an adult, the same factors played themselves out with certain darker and sometimes caramel brown skin blacks creating problems for me for being lighter. Being lighter, I noticed that black females seen to find me a little more attractive--not all, but many. This is because of the white ancestry showing up or some other non-black ancestry that is visible. But when I am among other females from other ethnic backgrounds, some of them find the black ancestry more attractive. Some employers feel a little more comfortable with you if you are light-skinned, too. Being mixed-race and having all of these wonderful and interesting experiences constantly reminds me that I’m seen as mixed and not "black only" all the time. If you have to defend it, then it is a part of you.

Q: Briefly explain the FGM v. MGM battle.

A: An FGM is a first-generation mixed-race person, meaning a biracial. MGM is a multi-generation mixed-race person, meaning the person is mixed in their ancestry but are not biracial. Some biracials, but not all, get angry when they see someone who is not biracial being labeled as mixed. They feel that it should only be them being labeled as mixed. One of reasons for this is that they feel that people who are not biracial, and are being labeled as mixed, actually helps keep biracials seen as black. But they fail to understand that if you don’t look black by America’s standards, then you don’t have to worry about it. They seem to hold a special anger towards light-skinned African Americans because they look mixed; and, some even more mixed than some biracials. I noticed that it is mainly biracials who can’t pass for white or another race that are the most hostile.

Light-skinned African Americans are the result of biracials and multi-generation mulattos who married into the black race. Matter of fact, this is the origin of the white ancestry among African Americans in general regardless of their phenotype and skin color. Biracials look like African Americans because African Americans are already mixed. Biracials who can pass for white or another ethnicity look like those multi-generation mixed African Americans who could pass for white or another race.

An example is former Senator Adam Clayton Powell, Jr. who looked like a white man with some Native American ancestry. Powell was not biracial. Walter White had an octoroon phenotype, and even walked among whites down South to investigate lynchings that had happened to blacks. He looked totally white, and this is why he could walk among whites to investigate the lynchings. Walter White was not biracial. He was the president of the NAACP for 20 years. W.E.B. Dubois was not biracial, but notice in many books and articles written about him, or mentioning him, that he was called black and mulatto.

Powell and White were MGM’s. Frederick Douglass and Booker T. Washington were biracial, but Powell and White both could pass for white. Powell once joined a white fraternity while in college, and they later did a background check and discovered that he was labeled "Negro". He was then told that his membersmembership had been revoked by the white fraternity at his college. All of these men, whether they were FGM or MGM, helped African Americans progress.

Q: What's the difference between being African American and black?

A: African American is an ethnic group. Ethnic groups are made up of culture not phenotype, while black is more of a description of a phenotype (physical appearance). Many people around the world are black, but not everybody is an African American. African Americans descend from the survivors of American slavery. Those black and mixed-race slaves who came out of slavery are the survivors, even though some blacks and mixed-race were already free before slavery.

Q: What do you think of Obama and his racial identification?

A: Barack Obama is not by birth an African American according to what America considers to be African American. Neither one of his parents descend from black American slaves. This not being an African American by birth actually benefits him and played a role in why he was elected president. I feel he likes being a part of the African American ethnicity, and at the same time he understands his uniqueness of not being born as one. This forms his personality, and helps him view things more with an open mind because he did not have a black parent to pass along to him black anger at whites. He was raised by his white mother and her family in Hawai'i, so he understands that ethnic group. At the same time, he realizes he is seen as black and, before he became a famous politician, he was treated accordingly. Obama has related some of his experiences with racism. He's mentioned that, because of being black, how hard it was for him to get a cab.

Obama is biracial/mixed-race, and I feel he is very proud of that. He sees himself as mixed-race, white and black, and, therefore, an internationalist who can touch all people around the world. His father Barack Obama, Sr. was Muslim, and he himself has studied Islam, the Jewish Talmud, and the Bible.

Believe it or not, Obama is a part of the new mulatto elite, and it’s not by choice either. African Americans helped get him elected as president. They saw hope in him. The mulatto elite will continue as long as African Americans continue to not be able to get past certain problems that they have created for themselves; obstacles like lingering racism, the lingering effects of white social discrimination in all spheres of society, police brutality, etc.

W.E.B. Dubois spoke of a talented tenth, and Obama is one. African Americans, especially the darker ones, have often looked at the talented tenth as elitist. If they were like every other African American, they would not be able to help very much. The talented tenth is the result of a person making efforts to educate themselves and help African Americans and humanity in general regardless of ethnic background. The problem that has been noted by some African Americans is that many of these talented men have always been mixed-race, light-skinned or biracial, and this is why the tenth was seen as elitist.

Many multi-generation mixed men and biracials who helped African Americans progress education-wise, politically, and economically saw themselves as mixed-race. This, no doubt, played a role in influencing their personalities and behaviors. Like Obama, they were seen as black yet not "officially black" but more from a mixed-race group. Any group should be grateful that there are men who think outside the box and have a more open mind which leads to new ideas about how to go about accomplishing something. Barack Obama enjoys being biracial and enjoys being an adopted member of the African American ethnic group. By becoming president, he has helped bring attention to multiracial awareness. This interest and awareness will continue to grow nationally and internationally.

Q: Have race relations improved with his election?

A: Race relations improve with time. Just look at how bad race relations were just 45 years ago in the 1960s, and worse the farther you go back in time. The success of the Civil Rights movement helped destroy legalized segregation and race relations improved a lot. The country and the world are becoming more mixed racially and culturally, and this is a very good thing. There is a lot we can learn from each other, contributing our genetics and culture into one mixed world. I want to leave some footprints in the sand by contributing what I can and by doing my part.

Wow! That was a lot of information, and we thank Chance for sharing. Tune in again next week for another featured Hip Hapa Homee, and if you have something to unload hollah at hiphapa@comcast.net


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