Showing posts with label U.S. Census. Show all posts
Showing posts with label U.S. Census. Show all posts

Tuesday, June 30, 2026

HAPA Summer!

 Aloha, Hip Hapa Homeez!

Can you believe that it’s been 20 years since we launched this blog?


In the beginning, there was so much HAPA-ning!


In 2020, for the first time in history, the U.S. Census allowed its citizens to choose more than one racial category to identify themselves. Those of you old enough to remember will recall previous nail-biting days filling out forms and trying to decide whether you were the same race as your mother or your father.


Up to that point, most of us had been told all of our lives what we were by other people who were nothing like us.


A few of us reluctantly chose the parent we most resembled in appearance which made no sense if you embraced both parents and their cultures. And, if you had one Black parent, you were considered Black, period, due to the One Drop Rule. It didn’t matter whether or not you were accepted or recognized as being Black by the Black Community. 


Even if your parents shared the same culture, i.e., being American, they still had different backgrounds due to their ethnicities. So, how to choose?


In those early days, we began rebelling and calling ourselves mixed-race, multiracial, multicultural, hapa, blasian, wasian and some even referred to themselves as being mulatto—a word that was once synonymous with mix-bred animals. 


Based on our personal experiences of being mixed, we wrote books, made films and organized conferences and festivals all honoring the mixed-race agenda.


Our film, Watermelon Sushi, has been in the works now for 28 years. Well, it’s been in existence, but only worked on sporadically. That is, until we acquired our executive producer, Doug Ing, who a few years ago, had all of our footage digitized. Now, we’re editing and utilizing AI for enhancements.


Please stand by. 


Juggling three films (including Tokyo Lily and Vegan Jin) seriously cuts down on our time. Therefore, we are directing you to our Hip Hapa Homeez group page on Facebook to discuss any issues surrounding multiculturalism.


Hip Hapa Homeez


We won’t be updating this blog until the end of 2026.


You can also check out these links for any news:


https://watermelonsushi.com/


https://www.youtube.com/c/WatermelonSushi/videos


https://yayoiclanart.com/


https://www.redbubble.com/people/yayoiclanart/shop


https://www.teepublic.com/user/yayoiclanart


Here are our Facebook links:

https://www.facebook.com/watermelonsushi

https://www.facebook.com/hapateez

Enjoy a HAPA summer!


Your Hip Hapa,

Yayoi




Wednesday, March 24, 2010

Blasian, Blackanese And Beautiful

Ni Hao, Hip Hapa Homeez! In case you’re not familiar, that’s “hello” in Mandarin. This week’s greeting is in honor of our featured Hip Hapa Homee, Kimberly Campbell, who has lived in China with her family. What’s so unusual about that, you may well ask? Well, Kim, her husband and two children are African Americans--which really shouldn’t be all that remarkable. Yet, most people still consider it significant when blacks live abroad, and we don’t mean in Africa or the Caribbean either.


That’s Kim with her Chinese students in the photo above and below, a spread of her family.

Q: Why China, Kim?

A: I’m a professor in the Communication Department at Texas Southern University, and am conducting interviews and holding meetings about ways to build bridges between African American and Asian American communities. I appreciate all the bridge builders who have been working towards that end for many years. Anyone who would like to connect, share resources, and/or exchange ideas should email me at kdctheory@msn.com 

Q: When did you first develop an interest in Asia?

A: As a child, I was interested in traveling and learning about various cultures. I recall being attracted to Asian philosophies, books, and films as a high school student. I do have some pretty early memories of connecting with Chinese stories and people as a very young child. I remember enjoying the Seven Chinese Brothers book, and recall enjoying the accent of a Chinese woman who worked at my pre-school. So, perhaps my attraction to Chinese culture was ignited early on. 

I also recall really enjoying Bollywood musicals and dance routines. Hopefully, I will get to visit India in the near future. I am definitely open to other cultures and find that learning about them is a great way to learn about myself. I love to share my Blasian stories!

Q: Did you or your husband grow up in multicultural environments?

A: My husband and I both grew up in predominately African American environments within Detroit. Both of us, even as young people, demonstrated an openness to people and friendships with persons of diverse backgrounds. Our parents were open to diversity in professional settings, but maintained almost exclusive African American personal friendships--at least while we were children. Nonetheless, once I became a teenager, I recall that my mother’s circle of friends became more inclusive of diverse persons and has continued that way today.   

Q: How long did your family stay in China?

A: From 2006 to 2008, we lived and worked in south China in a city called Shunde, about 25 miles south of Guangzhou and about an hour and a half north of Hong Kong. Our children are fluent in Chinese and are culturally Blasian, or Blackanese as some refer to them, in many ways.

Q: What did you do there?

A: My husband and I worked at a K-12 private international baccalaureate school. I worked with high school juniors and seniors teaching critical thinking and helping them prepare for admission to colleges/universities in the U.S., Canada, Europe and Australia. Teaching high-schoolers was new to me as my entire career before going to China had been teaching at the college level for about 13 years.

Q: And, your kids?

A: Our children attended the international school where we taught for the first year. The teachers in the lower grades spoke very little English so our children learned Mandarin quickly. After only five months, both children (7 and 9 when we arrived in China) were fluent! At the end of their first year, they were ranked 1st (daughter) and 2nd (son) in Mandarin speaking, reading, and writing out of about 200 foreign students. Our children often served as translators for my husband and me, and for other foreigners living in China.

Q: What was it like being black in Asia?

A: I was the first African American woman, or woman of African descent period, to have worked/taught at the school. There was another African American man from Texas who started teaching there when my husband and I did, so my husband was one of the first African American men to teach at the school. After two years, the school made very generous offers for us to stay. After we left, the school recruited five African Americans to teach there. We really feel we were trailblazers and cultural ambassadors for the school!

Q: Did you visit other Asian countries?

A: Over the two years, we had the opportunity to travel to Thailand, Philippines and throughout China. The exposure was quite enriching for our family. It was very rare to see other African Americans--especially ones traveling with a family. We wouldn't trade the experience for anything. We will always remain connected to Asian culture.

Q: What did you guys eat? 


A: The food in southern China was definitely different from the taste and style of Chinese food served in U.S. restaurants such as Panda Express. What an adjustment!  As we traveled to different parts of China, we became more knowledgeable about the diverse food and cooking traditions in those places. Lamain noodles--a long stretchy noodle from Islamic Chinese areas of Western China--were one of my family's favorite foods.

Q: What are you doing now?

A: I have returned to academia and currently serve as Interim Chair of the Speech Communication Department at Texas Southern University. My husband has started an ESL company in Houston.

I am involved in several research projects and am developing an organization designed to identify opportunities and overcome challenges in strengthening African American and Asian American relationships. Some of the projects also seek to uncover key differences in communication styles that may present cultural blocks for the two groups. By the way, I’m brainstorming ideas for a name for the organization I’m starting if anyone has any suggestions. Also, I'm writing about African American families living abroad, and at least three of the families reflect on their experiences living in Asian countries.

Q: What about your children?

A: The children attend an international baccalaureate school in Houston, and study Chinese at their school.

Xie xie, Kim! (That’s pronounced sheh sheh and means thank you.)

Now for some announcements:

Hip Hapa Homee Vanessa Chong is working on a Biracial Identity and Family Study for those who are half Asian and half Caucasian. This is a part of the University of Windsor’s multicultural research program in the Department of Psychology. You must be between 18 and 30, and live in the U.S. or Canada to participate. As a token of appreciation, participants will be entered in a drawing for $25 gift cards. The website link is  
http://uwindsor.ca/biracial and requires using “biracial” as your ID and “survey” as your password. For more info, contact Vanessa at brstudy@uwindsor.ca

And, Hip Hapa Homee Michelle Hughes sent us info about the 2010 Census and why it’s important for those of us identifying as being more than one race to complete the form. For more info, visit http://2010.census.gov or contact 2010 Census National Partner, Association of MultiEthnic Americans (Jungmiwha Bullock or Harold Gates ), at 818-230-2285 or amea2010census@gmail.com

Remember, your purchase of a Hapa*Teez t-shirt will help support our Watermelon Sushi film while earning you a rear crawl credit. You can also join our Hip Hapa Homeez Group page on Facebook, where we post the latest news for blendies, mixies and transracial adoptees, and our Watermelon Sushi Fan page where we keep you updated about the film. In the next few weeks, we’ll be profiling Watermelon Sushi Associate Producers on this blog, so keep coming back. You can also follow watermelonsushi on Twitter where we post excerpts from the film script.

If you're looking for a good book to read, check out my friend Nashieqa Washington's cleverly titled Why Do Black People Love Fried Chicken? Obviously, Nashieqa's never eaten lamain noodles. Nevertheless, buy her book. You won't be disappointed.

Finally, here’s a shout-out to all you Hip Hapa Homeez for your continuing loyalty. It’s so heartwarming to watch our numbers growing every day especially when so many of you are not mixed-race, a transracial adoptee, or even in an interracial relationship. The fact that you still champion the cause for those of us claiming our multi-ethnic heritages speaks volumes about your spirit.

Until we meet again, I remain

Your Hip Hapa,
Yayoi

Wednesday, February 18, 2009

Ethnically Ambiguous Folks Of Yesteryear

I know that a lot of us mixed-race folks think we still have it tough even with biracial Obama in the White House. I mean, here we are in 2009 feeling the need to publish books, make films and hold conferences about why we should be validated as folks who identify with two (or more) races. Even the marvelous Mixed Chicks of L.A. are holding a Mixed Roots Film and Literary Festival in June. I mean, none of this stuff existed when I was growing up--which, truthfully, was so long ago that your grandmother probably doesn't even remember. So, although I think the world has some distance to travel in learning about us mixies and what it means to be multiracial, I do believe that we have made some progress.

For instance, back in the 60's and 70's, there were few faces of color (let alone blendies) gracing magazine covers or looking out from TV or movie screens. Sure, there was the occasional "token". Sidney Poitier put a lot of fearful white minds at rest with his graceful manners and non-threatening "Magical Negro" movie roles. And, there was Victor Sen Yung playing the harmless Hop Sing--the Chinese houseboy/cook on the cowboy TV series Bonanza. And, I'm sure there were others that I just don't recall at the moment.

But the appearance of anyone looking ethnically ambiguous like myself was so rare that I would remember that person forever. If I saw that person on TV, I would get up close to the screen and just stare. I would try to find info (back in the day before the Internet) in my mother's Good Housekeeping magazines or my own teen publications. And, if I discovered a photo in one of them, I 'd obsess about that person to the point of ridiculousness.

Honestly, I can't remember how old I was when I first noticed the all-girl group The Ronettes. Like a lot of female singers of their time, The Ronettes sang sweetly about a lot of mushy stuff--tunes about romance, about teen angst, about breaking up, and about making up. Produced by Phil Spector, this group caught my eye because although they appeared to have black blood, they also had light skin and long hair (before weaves became common). They also hailed from New York so I just assumed they were Puerto Rican.

Somehow, growing up biracial, I really connected with Puerto Ricans. While we lived on military bases, many of our neighbors were Puerto Rican. My best friend in grade school, Sondra, was Puerto Rican. Later, when I was old enough to analyze just what Puerto Rican meant, I realized that the ones I knew were mestizo--a mix of Indian, Spanish and African--because of the history of their island. Perhaps it was that reality of them being a combo of races like myself that drew me to their culture.

Sadly, Estelle Bennett of the Ronettes passed away last week. I know little of their personal lives except they were ripped off and sued for royalties, and that the lead singer, Ronnie, married then divorced Spector. But I wondered how it was for them growing up in New York as mixed-race children. In Estelle's obituary, it reports that she and her sister, Ronnie, were black, American Indian and Irish, while the third member of their group, Nedra Talley, was black, Indian and Puerto Rican. In other words, throw in the kitchen sink! Yet these ladies' ethnicities was something that was never written about anywhere that I recall. It just wasn't an issue back in the day of One Drop Rule.

But here we are some 46 years after the Ronettes had their first hit, and things are changing. Next year, the U.S. Census will allow us, for only the second time in history, to choose more than one. Poor Estelle. Reading her obit, I wondered if any of her purported mental problems were caused by her inability to forge a racial identity. I'll never know.

Here's the link to the New York Times article:


And, here's a link to Janice Malone's Film Festival Radio show that I was interviewed on last week:


And, one more. Here's the link to the interview I did with Jaz Dorsey for AAPEX:


Okay, boys and girls. Keep the cards and letters coming. Watermelon Sushi is still casting, and we could be looking for you. So, go to Facebook and join the Hip Hapa Homeez group where you can read a copy of the casting call.

In honor of the Ronettes, that's a pix of me, above, looking my most Ronette-like self in the 1980's.

Your Hip Hapa,
Yayoi