Showing posts with label Atsuhime. Show all posts
Showing posts with label Atsuhime. Show all posts

Wednesday, March 25, 2009

Visitors

I admit I'm a consummate hostess. Back in the day, my sister and I would entertain rooms full of folks in our tiny one-bedroom apartment near Seattle's Lake Union. Thinking back now, I wonder if our neighbors suspected us of dealing drugs or being prostitutes because of our many visitors--mostly men--who'd stop by for a drink (usually coffee or something stronger) and a chat. Sometimes, one of them would scoop us up for a couple of games at a nearby pool hall. Other times, we'd go check out a Bruce Lee or Blaxploitation flick. And, still other times, we'd cruise to Seward Park for a jam session with my sister playing her twelve-string guitar.

In any case, more than loving to entertain, my sister and I loved being entertained. Our friends ranged from a naive white guy from Florida named Paul, who also played guitar and would duet with my sister, to a brother named Donzell whose cousin Goat was often the butt of his jokes. Donzell drove a Brougham and would take us dancing at various nightclubs until we'd finally stop for breakfast at an all-night Chinese restaurant on Broadway. There was Femi from Nigeria, Allan from L.A., and Darryl from round the way--my sister's classmates from the University. Interestingly, none of these men were quote unquote boyfriends, but rather acted as substitutes for the brothers that we lacked. Of the ladies, I remember Mila, a Filipina whose children all had black fathers. My sister's friends, Linda and Tien, were Japanese American and Vietnamese, respectively, and also had black husbands. Although not that common in the 1970's, interracial coupling between Asian Americans and blacks did happen. During this time, Asians weren't acceptable for marriage by whites, and most of the Asians we knew were either with other Asians or with blacks.

Just sharing stories with our friends helped shape our views of the world back then. In those days, before the Internet and instant exchanges, my sister and I often met new people in public places and through other friends. Each one had a tale to tell, and that's how we learned. Today, I meet people through every method imaginable. But my friendships are still just as rich and rewarding as ever.

This weekend, while I stayed with my mother, two friends notified me that they'd be in town so I invited them over.

Albert, an educator originally from Ghana, was driving from Oregon to Washington on his way to fly to a seminar in Maine. Although we'd been friends for years, we'd never met face to face before. Unfortunately, Albert arrived just as the NHK taiga series, Atsuhime, began. As any of my regular readers know, I am totally addicted to this show. I could hardly peel my eyes away from the screen as I instructed Albert where to sit and hang his coat. With the dog frantically pawing his legs, and my mother firing questions at him about his personal life, it was all my guest could do to maintain. My eyes glued to the TV screen, I'd periodically turn to look over my shoulder at Albert and explain the scene at the Ooku with Atsuhime and her ladies-in-waiting during the countdown of the Satsuma overtaking Edo castle. My mom's husband, in his failed attempt to be sociable, commented on how homely the real Atsuhime was compared to the actress playing her. As we ate the square wontons filled with vegetables that my mother made, she needlessly explained to Albert that they contained no meat because of my vegan diet. Observing their efforts to communicate, I served as an interpreter throughout. My mother doesn't speak Twee and Albert speaks no Japanese although two of his cousins live in Japan where they both have Japanese wives.

Shortly after Albert left to continue his trip, Heisue arrived. This young student from Seoul currently attends school in Boston and has undertaken an intensive project about Korean warbrides. Upon entering their living room, she bowed towards my mother and her husband, and we were all charmed. Proclaiming herself to be "global", Heisue told me the reason she spoke English with an American accent was because of "Sesame Street". Sipping green tea, Heisue and I discussed the importance of her work. Some of the warbrides she interviewed had been abandoned by their American military husbands once they arrived stateside. Yet they survived. We talked about how life had been for their mixed-race children with the additional burden of not having their own fathers in their lives. And, I took Heisue on a journey from the time before I was born, to my mother's early childhood. Even though my stories helped Heisue piece together her project, I was the one who felt cleansed. The communication between Heisue and my mother was fairly clear and they each spoke a few words of the other's language. When my mother remembered a Korean song, she began singing it and Heisue joined in. I wish I would've had my camera as it was one of those moments in life never to be repeated. Heisue was stunned that my Japanese mother knew all the lyrics to this very traditional Korean love song, and so was I. Then, my mother trotted out a calendar she's had forever featuring Korean models on each page. Like the time last year when she broke out the homemade kimchee for a mixed-race Korean friend, my mother was seriously trying to connect. Maybe that's where my sister and I inherited our penchant for making and keeping friends.

Above is a photo of one of the very first visitors I can remember--a fellow soldier and friend of my dad's in Germany.

In friendship forever...

Your Hip Hapa,
Yayoi

Wednesday, February 25, 2009

Haru Ga Kita!

Yes, my Japanese-speaking tomodachi, believe dat. Spring is coming! Along with bringing us longer, stronger, brighter days, Haru will also, I hope, envelope us in lightness. It's been a heavy Winter, and I'm ready for something luminous.

My friend Terra called today to say that she really enjoyed reading the blog about my father that I posted a few weeks ago. In it, I mentioned that he had been enslaved along with other black children in his Texas town, and forced to pick cotton for local whites. Terra's words today really encouraged me. And, because she is of Asian and Jewish descent, I know she gets the whole mixed-race bag and why it's an important topic.

After Terra's call, I went about my day and as Fate would have it, ended up in a conversation with a mono-racial Caucasian woman about my ethnicity and family. When I told her about my father suffering from fighting overseas in a segregated military for a country that denied him civil rights, she broke out in a wide grin and said, "Well, that's over. Now we have a black president!"

Somehow, she seemed so proud of this fact that she was inadvertently dismissive of what my father had endured. But I just smiled back weakly. How could I ever educate her about the atrocities committed against black folks since our forced migration from the Motherland 500 years ago? How could I tell her about a 14-year old Chicago boy named Emmitt Till who visited Mississippi and was beaten to death by white men for talking to a white woman? How could I convey to her the many revolutionaries whose lives were arrogantly ended by those who fought against change during the Civil Rights movement? How could I tell her of all that occurred to others in order to bring us to this intersection of having a "black" president? I knew I couldn't, so I simply left the conversation.

What would you have done? I know those of you who are mixed or of color have encountered many such moments. What did you do? What would Buddha do? Drop me a line and let me know.

Well, the subtitled version of NHK's Atsuhime is on its last episode this weekend, and at the same time a new taiga has begun. Tenchijin had been shown at least twice before but, without subtitles, I couldn't really figure out what was going on. Last week, though, the first episode aired with subtitles, and I'm addicted even though it's about two males--a local lord currently 13 years-old and his five year-old vassal. I'll miss the girls of the Ooku, but this has promise. I never thought I'd see anyone who could cry more than Atsuhime, but the kid playing the kid in Tenchijin cried buckets--on cue!

Nodojiman was also interesting last week because another brother won. I can't remember his name, but he was from Brazil and cried both when he was selected as a finalist and later when he won the Champion. The poor guy was so nervous that he forgot how to speak Japanese when the announcer asked him personal questions. My mother laughed and said, "Jero better watch out. Somebody going to beat him. He better hurry up and practice more."

As for all those Oscars going to Slumdog Millionaire, no comment. People of every racial persuasion keep asking me if I have seen it or will see it, and I tell them I don't think so. For one, I've been reading a lot of articles, especially on the BBC, that indicate the child actors, who really live in those slums, were exploited. I don't have any facts. I'm just repeating what I've read. But, right now, I don't feel comfortable contributing to anyone's exploitation--especially children's. Further, there are two perfectly talented Indian women filmmakers--Mira Nair and Gurinder Chadha--who could've made such a film. Although they've had successes in the past, I haven't seen them doing anything lately. It just makes me wonder; is it a gender or a race thing? But, hey, if you've seen the flick, and you think I'm wrong, drop me a line.

Right now, I'm working on a proposal for the Mixed Roots Film and Literary Festival to be held in June, so if you'd like to be on a panel or part of a workshop, drop me a line so I can factor you into my submission. One of the topics I'll offer will be about blogging and new media, but I'm also considering presenting one on relationships.

We're still in open casting call for Watermelon Sushi, too, so email me for a copy of the breakdown. And, I promised to post that link to the AAPEX blog--thanks, Jaz!--so here it is:


And, here's a vid clip to entertain you this Spring:


Finally, that's my baby sis, b.r., doing her Sakura thing in that pix above many moons ago. The story is that she was slated to appear in a dance recital with three other girls with Japanese moms. On the day of, b.r. was riding her bike, fell down, and scratched one of her cheeks pretty badly. My clever, creative mother cleaned the wound, then added lots of rouge to both cheeks to make it look as if b.r. was just naturally rosy.

Ja matta ne.

Your Hip Hapa,
Yayoi

Wednesday, February 11, 2009

Valentine's Day Hearts To Midnight Velvet

Aloha!

I don't know if you celebrate Valentine's Day, but if you do I hope the day will be all you want it to be, with the one you want it to be with--regardless of race.

Last week, a catalogue called Midnight Velvet arrived at my home. Now, I'm not one to order stuff through the mail, but after thumbing through it I took a closer look because I noticed its pages contained mostly upscale clothing for sale. (I did once aspire to a fashion career, after all.) Imagine my surprise when I discovered on page 14 (how significant is that number?) a photo of an interracial couple modeling formal outfits. She, clearly a bright-skinned sistah, is dressed in a gold two-piece dress while her white male companion is wearing a beige linen suit. Hold up! I hear you saying, what makes you think they're a couple just because they're on the same page together? Well, besides flipping it by presenting the male as the white partner, the art director of the photo layout is clearly letting us know this couple is romantically linked because they are holding hands. Wow. I almost felt like buying something from Midnight Velvet just because they had the courage to display such a pairing. Alas, their merchandise isn't really my style. But here's their website if you'd like to compliment them about forwarding the mixed-race agenda on our behalf: http://www.MidnightVelvet.com

Speaking of love, the taiga series Atsuhime just gets sadder and sadder. The week before last, Shogun Iemochi died leaving Kazunomiya a young widow and Atsuhime a young grieving step-mother. But the saddest part is that it appears we've arrived at the end of the series. Of all the taiga I've watched, Atsuhime has been my favorite. Obviously, because she's a girl. But what a girl! Did she invent feminism, or what?

I don't know if you caught the controversy around teen star Miley Cyrus recently, but it seems so yesterday that any kid her age would make fun of Asian folks by pulling their eyes up in a slant with their fingers. I mean, come on, now. I remember all that "Chinese, Japanese, American Knees" b.s. from way back in the day. But what excuse do people Miley's age have? They are the most educated in terms of having access to instant information. They have been exposed to other cultures and ethnicities in ways nobody of any other generation has. Further, with her fortune and fame, one would assume Miley has the best tutors and teachers money can buy. Are they not teaching her awareness, manners, or what?

Well, things just keep moving on with the movie, Watermelon Sushi. While reels and headshots from talented actors continue to tumble in, we've also been reorganizing our production staff. Besides our producers in Tokyo and Nashville, it looks as if we may soon add another in New York. Stay tuned for more info.

btw, my interview with Janice Malone last Saturday, February 7, was a lot of fun. You can listen to it here: http://www.filmfestivalradio.com

And, I'll let you know as soon as my interview with AAPEX is posted.

Please don't forget about the Hapa*Teez t-shirts and your rear crawl credit. See http://www.cafepress.com/hapateez for more info.

And, remember to check us out at the Hip Hapa Homeez group page on Facebook. Sign up to join us. After all, what other organization can you belong to that has the famous old school rapper Kool Mo Dee as its Veep of Music Production?

Hollah!

Here's to a HAPA Val's Day if you do that sort of thing. My dad and my friend Brian Parker obviously do. I'm holding cards they sent me last year in the photo above.

Until next time, I send love from...

Your Hip Hapa,
Yayoi

Wednesday, December 10, 2008

Hollywood, Atsuhime, Inarizushi And More


One of my favorite multi-culti works of art features four female statues standing on the corner of LaBrea where it meets Hollywood Boulevard. Made of some type of silver metal (I'm not sure what), the four of them together support a contraption atop their heads which, in turn, holds a vertical sign that reads 'Hollywood'.

More or less representing the four main races are likenesses of actresses Dorothy Dandridge (African American), Mae West (Caucasian), Anna Mae Wong (Chinese American), and Dolores Del Rio (Mexican American).

Well-known back in the day, each of these ladies broke barriers in her own way. Because I've written several articles about Anna Mae Wong, I'm most familiar with her story and how she became an actress after being chosen as an extra during a shoot in her neighborhood. Although her life ended in 1961 when she was just 56, Wong enjoyed an unprecedented show biz career despite being forced to portray Asian stereotypes. Never allowed an onscreen romance that came to fruition, Wong often joked about having to "die a million deaths" in her films. Indeed, Wong was an enigma and her career a paradox. Acting during a time when white performers would don makeup to look Asian (or as it was called "appearing in yellowface"), Wong was even forbidden to kiss any "Asian" played by a Caucasian actor.

Dorothy Dandridge's life was also a dichotomy. Her highest achievement as the third African American actress nominated for a Best Actress Oscar was negated by a host of personal tragedies. And, like Wong, Dandridge suffered from being forced to play stereotypes--mostly of sexually promiscuous women with loose morals. Also like Wong, Dandridge died young--at age 42 of a drug overdose.

Were these women victims of their race or their gender, or both?

There are plenty of women victims in the NHK taiga series Atsuhime. Briefly, Atsuhime (left) is a princess of the Satsuma clan who was pressured into marrying Shogun #13 to unite her clan with the larger ruling Tokugawa clan. But the Shogun has since died leaving Atsuhime a young widow and "mother" to the new Shogun. In the latest episode, the Emperor's sister, Kazunomiya (right), has finally recognized that Atsuhime is her ally. Forced to marry the new Shogun (Atsuhime's "son" in order to unify the "royals" with the Tokugawa samurai clan, Kazunomiya was at first horribly unhappy having to adjust to life in Edo (Tokyo) after leaving the Emperor's Kyoto digs. I love watching this show where chicks rule! And, having my mother explain her Japanese history during each episode is an added treat.

Speaking of treats, my mom decided to get into the mixed-race game recently by making both brown rice and white rice inarizushi. Check it out. She even marked each row
with flags for easy identification.

Hey, thanks again to the Mixed Chicks for having me participate in their November 26 podcast to talk about interesting names of multi-ethnic folks. I've explained mine so many times here that I'm sure you don't want a repeat.

At last, the new Watermelon Sushi website is up! Some tweaking remains to be done, but that will happen over the next few weeks. For now, please check it out and email me your comments. So many folks over the years have been supportive of this film endeavor, so I send you all a shout-out.


Also, if you've purchased a Hapa*Teez t-shirt, drop me a line to make sure I have the spelling of your name correct.


HAPA Hollah Daze!

Your Hip Hapa,
Yayoi

Wednesday, November 19, 2008

Mixed-Race Mutts Unite! Arf!

It appears that the idea of mixed-race folks uniting to create their own communities is disturbing to some. It's almost (but light years away still) reminiscent of how some were bothered by the black nationalist movement of the 1960's. In fact, someone (a social networking site "friend") was threatened enough to send me the following email (I've edited for profanity, punctuation and spelling--the bad grammar stayed):

"Hey dere sweet Yayoi...No thanks your post which I found on my email alert today...I gotta pull yer coat a bit on this one...Please excuse my response if you find it harsh, and please take no offense as it is meant only constructively, but: You are seemingly so into this really quite inconsequential mixed "mutt" race thing--do a black/white parental mix make a black or white child?--WHO the (eff) CARES? Like, come on, does it really matter much, or at all? Like, get off it awready--it's quite meaningless and your obsessing on it makes it in and of itself somewhat demeaning to all of us that you direct it to, having to read the inner pain of it, involving us in your deep hang-up on it. Can you just glean perhaps it's just not really of any importance or consequence this mixed racial thing you're into? My three racially mixed grandchildren (in their 20's) never even mention it ever, or show or indicate any negative consciousness of it at all! They just exemplify both cultures so beautifully! I would think that's more where the whole thing with our, Thank God, newly elected President should be at--where our society and interpersonal reactions should truly be at! Let it go, forget the demeaning "mutt" race thing awready...it's truly quite meaningless and so way unimportant to even mention--let alone obsess on! Include me out, next time. Thanks. Love, peace."

*************************************************************************************

I'm not going to comment, but I'd love to hear yours if you have one.

Now, on to some good news. Watermelon Sushi's Associate Producer Derrick Holmes, who lives in Tokyo, has officially joined our team. He's created a page on the Japanese social networking site, mixi, so if you live in Japan, please check us out.

As for the NHK taiga series, Atsuhime, it's now down to the last few episodes. The poor mother of the shogun (by default because Atsuhime's shogun husband died leaving a chosen, adult heir) is facing an uphill battle. The Emperor's sister has been ordered to marry the shogun to show unity against foreigners in the country. But Atsuhime grieves upon learning that the sister already has a fiancee she'll have to dump. "Women are always used as political tools," Atsuhime, bathed in tears, tells her court. But previews of the next episode shows that the Emperor's sister will spurn Atsuhime's empathetic friendship.

Hey, if you're looking for a unique holiday gift, remember Hapa*Teez t-shirts for our special community members. Very soon now, new designs will be posted. So, avoid the rush and order several now. Every purchase of a Hapa*Teez t-shirt will go towards financing the Watermelon Sushi film, and every purchaser will receive a rear crawl credit. Just drop me a line to let me know that you bought one.

It's apropos that we close as we opened--with talk about mutts! Above, is a pix of Associate Producer Derrick Holmes posing as one.

Until next week, I remain...

Your Hip Hapa Mutt,
Yayoi

Bow Wow Wow Yippee Yo Yippee Yay!

Wednesday, October 29, 2008

No Dead Animals In My Tendon, Jero And Atsuhime

I don't know about other hapas, but whenever I spend time with either one of my parents, I take on the cultural qualities of that one's particular ethnic group. For instance, if I'm hanging out with my dad (my folks have been divorced for decades), I end up reading all of the Ebony and Jet magazines laid out on his coffee table. Now, that's not to say that all black people read Ebony and Jet, but you get my meaning. My dad and I will often discuss politics, too--the state of black folks today versus the Civil Rights movement of yesteryear. However, I don't tend to eat the food my dad eats mainly because he's from Texas and his parents owned a barbecue joint. I am, after all, vegan (even though I'll admit to stuffing many a pig's foot into my mouth back in the day when I didn't know any better).


Whenever I visit my mother, though, I'm always ready to chow down. Mindful of my special diet, my mom tends to make me my own meal separate from what she serves her husband. And, like a true Japanese mother, she will eat what I (the guest) eats instead of what she cooked for her husband. A couple of weeks ago, she made me tendon; that's slang for tempura donburi. Tempura, as you may know, is veggies (and shrimp for those who insist on murdering the poor crustaceans) dipped in batter and fried. Donburi is a dish served in an individual bowl featuring veggies and/or dead animal flesh (call it what it is!) simmered in a slightly sweetened shoyu-based sauce and heaped on hot, white rice. The tendon my mom made me was tempura carrots, onions and pumpkin on top of fresh gohan. I was also treated to her home-grown edamame (steamed soybeans). Oishi!

Earlier, we were watching our favorite show--The NHK Amateur Singing Contest (aka Nodojiman)--when, lo and behold, the phenomenal Jero appeared as a guest singer. This is the kid who hails from Pittsburgh, whose mother is hapa Japanese and black, and whose Japanese grandmother taught him to speak her language and sing enka--a type of music that reminds of me the old R&B songs where the man is begging, crying and carrying on over a woman. Enka is very emotional like that, and is almost always about love. So, I don't think it's necessarily a stretch that a brother like Jero is so into it. Like the old school crooners, he feels the lyrics deep down in his soul. True, he's singing in Japanese, but he knows what the words mean because he knows the language. There's also some very specific expressions that go along with singing enka. One can't be too showy and drop to one's knees like James Brown because Japanese culture isn't about that. Even though Jero wears his signature baseball cap and baggy jeans, he's got the Japanese inflections down.

Later on in the day, my mom's husband and I watched another episode of Atsuhime. My mother claims not to care about
Japanese history, but her Caucasian husband and I can't get enough of the taiga series. Sadly, Atsuhime's husband, the shogun, dies in this episode and because of the turmoil surrounding the choice of heir, no one tells Atsu about his demise until a month later. Now, she's mad because weeks before the shogun instructed her to attend the cabinet meetings and become a part of the political process because she's so smart and beats him at go all the time. But now that he's no longer around, none of the guys are taking Atsuhime seriously. I can't wait 'til she starts kicking some butt. Her kimono may be wrapped around her legs like a mermaid's tail, but you watch--she'll figure out how to strike back. That girl is baaad!

Hey, drop me a line and tell me how your parents' differing cultures affect you. Do you act the same way with each of them, or not?

Above are pix of my tendon dish, my mom's garden-fresh edamame, Jero's appearance on Nodojiman, and NHK's Atsuhime.

Until next time, I swear to be...

Your Hip Hapa,
Yayoi

Wednesday, September 10, 2008

Hip Hapa Homeez' Work Goes On And On
















Aloha blendies, mixies, and multis everywhere!

This morning, our new Watermelon Sushi associate producer in Tokyo sent me the following link and promptly ruined my day. Seriously, this is a sad story so have a box of tissues handy while you read it. Mahalo nui loa, Derrick.


Amazing, isn't it? How humankind divvies itself into groups based on ethnicity? I know that among wildlife there is sometimes a self-enforced thinning of the herd, but don't humans actually have the ability to reason--to analyze and to rationalize? Or, are we just animals walking upright?

If you haven't read the article above yet, you won't know that I'm talking about mixed-race babies in Japan that were abandoned by their American military fathers and Japanese mothers. Often, the mothers came from poor families made even worse off by post-war shortages and economic despair. What this article doesn't cover, however, is the number of babies born out of wedlock to pure-blooded Japanese parents and given away. I'm sure it was nowhere near the numbers for the hapa kids though. I'm just thankful that my father honored his duty, married my mother and brought us to America. What my fate would have been as a half-black child in Tokyo....I can't even imagine. No disrespect to other women under similar circumstances, but one thing I know for certain, my Moms would've never given me up for nothin'. She's just that kinda lady.

Yesterday, I had the pleasure of meeting Teri LaFlesh in the flesh! I've been wanting to say that ever since I bumped into Teri in cyberspace. This sistah with a Caucasian father and African American mother has written the most fascinating book called Biracial Hair. Check out Teri's website and her blog to see for yourself:


And, today, I heard from Allison who calls herself a CHEW. She's Chinese and Jewish, and creative as all get out. I've listed the link to her blog, so go for it:


Besides building the new Watermelon Sushi website, I've been busy with so much Hip Hapa Homeez work that I didn't realize the latest taiga was on NHK. As much as I loved the Shinsengumi and Yoshitsune series, I am really digging this one starring a GIRL! Atsuhime (hime means princess) is fetched to the Shogun's court to convince him to pick a certain successor. It's all castle intrigue with servants weighing in with guarded opinions. In one hilarious scene, the Shogun is tossing beanbags and throws one at the head one of his advisors because he doesn't like what he's saying. Pure Japanese humor, but I love it! There's just something about feudal era drama that sucks me in like a whirlpool.

The pix this week are from left: my Moms about age 20 in Tokyo wearing a handmade (no pattern, no sewing machine) outfit she created; me in Jamaica with my Jah-fro waaay back in the day; and, Teri LaFlesh and me with my new straight tresses yesterday (thank you, Teri!).

Until next time, I remain...

Your Hip Hapa,
Yayoi