Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

Wednesday, October 01, 2014

Beyond Bagels And Sushi: Meet Francesca Yukari Biller


Aloha, Hip Hapa Homeez. If you love bagels and sushi, we have a treat for you! This month’s Hip Hapa Homee is an award-winning journalist who loves to serve up delicious fusion meals representing both of her cultures—Jewish and Japanese. But she’s about more than just diverse food combos, as you will see below. Dear Hip Hapa Homeez, meet Francesca Yukari Biller:

Francesca serving up cultural fusion
Francesca with parents and siblings
Q: Francesca, who are your parents and how did they meet?

A: My parents are quite honestly two of the most interesting people that I know (and it's not just because they are artists and polar opposites in so many ways), making their intercultural marriage creatively flourish for more than 57 years with four children and six grandchildren.

My father, Les Biller, was born and raised in Los Angeles and his ethnic background is Russian-Jewish, English, Welsh and Irish. He is a full-time artist and was an art professor at USC, UCLA and the University of Hawai’i. My mother, Sumiko Aoki, is 2nd generation Japanese (Nisei) and was born in Captain Cook, Hawaii. Her family owned and farmed Kona coffee lands, and her brothers served as decorated soldiers in the 442nd Infantry during World War II. Today, she is a fashion designer and owns an upscale clothing boutique in Santa Monica, California.

My father has always been a rebel, and I say this quite fondly. After graduating high school, he attended The University of Hawai’i. This was quite a shock, and a wild and an unconventional thing to do, as this was the 1950's not long after World War II when there was still a lot of anti-Japanese sentiment throughout the U.S. This is where he met my mother as she was attending the University of Hawai’i while studying for a Masters degree in teaching. They married shortly after, had two children and spent three years in Kyoto, Japan where my father was a Fulbright Scholar.

"famous L.A. martini", anyone?
Q: You've written about the meals you ate as a child. How did your mother learn to cook Jewish dishes, and did your father share any culinary duties with her?

A: Some of my very first memories as a child includes both images and sounds of my mother cooking as she sang classic jazz standards in our seaside home. No matter what else was happening, our family could always count on my mother's loving brand of homestyle cooking, fashionable and stylish well before international fusion meals became the norm.

I believe that my mother learned to cook classic Jewish dishes like “Sweet and Sour Cabbage Stew”, “Beef Brisket” and “Matzah Ball Soup” not only because my father loved them, but because she truly enjoyed experimenting and trying new recipes; and, the more unique and new, the better.

Some of the recipes were handed down from my Jewish grandparents, and others, like the classic brunch of lox, bagels and cream cheese were borrowed from the numerous Jewish delis that we visited throughout Los Angeles during the 1970's, including the infamous Cantor's Deli where we often saw Jewish comedians like Mel Brooks and Milton Berle.

As for my father, he did not share in any of the preparing or cooking of our meals, although his great priceless contribution included a biting sense of both slapstick and intellectual humor, story telling, and deep conversations about art and culture, along with his "famous L.A. martinis" which attracted unique and colorful guests from many different backgrounds.

Francesca in her "writer's hat"
Q: When did you know you would become a writer?

A: Writing is such a fluid and organic art form, that I candidly cannot recall whether I was first a writer, a person, or a person who was a writer. As I grew up amongst a family of artists going back several generations, my every breath was sewn in music, colorful images and creative cultural thoughts and energy as a natural remedy and rhythm that formed the lives of my siblings and me.

My very first memory as a writer was when I started to write poetry at about four or five-years old. I was in love with the way that words simply looked when letters came together as they both started and ended on a page. Before I attended kindergarten, I was stringing words together that both rhymed and echoed themes of nature and home. First, I wrote short lists of birds, and then of trees and the sun. By the time I was seven, I was writing longer poems about my visits to the seashore with both of my grandfathers, one a Japanese fisherman and the other, a Russian wandering adventurer.

those encouraging parents
Q: With your mother being a fashion designer and your father a painter, in what ways did they encourage you towards a writing career--either consciously or unconsciously?

A: Growing up in my house was like living inside of a symphony that never seemed to have an intermission. Fluid creativity seasoned every sense of both courage and somber attempts, and my parents outwardly and inwardly encouraged passion beyond all other values.

Whether I was watching my mother hand-sew hundreds of intimate silk rosebuds onto a kimono-influenced wedding gown, or my father thrash about his paintbrushes in turpentine and fleshy oils of bright and dark colors, I only knew that I felt alive.

And I felt most alive when I was singing, drawing and writing, which I did religiously each day, even though our home boasted of no religious deities or icons. Rather, the creative process was in and of itself our flames of joy and faith, as my father painted on both small and massive canvases in our living room, and my mother always seemed to have a needle and thread dancing on ribbons of velvets and linen dresses that she designed beneath the large picture window that framed our living room.

Sumiko with flowers in her hair
As a writer, the visual images that my parents continually created before my eyes gave me boundless material to write about--and to become lost in--as I spent whole weekends in which I wrote with barely sleeping or eating, as I developed calluses on my fingers from the art pencils that I grasped with both a sense of longing and calmness. 

Q: It seems you've experienced more than the "usual" mixed-race experience through having a Japanese American mother who grew up in Hawai’i with relatives who were part of the 442nd all-Nisei military as well as being Jewish. How has all of that factored in your life?

A: I believe that having an exotic and unusual mixed-race and cultural background is what has given me the drive to create even more than the average artist, as I feel so much emotional history from the blending and fusion of both. Whether I am inspired by riveting tales of my Japanese samurai and World War II hero relatives, or by stories of bravery, isolation and philosophy from my Jewish ancestors, I know that having the opportunity to be part of both gives me a sense of tenacity and purpose I may not otherwise have.

meet Francesca's daughters
Q:  Do you think by marrying a Jewish man your children may lose some of their Japanese side? What do you do to keep them connected to that part of their identity?

A: I am now divorced from the father of my daughters. However, their thirst and interest for their Japanese identity remains strong, perhaps even stronger than some children who are 100 percent Japanese as they are continually excited about being born into two distinct cultures and, therefore, more curious. As a writer, I have found this to be a usual occurrence among children who are a quarter of some strong thread of race and culture. Our home and extended family inspires our daily life with Japanese culture, whether it be through recipes, painting and writing, watching classic films by director Akira Kurosawa such as “Rashoman” or “Seven Samurai”, or attending cultural events and museums.

Rose and Jade
Q: Tell us about any of your future speaking engagements, panel presentations, etc. 

A: I am an award winning investigative journalist, author, writer, poet, speaker and singer. My work is published for The Japanese American National Museum, Elephant Journal, Salon, The Chicago Sun Times, The Huffington Post, My Jewish Learning.com, Interfaith family.com, USA on Race, for radio and television and events.  

This month, I will be reporting special coverage and writing a unique personal perspective for the exhibit "Hello! Exploring the Super Cute World of Hello Kitty", the first large scale Hello Kitty museum retrospective in the United States in honor of the 40th anniversary of Hello Kitty to open October 11 at the Japanese American National Museum in Los Angeles.

far beyond bagels and sushi
I am also writing two books to be published in 2015. The first book is a collection of humorous and thoughtful essays and short stories about my more than colorful experiences growing up as a Japanese Jewish girl in Los Angeles and Hawai’i during the 1970's.

The second book will be a compilation of poetry and prose that tell stories of a multicultural family and their artistic adventures, as well as motherhood as told through the lens of creativity, idealism and cultural inspiration. Here’s the link to the Author Page: 


Speaking engagements include a special talk for The American Association for University Women in San Francisco in March 2015 about “Girls and Empowerment”, as well as writings and conversation for the Mixed Remixed Festival in June 2015 to be held at the Japanese American National Museum.

Francesca, your story was delicious! Oiishi desu. Mahalo for sharing with us. Hey, Hip Hapa Homeez, if you’re still not full, here’s a short list of some of Francesca’s many accomplishments:

Award Winning Investigative Journalist

Edward R. Murrow Recipient

Writer, Author, Poet, Speaker
Print, Broadcast, Radio, Television
Multiculturalism & Identity
Parenting & Relationships
Inspirational & Philosophy
The Arts & Pop Culture
Short Stories & Essays
Poetry & Prose
Reporting & Documentaries

You can also check out her website:


To learn more about us at Watermelon Sushi World, please check out these links:

Watermelon Sushi film

Watermelon Sushi on Facebook

Hapa*Teez on YouTube

Hapa*Teez on Facebook

Hapa*Teez on Café Press

War Brides of Japan v.2 on YouTube

War Brides of Japan on YouTube

War Brides of Japan on Facebook

Yayoi Lena Winfrey fan page on Facebook (sorry, but Your Hip Hapa can’t add any more friends to her regular profile page)

Sexy Voices of Hollywood

Twitter

Until we meet again on December 3, here’s to all the bagels and sushi your Hip Hapa Homee’s heart desires.

Your Hip Hapa,

Yayoi

Wednesday, September 30, 2009

Poetic Powwows

Yo! Check out who’s in the Hip Hapa Homeez house this week. None other than Asani Winfrey Charles--who may or may not be related to Your Hip Hapa. I first met Asani when she lived in Long Beach, and I in Santa Monica. Contacting me to inquire whether we might be kin to each other (and Oprah), Asani emailed me a lengthy story about the Winfrey clan. Somewhere in our conversation, we discovered that we both knew the rapper Miwa Lyric. Eventually, the three of us met for dinner and have been in each other’s worlds ever since. That’s Asani in the photos, above and below.


A poet, a high school English teacher, a wife and a mother, Asani defines her writing style as “eclectically narrative”. Her childhood, steeped in multiculturalism, is reflected in her work which has been published in Ahani: Indigenous American Poetry, Yellow Medicine Review, and the forthcoming I Was Indian, edited by Susan DeerCloud.


Asani has also released a spoken word CD called Word Songs for Grandmas. Darrell Blackbear, Sr. of The Bear Claw Singers joins her on several pieces, which they refer to as recording "poetry over powwow".


When she’s not teaching or writing, Asani dances Southern Women's Cloth at powwows. A resident of Texas, her dream is to buy an RV and travel the powwow trail from coast to coast with her family.


View Asani’s links below, then check out what she has to say in the Q&A following:


http://www.myspace.com/asanicharles


http://www.pw.org/content/asani_charles


http://heyokamagazine.com/heyoka_magazine.31.asani_charles.htm


Q: How did a nice mixed-race girl like you end up being a poetess?


A: I was exposed to poetry at a very young age. I remember my mother reading me classic fairy tales and Nikki Giovanni (as early as 6 or 7 years-old) before I went to bed. The cover of Grimm's Fairy Tales scared me so I would ask her to read Nikki instead. Then, one day in second grade, we were asked to write a poem about spring. I did, and my mother still brags about my first piece, The Trees Are Here.


Q: What are your parents’ ethnicities, and what did each teach you about their cultures?


A: Both of my parents are “redblack” mixedbloods with a little extra for flavor. My mother is Choctaw, black and Louisiana French, and my father is Chickasaw, black and English. I guess I was raised black, but our concept of blackness was quite different than most families, I think. Both parents grew up outside of Oklahoma, so their parents infused a lot of Indian ways in their rearing without saying it was so. My maternal grandmother told me our ancestors were Indian as well as black, but nothing else was said (outside of one of our matriarchal aunts who I took for being senile). I saw my maternal great grandmother, my only full African roots, as the cornerstone of the family and that was that. My father's mother was very quiet about her people and didn't share anything with me until I was an adult.


Q: How much does your poetry reflect your multiracial heritage?


A: I believe poetry is life in print, so my poetry reflects my life and all its facets. I see multiple ideas and themes running through my work. Multiracialism or multiculturalism appears a lot, as well as politics and verses about nature.


Q: How do your three children identify racially?


A: My three children are interesting. They share the same father, my husband, but he too comes from more than one root, so all three kids are unique in coloring and appearance. They each identify as both Indian and black, but are realistic about how society perceives them.


Q: As both a mother and a teacher, how do you present multiracial issues to your classroom and at home?


A: My kids are raised to be culturally aware of their heritages and of others. They appreciate diversity and are taught to never marginalize cultures. My students are not that fortunate, so I am a huge proponent of multicultural education. For many students, I am the first Indian they've ever met, so I use the classroom to dispel myths and lies, and incorporate multicultural literature to broaden students' knowledge about people from different cultural perspectives.


Q: What do you think is the biggest misunderstanding between African Americans and Native Americans?


A: The biggest misunderstanding is also the saddest, and that is that too many African Americans have little or no knowledge of American Indians at all. One would think that with our marginalized history, African Americans would appreciate Indians' shared struggles, but the knowledge just isn't there, so the oppressed oppress others. About African Americans, many American Indians assume blacks simply have their hands out like whites or white "wannabees". Some of that assumption is based on true experiences, but it is not the norm. Indians don't realize that African Americans have had family histories erased due to slavery, so often blacks are not looking for tribal benefits but a real sense of family history.


Q: How long have you been dancing at powwows? Personally, I’ve attended them in California, Hawai’i and Washington State so I’m curious to know if you have a favorite.


A: I have been dancing about 13 years now. I now realize I was spoiled in California. Across Indian Country, powwow season runs from March to mid-September, but dances in Southern California are pretty consistent each weekend and close by. North Texas is a different story. We have a few local powwows, but the rest are a bit of a drive. As for favorites, I have to go with Cal State Long Beach and my alma mater, UCLA.


Thank you, Asani for sharing your fascinating family history and love for culture. If you’re a Hip Hapa Homee with an interesting tale, hollah at hiphapa@comcast.net


Meanwhile, here’s an article and a YouTube clip about a Chinese African American woman living in Shanghai who some Chinese claim shouldn’t be considered Chinese at all even though she was born and raised in China:


http://news.yahoo.com/s/time/20090925/wl_time/08599192558900


http://v.youku.com/v_show/id_XMTExNzMwNDk2.html


I also read a piece in Parade Magazine last weekend about Caucasian actor Pernell Roberts who rose to fame as the eldest son of Ben Cartwright on the TV series Bonanza. He was the fearless son, one of three, who always dressed in black. Well, unbeknownst to Your Hip Hapa, Roberts was also a civil rights activist who marched from Selma to Montgomery in 1965. Reportedly, he left the show because he felt NBC was racist for allowing white actors to play minority characters--like Marlo Thomas acting as a Chinese woman. Actor Victor Sen Yung played Hop Sing, the Cartwright’s loyal Chinese cook, but I didn’t read anything specific about Roberts’ feelings over Yung’s subservient role probably because it was a reality for Chinese during that time in the West. For Roberts, the highly rated Bonanza was, well, a bonanza. So, for him to walk away over the way people of color were portrayed was monumental. Here’s a shout-out to Pernell Roberts!


Finally to Hip Hapa Homeez’ Number One Fan, Ms. Paulette T., thank you for this link:


http://books.google.com/books?id=9d9FC -gcWaAC&pg=PA89&lpg=PA89&dq=magnus+morner+race+chart&source=bl&ots=rLOvL-yqRE&sig=cDfRRjVuZEb3r5MG3Lik3Fan91E&hl=en&ei=8yG0SsDTApG-sgO8u6yeDQ&sa=X&oi=book_result&ct=result&resnum=9#v=onepage&q=&f=false


As always, big ups to all of you Hip Hapa Homeez for your continued support. We especially appreciate your purchases of our Hapa*Teez t-shirts. Don’t forget to contact us when you buy one so we can add your name to our list of credits for the Watermelon Sushi film. And, remember we’re on Facebook where you can join our Watermelon Sushi Fan Page and Hip Hapa Homeez group, and on Twitter where you can follow lines of dialogue from our Watermelon Sushi script. And, that list of Ning sites I promised last week is being compiled even as we read and write.


Until next Wednesday, I am...


Your Hip Hapa,

Yayoi

Wednesday, April 29, 2009

A Lonely Planet When You're A Fish Out Of Water

Today, while I was screening a Chinese-made film titled 24 City, it really hit me how homogenized that country's citizens are. I kept trying to put myself into the picture and wondering how I would fit in living somewhere where everyone looked like everyone else, except me. Certainly, I have felt that before in America, especially whenever I've attended a particular event that didn't draw other folks of color. But on a daily basis for the rest of my life? I'd be crazed.

I remember visiting Japan with my mother and sister years ago. We spent nearly a month traveling in Tokyo, Kyoto, Osaka, Nara, etc. At first, it was absolutely fascinating to attempt deciphering the language that I heard all around me. Even with a Japanese mother from Japan, I only know mostly nouns so I was trying to pick up on entire phrases. But after awhile, to my shock, I began to miss the sound of English which I only heard whenever my sister and I were having a conversation. Most of the time, she and I were together. So, I did have someone to talk to without having to search for the correct Japanese words to communicate. Still, there was a deep sense of loneliness that enveloped me whenever we were out in public and I couldn't understand anyone else around me. That's a picture of my sister in Tokyo, above.

Being that one different person in any group can be an uncomfortable experience. But most monoracial people don't have to deal with that situation unless they travel outside of their communities. Not long ago, I asked a good friend of mine--who happens to be a monoracial Caucasian man--if he wanted to attend a black arts festival in Atlanta with me. Now, I've known this friend for years. We often talk politics and he considers himself extremely liberal and progressive. Besides visiting each other in our respective home states, we've also travelled to other distant locales to attend various events. So, I was totally unprepared when he answered my question with, "No. I don't think I'd be comfortable at a black festival." I was stunned and replied, "So how do you think I should feel? I have to be a person of color every day when I walk out my door, and where I live 75% of the population is white. Should I just stay in the house so I don't have to feel uncomfortable?" My friend didn't answer. I really don't believe he understood what I was getting at, and it really saddened me because if someone as bright and aware as he is doesn't get it, then there's no hope for the rest of humankind. Or, is there?

Hey, we're moving closer to making our Watermelon Sushi film. In June, we'll be auditioning talent for the principal roles. So, if you live in L.A., please be sure to send your reels, resumes and headshots according to the breakdowns on the Hip Hapa Homeez group page at Facebook. That way, we can schedule you for an audition. Most likely, auditions will be held in Hollywood and the fabulous nissei rapper Miwa Lyric will be on hand to assist (www.miwalyric.com).

Shout-outs to Lily Anne Welty for sending the DVD about Japanese/black kids in Japan. I'll report on it as soon as I watch it. btw, if you're in Asia and you're AfroAsian and you're interested in being interviewed by Lily Anne, let me know. She's on a search for biracial babies born between the 1940's through the 1960's.

Mahalo nui loa also to Paulette Thompson for remembering that The Adventures of Buckaroo Banzai had "good" aliens that were all of color and "bad" aliens that were all monoracial Caucasians named John. Paulette also sent me two links that I'll try to post next time. One of her comments was that actress Meg Tilly was born Margaret Chan, but after her white mother divorced her Chinese American father, Meg was taught to keep her Asian ethnicity a secret. The other is about a woman in an interracial relationship.

Now, here's an interesting article that flips the script. It's about a black family who adopted a white child.


In honor of my transracial adoptee buddy, Anjulie, I have posted her beautiful-ness, above.

One Love!
Your Hip Hapa,
Yayoi