Showing posts with label Welsh. Show all posts
Showing posts with label Welsh. Show all posts

Wednesday, October 01, 2014

Beyond Bagels And Sushi: Meet Francesca Yukari Biller


Aloha, Hip Hapa Homeez. If you love bagels and sushi, we have a treat for you! This month’s Hip Hapa Homee is an award-winning journalist who loves to serve up delicious fusion meals representing both of her cultures—Jewish and Japanese. But she’s about more than just diverse food combos, as you will see below. Dear Hip Hapa Homeez, meet Francesca Yukari Biller:

Francesca serving up cultural fusion
Francesca with parents and siblings
Q: Francesca, who are your parents and how did they meet?

A: My parents are quite honestly two of the most interesting people that I know (and it's not just because they are artists and polar opposites in so many ways), making their intercultural marriage creatively flourish for more than 57 years with four children and six grandchildren.

My father, Les Biller, was born and raised in Los Angeles and his ethnic background is Russian-Jewish, English, Welsh and Irish. He is a full-time artist and was an art professor at USC, UCLA and the University of Hawai’i. My mother, Sumiko Aoki, is 2nd generation Japanese (Nisei) and was born in Captain Cook, Hawaii. Her family owned and farmed Kona coffee lands, and her brothers served as decorated soldiers in the 442nd Infantry during World War II. Today, she is a fashion designer and owns an upscale clothing boutique in Santa Monica, California.

My father has always been a rebel, and I say this quite fondly. After graduating high school, he attended The University of Hawai’i. This was quite a shock, and a wild and an unconventional thing to do, as this was the 1950's not long after World War II when there was still a lot of anti-Japanese sentiment throughout the U.S. This is where he met my mother as she was attending the University of Hawai’i while studying for a Masters degree in teaching. They married shortly after, had two children and spent three years in Kyoto, Japan where my father was a Fulbright Scholar.

"famous L.A. martini", anyone?
Q: You've written about the meals you ate as a child. How did your mother learn to cook Jewish dishes, and did your father share any culinary duties with her?

A: Some of my very first memories as a child includes both images and sounds of my mother cooking as she sang classic jazz standards in our seaside home. No matter what else was happening, our family could always count on my mother's loving brand of homestyle cooking, fashionable and stylish well before international fusion meals became the norm.

I believe that my mother learned to cook classic Jewish dishes like “Sweet and Sour Cabbage Stew”, “Beef Brisket” and “Matzah Ball Soup” not only because my father loved them, but because she truly enjoyed experimenting and trying new recipes; and, the more unique and new, the better.

Some of the recipes were handed down from my Jewish grandparents, and others, like the classic brunch of lox, bagels and cream cheese were borrowed from the numerous Jewish delis that we visited throughout Los Angeles during the 1970's, including the infamous Cantor's Deli where we often saw Jewish comedians like Mel Brooks and Milton Berle.

As for my father, he did not share in any of the preparing or cooking of our meals, although his great priceless contribution included a biting sense of both slapstick and intellectual humor, story telling, and deep conversations about art and culture, along with his "famous L.A. martinis" which attracted unique and colorful guests from many different backgrounds.

Francesca in her "writer's hat"
Q: When did you know you would become a writer?

A: Writing is such a fluid and organic art form, that I candidly cannot recall whether I was first a writer, a person, or a person who was a writer. As I grew up amongst a family of artists going back several generations, my every breath was sewn in music, colorful images and creative cultural thoughts and energy as a natural remedy and rhythm that formed the lives of my siblings and me.

My very first memory as a writer was when I started to write poetry at about four or five-years old. I was in love with the way that words simply looked when letters came together as they both started and ended on a page. Before I attended kindergarten, I was stringing words together that both rhymed and echoed themes of nature and home. First, I wrote short lists of birds, and then of trees and the sun. By the time I was seven, I was writing longer poems about my visits to the seashore with both of my grandfathers, one a Japanese fisherman and the other, a Russian wandering adventurer.

those encouraging parents
Q: With your mother being a fashion designer and your father a painter, in what ways did they encourage you towards a writing career--either consciously or unconsciously?

A: Growing up in my house was like living inside of a symphony that never seemed to have an intermission. Fluid creativity seasoned every sense of both courage and somber attempts, and my parents outwardly and inwardly encouraged passion beyond all other values.

Whether I was watching my mother hand-sew hundreds of intimate silk rosebuds onto a kimono-influenced wedding gown, or my father thrash about his paintbrushes in turpentine and fleshy oils of bright and dark colors, I only knew that I felt alive.

And I felt most alive when I was singing, drawing and writing, which I did religiously each day, even though our home boasted of no religious deities or icons. Rather, the creative process was in and of itself our flames of joy and faith, as my father painted on both small and massive canvases in our living room, and my mother always seemed to have a needle and thread dancing on ribbons of velvets and linen dresses that she designed beneath the large picture window that framed our living room.

Sumiko with flowers in her hair
As a writer, the visual images that my parents continually created before my eyes gave me boundless material to write about--and to become lost in--as I spent whole weekends in which I wrote with barely sleeping or eating, as I developed calluses on my fingers from the art pencils that I grasped with both a sense of longing and calmness. 

Q: It seems you've experienced more than the "usual" mixed-race experience through having a Japanese American mother who grew up in Hawai’i with relatives who were part of the 442nd all-Nisei military as well as being Jewish. How has all of that factored in your life?

A: I believe that having an exotic and unusual mixed-race and cultural background is what has given me the drive to create even more than the average artist, as I feel so much emotional history from the blending and fusion of both. Whether I am inspired by riveting tales of my Japanese samurai and World War II hero relatives, or by stories of bravery, isolation and philosophy from my Jewish ancestors, I know that having the opportunity to be part of both gives me a sense of tenacity and purpose I may not otherwise have.

meet Francesca's daughters
Q:  Do you think by marrying a Jewish man your children may lose some of their Japanese side? What do you do to keep them connected to that part of their identity?

A: I am now divorced from the father of my daughters. However, their thirst and interest for their Japanese identity remains strong, perhaps even stronger than some children who are 100 percent Japanese as they are continually excited about being born into two distinct cultures and, therefore, more curious. As a writer, I have found this to be a usual occurrence among children who are a quarter of some strong thread of race and culture. Our home and extended family inspires our daily life with Japanese culture, whether it be through recipes, painting and writing, watching classic films by director Akira Kurosawa such as “Rashoman” or “Seven Samurai”, or attending cultural events and museums.

Rose and Jade
Q: Tell us about any of your future speaking engagements, panel presentations, etc. 

A: I am an award winning investigative journalist, author, writer, poet, speaker and singer. My work is published for The Japanese American National Museum, Elephant Journal, Salon, The Chicago Sun Times, The Huffington Post, My Jewish Learning.com, Interfaith family.com, USA on Race, for radio and television and events.  

This month, I will be reporting special coverage and writing a unique personal perspective for the exhibit "Hello! Exploring the Super Cute World of Hello Kitty", the first large scale Hello Kitty museum retrospective in the United States in honor of the 40th anniversary of Hello Kitty to open October 11 at the Japanese American National Museum in Los Angeles.

far beyond bagels and sushi
I am also writing two books to be published in 2015. The first book is a collection of humorous and thoughtful essays and short stories about my more than colorful experiences growing up as a Japanese Jewish girl in Los Angeles and Hawai’i during the 1970's.

The second book will be a compilation of poetry and prose that tell stories of a multicultural family and their artistic adventures, as well as motherhood as told through the lens of creativity, idealism and cultural inspiration. Here’s the link to the Author Page: 


Speaking engagements include a special talk for The American Association for University Women in San Francisco in March 2015 about “Girls and Empowerment”, as well as writings and conversation for the Mixed Remixed Festival in June 2015 to be held at the Japanese American National Museum.

Francesca, your story was delicious! Oiishi desu. Mahalo for sharing with us. Hey, Hip Hapa Homeez, if you’re still not full, here’s a short list of some of Francesca’s many accomplishments:

Award Winning Investigative Journalist

Edward R. Murrow Recipient

Writer, Author, Poet, Speaker
Print, Broadcast, Radio, Television
Multiculturalism & Identity
Parenting & Relationships
Inspirational & Philosophy
The Arts & Pop Culture
Short Stories & Essays
Poetry & Prose
Reporting & Documentaries

You can also check out her website:


To learn more about us at Watermelon Sushi World, please check out these links:

Watermelon Sushi film

Watermelon Sushi on Facebook

Hapa*Teez on YouTube

Hapa*Teez on Facebook

Hapa*Teez on Café Press

War Brides of Japan v.2 on YouTube

War Brides of Japan on YouTube

War Brides of Japan on Facebook

Yayoi Lena Winfrey fan page on Facebook (sorry, but Your Hip Hapa can’t add any more friends to her regular profile page)

Sexy Voices of Hollywood

Twitter

Until we meet again on December 3, here’s to all the bagels and sushi your Hip Hapa Homee’s heart desires.

Your Hip Hapa,

Yayoi

Wednesday, April 04, 2012

Messy And Beautiful Adventures From Jersey Shores To Espana

Aloha, Hip Hapa Homeez! 

Big ups, big hugs and big fat smooches to you all. Your Hip Hapa appreciates your continued purchases of Hapa*Teez t-shirts. Every penny of profit goes to support our Watermelon Sushi film, and earns you a rear crawl credit. Be sure we have the correct spelling of your name for when the film is produced and released. If you’ve already bought a Hapa*Teez, drop us a line at hapateez@me.com And, if you have a pix of yourself in one, please share.

Rob Lee shares Hapawood with you!
Your continued participation in our Hip Hapa Homeez group on Facebook indicates that the topics of being mixed-race, multi-cultural, multi-ethnic, interracially involved, transracially adopted, and/or crossing cultures continues to be important ones. Keep up the comments, discussions and posts of relevant subjects!

Watermelon Sushi and Hapa*Teez also have Facebook fan pages, and there’s a myCuz @Oprah campaign on Twitter. Follow us at watermelonsushi, read about us on HUB, and please sign the twitition. I hear my cousin Oprah is looking for OWN projects so let’s help her out.


This month’s featured Hip Hapa Homee is the hilarious and irreverent Ali Berlinksi, author of A Beautiful Mess. Chapter one is titled You’re Not White, and you can read it here:


Here are more of Ali’s links and, below them, a Q&A:



Ali in Paris
Q: You’ve had one heck of a mixed family experience. Please divulge some details.
A: In addition to being biracial, I’m also bicoastal. My birth mother is a Filipina immigrant raised in San Francisco, ergo she's wasn't your typical immigrant Filipino parent. As for my father, he's from Jersey. His other ethnicities include Polish, German and Welsh. I was born in Jersey, but moved to Northern California when I was 9 with my birth mother, Puerto Rican stepfather and two younger siblings, who are Puerto Rican-Filipino. Growing up, I visited Jersey twice a year to see my father and two older brothers, who are from my father's first marriage and half-Italian. Though I’m not ethnically Italian or Puerto Rican, I very much relate to the cultures. (See family diagram, below.)


Ali's Family Tree
Q: Were you always funny? 
A: This question is the best compliment anyone has ever given me! Um, no. I don't consider myself funny but rather, entertaining. If anything, I've always been eccentric and a bit awkward, which happens to be in fashion these days as far as comedy is concerned. Consider me your hot, female, ethnic Michael Cera. I don't try to be funny. If I make people laugh then great, but when this humor trend eventually changes, and it will, I'll continue being my zany self.  
Ali before she left NYC
Q: You currently live in Spain. I'm guessing being half Filipina has something to do with it, right?
A: Three words: chorizo, wine and siesta. This place is a foodie's paradise. Before moving abroad, I applied to teaching programs all over the world. I had to get the hell out of NYC. My life there was too comfortable and I desperately needed a change. Spain was my first choice. For one, they really have their priorities straight--work to live and not live to work as we tend to do in the U.S. They also have amazing coffee, which if I were Popeye would be my spinach. I'm sure my Filipino "Puerto Rican" roots did play a role. For, while the culture is different from my own, it's still very familiar. Still, the most important thing to me was that I radically change my life. Moving abroad seemed to be a fun way to do that.


Q: What are the biggest differences in identifying as a multi-cultural person in Spain versus presenting yourself like that in the U.S.?
A: Whenever you're considered a "not", it reinforces whatever qualities make you a "not". In the U.S., I'm considered "Not White" and so I align myself with minorities even though many minorities would consider me "whitewashed". Even the “nots” have “nots”.
The idea of a biracial person doesn't exist in Spain. They're a very homogeneous insulated society. Moreover, the Spanish don't tend to think in terms of race, but culture. To them, I'm just different, period. Thus, here I'm "Not Spanish" which reinforces my American identity. Subsequently, I crave peanut butter more than I ever did when I was in the states. By no means are the Spanish egalitarians; rather, they have a completely different understanding and relationship with these ideas.
Ali goes "all Waiting to Exhale"...
Q: What inspired you to write A Beautiful Mess?
A: This book has been a dream of mine since forever. In a way, I've always understood my life to be different. After going through some really tough breakups and realizations, I decided to take some time and reboot. Writing has always been my sanity, and writing this book provided me with a productive way to express some really tough emotions. Although the book is deeply personal, the issues I discuss are very relatable: divorced single-parents, sibling rivalry, racial identity, heartache, cancer, death of a loved one, career struggles, gay, "handicapped" and bipolar family members, and so on. Clearly, my life can be ridiculous, which is why I think it’s so important to laugh. 
Right now, the book is available exclusively through pubslush.com. There, you can read a chapter and support my book for as little as $10. I need to have 1000 people pre-order it in the next 60 days in order to get published. I need as much help spreading the word so tell everyone you know--and don’t know, for that matter! When I reach this goal I'm published just like any other author. Plus, those who pre-order can list themselves as an original discoverer of my book. It's a company I'm really passionate about because not only does it help me get published, but it also helps promote literacy in third world countries. For every book you buy, a book is donated to the featured charity. Tell everyone you know!
Q: Some of the encounters you describe in your essays are not vastly different from what most mixed-race people experience as far as being constantly questioned and validated. Are you writing to assure the multicultural community, or is it more for informing the non-mixed population about our issues?
A: My essays are intended for everyone and the only message I hope to convey is that everything in life is a choice. Aside from that, I'd be flattered if a person reads an essay and has an “ah-ha” moment, thereby motivating questions and eventually, a dialogue. But then, you can never tell what people are going to take from your work. 
Q: What's next? Another book, films, TV appearances? 
A: After this book gets published, I plan to do lots of publicity, which will probably include TV appearances, book talks and tours this summer. It’s exciting and yet daunting. Whenever you put yourself out there, you risk getting hurt. But I stand by my book and am excited to share it. And, I’m writing a second book that will focus on my life now that I've moved to Spain.

Bravo! Ole muy bien, Ali, and mucho gracias.







So far, Hip Hapa Homeez, 2012 has been beyond busy for us. Mad props to each one of you for coming along on this journey towards One World. Mahalo nui loa to you who know who you are. Until next month, when we present another Hip Hapa Homee, I am

Your Hip Hapa,


Yayoi

Wednesday, February 27, 2008

One Drop Rule



What is the "One Drop Rule"?, you ask. Well, it's the premise that most of the world's population holds that defines racial identities like Barack Obama's as being 100% black. If I remember correctly, the presidential hopeful had a white mother. So, why is he called only black if he's half Caucasian? Why deny him his own parent and birthright?

It all harkens back to the "One Drop Rule" of slavery and, obviously, post-slavery. If a white slave master raped a black female slave and she ended up giving birth to his baby, the way that slave master protected his assets (including his slaves who were considered property) was to categorize the bastard child as black based on the "One Drop" of Negro blood flowing in his veins. That's all it took--just "One Drop", and the child was regulated to the lowest end of the American caste system. For one, how would it look to the other slaves if someone nearer their own skin tone had the possibility of inheriting the plantation? Further, how would it look to other white slave owners if a "darky" was elevated to the same social stratum as them?

The "One Drop Rule" ensured that the half-white child would never be considered anything but black and would, therefore, remain untitled to a white man's treasures. Being denied his white heritage meant that the child would have no right to be free ever and (probably the most frightening to the slave master) no possibility of freeing his black relatives if he ever became in charge of the plantation.

So, the "One Drop Rule" was a useful tool for white slave masters and others to keep blacks in their places. But didn't the U.S. abolish slavery a long time ago? So, why are biracial black/white people referred to as being only black when they are so clearly half white? Why is Halle Berry called the "first African American woman to win the Best Actress Oscar"? Quite frankly, if I was her, I'd have made an impassioned Oscar speech about the Academy forcing me to deny my own mother.

Enough of my jaw-jacking. Or, typing. Here are some comments from my lovely friend Daphne Delores:

"Yayoi, thank you for defining 'hapa'. My multi-racial identity goes back at least a few generations, where there was race mixing on at least three branches of the family tree. One great-grandmother, for instance, was the child of a former slave as a result of rape by her former master. Another great-grandmother (Welsh woman) married a black man in New England at the turn of the last century, and our family name is still enshrined on a former plantation in Virginia.

My generation's hapa sisters and brothers, and those of our children, have in many cases been able to explore and accept both aspects of their racial identity in ways that were surely not always possible in such situations in my great-grandparents' time. They were, in most cases, manipulated by the "One Drop Rule" into knowing and keeping "their place". A few may have "passed" for the status and opportunities this afforded them, but they were also looked down upon by family members, friends and others who, even to this day, considered this to be a betrayal of their race. This was my understanding of bi- or multi-racial identity until very recently.

Certainly, most "black" people in this country were/are at least bi-racial if not multi-racial, but in the past to focus on the "Indian" or "Caucasian" aspects of our ancestry was considered borderline delusional as we were, and in many cases still are, perceived as simply "black" (or "African American", if you prefer) no matter how pale our complexions.

Yayoi, you brought to my attention the complexities of loving, respecting and honoring parents who happen to come from different races and/or perhaps religious backgrounds as well, as initiated by other's opinions. Perhaps some of these same kinds of issues could affect the offspring of socio-economically diverse parentage, parents with politically divergent views, etc. In any case, other people's opinions of one's identity, or how you choose to express it, should be just that--not fodder for ongoing frustration with the public's general lack of understanding.

There is a pervasive force in this world that manipulates markets, governments, currencies, etc., and the motto of this diabolic cabal is, as it was a hundred years and more ago, "divide and conquer".

We must be in touch with that which connects us all in a spiritual sense to find the inner strength, the flexibility and understanding to confront this pervasive "evil" if we are to even maintain a trace of our "inalienable rights" and to enjoy any possibility of peace or freedom whatsoever. Dr. Wayne Dyer among others uses the phrase, "What other people think of me is none of my concern." Let not the ignorance (lack of knowledge) on the part of other people become burdens in our lives; there is too much important work to be done.

Peace and many blessings, always.
Bodhi Daphne"

That's Daphne, above, sitting in front of the ArcLight at dusk during my coverage of LAFF.

Peace out, ya'll!

Your Hip Hapa,
Yayoi