Showing posts with label Tiger Woods. Show all posts
Showing posts with label Tiger Woods. Show all posts

Wednesday, May 05, 2010

"Curly Like Me" In Da Houze! (And In Bookstores, Too!)

Hey, Hip Hapa Homeez! Welcome back to our world where we embrace your multiethnic selves, transracially adopted upbringings, and cross-cultural lifestyles. In fact, anything that represents your unique experience as a multi-culti or blendie-mixie is what we hold most dear.

Speaking of, one of my dearest friends and the first Facebook person I ever met in the flesh (pun intended) is also this week’s featured Hip Hapa Homee, Teri LaFlesh. Known by many women for her fabulous hair and valuable advice on how to make theirs look like hers, Teri is finally having her book (published by Wiley) on the market this week. 

Check out her links below then move on down to the Q&A. Be inspired by Teri’s “before” and “after” photos, too, and click the Amazon link to buy her book.



Q: What's a nice multiethnic girl like you doing writing a book about hair?

A: Actually, it was in large part due to my being mixed that ultimately inspired me to write this book about hair. I half grew up with my mom, who is black, and experienced how very curly hair is dealt with in many black communities--especially at the time I was growing up. Mostly, the choices were relaxers, hot combs, or the brand new Jheri curl. All the women on my mom’s side of the family relaxed their hair. So my hair was relaxed before I even knew it was curly. Since my hair is very fine, it fell apart under the lye-like chemicals, and became as stiff as fondant.

In my teenage years, I lived with my dad, who is white. We lived in a white neighborhood, his wife was white, and all my family on that side was white. Suddenly, I was left alone to care for my hair. It was a shock to me that it grew out curly. I had no idea what to do with it, and I tried to treat it like the hair of everyone around me (which was a disaster). So there I was, the only person of color in my entire vicinity, and I had this super-curly hair I had no idea what to do with. And, that curly hair that was like no one else’s hair began to symbolize how I felt about my place in the world at that time. I felt like an outsider, but an outsider who was let into the inside. I belonged, and yet I looked totally different from everyone I saw, so I felt I didn’t really belong. And, my crazy hair that puzzled and alarmed people around me seemed to be proof that I was different.

So, when I finally (finally!) figured out what my hair wanted (which was the hair equivalent of being loved and accepted for what it was, even if that was a bit different from everyone else), I wanted to make sure no other mixie girl with crazy curly hair like mine ever had to feel alone, or like there was something wrong with her because her hair seemed so different from either parent’s.

Q: How did you grow up?

A: I grew up in two environments that were polar opposites. I spent my early years with my mom, who is black. She was a public school art teacher (which meant we never had much money, and she was very creative), and lived in a black neighborhood. She was religious and lived in the south. I was surrounded by my outspoken family and lots of pets. Our place was always messy, and we ate junky food whenever we wanted. I went to a public school. We had few rules. I was bossy and the center of attention, and I mostly ran wild.

I spent my teenage years with my dad, who is white (as was his wife). He and his wife were computer programmers, so we had money. They were atheists. We lived in the northwest in an all-white town where I went to private schools. Our house was quiet and ordered and spotless, with no pets. We ate healthy food, but only at certain, previously arranged times. My life was run by rules. I was awkward and quiet, and very shy.

So I grew up not only between two races, I had two totally different childhoods, and lived as two different people with totally different personalities to fit those environments. But each environment taught me totally different and necessary skills I needed in life.

Q: Explain why you call yourself a "Former Mushroom Head Kid". 

A: In the transition from living with my mom to going to live with my dad, a hairdresser gave me a Jheri curl over the relaxer my mom already gave me. The hairdresser had told me and my mom that as the curl grew out, I would have little ringlets on the ends of my straight hair. This sounded really pretty. Then, I went to spend that summer with my dad. When my dad saw the greasy Jheri curl activator, he forbid me using it. So, I dry brushed my already damaged hair every day into a crunchy cloud, and patted it into a round shape, and waited for that straight hair to grow out with the ringlets on the ends. It never came because (to my surprise) my hair wasn’t straight. In fact, it was very curly. Instead, my now triply damaged hair got bigger and bigger until it turned into a mushroom shape (see photo). The sad thing is I thought that stiff, broken hair-cloud was what my natural hair was like, and it was a specter that haunted me for many years whenever I thought about possibly going natural.


Q: There's so much good, scientific information in your book. How long did it take you to write it?

A: Aw, thank you for saying that! I did a ton of research for it. I’d say the book took about two years to do. The first year, I wrote it in snatches of free time, such as when I was riding the train to and from work, and would type what I’d written when I got home. The second year I spent taking the pictures for the book, and researching and drawing the illustrations for it.

Actually, it took me about 30 years of trying to figure out what to do with my hair. I figured it out for selfish reasons: I wanted hair that wasn’t an ordeal, but was just hair and not a big deal. I had no intentions of writing a book. It was one day (after I’d figured out how to make my hair happy) that I realized I hardly thought about my hair any more, and it was down to my waist, and I was happy with it. It was then that I thought I might have found out some things others might really want to know, too (and may not want to have to struggle for 30 years to discover).

Q: Will there be a book tour?

A: At this time, there is a tiny tour planned, but I’ll probably mostly sign books in bookstores in my travels visiting relatives. I’ll be at the Mixed Roots Film and Literary Festival in June. Honestly, I’m pretty shy in real life, so I’m happy keeping things lower key. 

Q: What do you make of the current influx of published works by multiethnic people?

A: I think multiethnic people have had a very strong voice throughout time, however, they were often lending their voices to other fights, and their multiracial heritage was often downplayed, overlooked, or not acknowledged. Recently there has been an explosion of voices speaking as multiracial, and now refusing to be mashed into only one box. That’s very powerful and wonderful. I actually mark the turning point (for the media at large) as Tiger Woods, who helped put multiracial on the map. Often, when a race other-than-white is mixed with white, it seems to be the race of color that comes to dominate that person’s label to the world. Woods was one of the first celebrities I remember hearing about that wasn’t half white. Since he didn’t have a white parent (so he couldn’t just be lumped into the other-race-besides-white category), there wasn’t that neat default of placing him into the race of color as his automatic identity. Now people had to think about what he actually was for a moment: was he ‘Black’ or ‘Asian’ or ‘Something Else’? I think that not having an easy answer helped open many doors to the idea of being more than just one thing. Oooh. I hope that makes sense.

Q: What other writing projects do you have planned?

A: I’m working on a collection of short stories about my years running around as a wild child in the woods of Kentucky. I did some goofy things in those days, and was lucky enough to live in a home that let me get away with way more than I should have.

Congratulations, Teri! What an amazing author and humble Hip Hapa Homee, you are. btw, I love this quote from you: “When I made peace with my hair, I made peace with myself.”

Lately, Your Hip Hapa has been saving controversial clips (Sandra Bullock’s black baby, etc.) for the Hip Hapa Homeez Group page on Facebook. If you’d like to engage in a discussion, please join the group and leave your comments at any one of some 500 links posted there. Also, please sign up to “like” our Watermelon Sushi Fan page. Since Facebook has changed the rules, you no longer have to become a “fan”, but can just like us. You can also follow us on Twitter where we post dialogue from the Watermelon Sushi film script, and we promise to follow you back. Finally, show some love for the Watermelon Sushi film by checking out our Hapa*Teez t-shirts.

Until we meet again in our Watermelon Sushi World, I am

Your Hip Hapa,
Yayoi

Wednesday, December 02, 2009

Anime, Hip Hop, Japan And Joe


With that famous Hip Hapa Homee, Tiger Woods, making the hot-marriage-mess news lately, it’s been a field day for the anti-miscegenation folks. Yet, as Your Hip Hapa read through some readers’ comments left at several websites this week, she was pleasantly surprised that vicious verbal attacks on the Thai African American golfer and his Swedish wife were minimal. Instead, she discovered that the majority of remarks neglected to address the issue of race altogether—whether it was Tiger’s, his wife’s, or the other women’s. Could it be that we’re coming closer to a color-blind world?


Or, is Your Hip Hapa just overly optimistic? Some of the week’s bad news contained stories like the continuing attacks on albinos in Tanzania and how South Korea is dealing with mixies, particularly those of partial Chinese ethnicity.


If you haven’t had a chance to read any of those articles, join our Hip Hapa Homeez group on Facebook. While you’re there, become a member of the Watermelon Sushi Fan page and Networked Blogs for Watermelon Sushi World, too. And, don't forget the t-shirts!


Here at Watermelon Sushi World, we strive to stay on top of topics that are of interest to not only those who consider themselves biracial, blended, first-generation or multi-generation multiracial, hapa, mixed, mulatto or trans-racial adoptees, but also to those of our supporters and those in interracial relationships. U is a part of us!


This week’s featured Hip Hapa Homee is award-winning filmmaker Joe Doughrity whose film, Akira’s Hip Hop Shop, is getting some serious play. If you missed its November 22 airing on BET (which was hosted by the sensational Sanaa Lathan), you can catch a repeat showing on December 5, at 12 a.m. and 1 a.m. Or, consult your BET schedule. Above is a pix of the movie poster and, below, a shot of Joe (former assistant to Boyz n the Hood's John Singleton) at our fab confab in Santa Monica. Check out the links for the film here:


http://www.randomactsofmedia.com


http://www.akirashiphopshop.com


Then, read the Q&A here:


Q: What's a nice African American guy like you doing making films about Japanese folks?


A: Hmmm... Well, I grew up consuming, better yet devouring, Japanese pop-culture as a kid in the Midwest. My favorite TV shows as a kid were Speed Racer and Battle of the Planets (Gatchaman). I was also a huge fan of Godzilla. My mother said I used to draw pictures of the big lizard everyday from when I was a young child. By third or fourth grade, these pictures grew more elaborate and came to include other giant monsters such as Mothra and Gamera. I had a group of friends and we'd stage these crazy battle scenes.


When I got older and became a teenager, my obsession only grew. I got even more into Japanese animation and had pen pals who would send me VHS tapes of shows and collected and contributed to fanzines focusing on anime. Eventually, when I started thinking of what I wanted to do with my life, filmmaking became the focus. So naturally, my films reflect my obsessions; which include Japan, comics and how this stuff relates to me as a black man.


Q: How did you get the idea for Akira's Hip Hop Shop?


A: The idea for Akira came to me when I first visited Japan back in 2004. I went on a tour with a bunch of other American anime fans. It seemed wherever we went, there was rap music playing! In cafes, restaurants, clothing boutiques.... Sometimes, there wouldn't be any Americans or gaijin present, but this was the soundtrack/background music for daily Japanese life in Tokyo. I'm sure a lot of Japanese didn't even understand the slang and profanity.


Since I'd dated outside my race a few times and dealt with all that comes with that including scrutiny from family and friends, I started wondering why you didn't see more Asian men who did the same. This led me to do a lot of research in books, online and among my Japanese male friends on the subject. Out of this and flipping through Japanese hip hop magazines like WOOFIN', came the character of Akira Kubota, an expat Japanese guy with a love for old school rap music who had come to America to be involved with the scene.


Q: The characters speak Japanese very well. Were they coached? Do you speak Japanese?


A: No, I don't speak Japanese. Not anywhere fluently anyway! I do know quite a few words and phrases, but that's it.


The characters were coached by my Associate Producer Hitoshi Yoshikawa who's a native Japanese speaker. And, also since James (Kyson Lee) speaks Japanese a lot on the TV show Heroes, he's become quite proficient with the language. But Hitoshi gets the credit for both supervising the native Japanese speakers as well as coaching the non-Japanese characters like Daphne (Emayatzy Corinealdi) who utilize the language in the film.


Q: But James Kyson Lee is not of Japanese ethnicity. Why did you feel he was right in the role of a Japanese man?


A: Actually James is of Korean ancestry. There were many factors that led me to believe he was the right actor for the job. First, he'd actually come to America as an immigrant from Korea as a kid, and I thought that was important that he had that experience. Also, he used to be part of a rap group growing up in Boston so he knew something about the music and being part of a culture as an outsider.


I saw a lot of actors for the role of Akira and, initially, I was adamant about casting a native Japanese or Japanese American actor for the role. I kept saying I didn't want any of that Lou Diamond Phillips stuff where he played Ritchie Valens in La Bamba! But here again, Hitoshi was a great help. I showed him the pilot for Heroes while we were casting without telling him James wasn't Japanese and afterwards he said, "His Japanese.... There's something funny about it." I told him about James' background and after comparing him against the 100% Japanese actors we'd seen, he told me to go with James because (in his words), "Americans don't know the difference anyway."


Q: Akira's Hip Hop Shop does such a nice job of shattering stereotypes. Do you have any idea why people continue to support films that don't?


A: Because it's easy and we're conditioned to accept the status quo. It's easy to eat junk food and not be challenged. I'm convinced a lot of people, especially black moviegoers, unfortunately don't WANT to be challenged when they go to the movies. They want what they're used too.... gangsta rap and 'why can't I find a good man' movies. Certainly those do well at the box office, and something like AHHS or movies like A Good Day to Be Black & Sexy or Medicine for Melancholy are relegated to the art house or (if they're lucky) find a home on DVD.


Q: What other film projects do you have lined up?


A: Well I've got a bunch of stuff I'm working on. There's the feature version of Akira, which I still would like to get made. Also, I've optioned a comic book that I'm really excited about. I can't say much about it, but it does have a black/Asian element, which is very cool. And I've got treatments for a couple of documentaries that I'm excited about, but I need funding. It's a common dilemma--the life of an independent filmmaker.


Q: What's your favorite uniquely Japanese thing?


A: Hmmm, that's a tough one! I love so many things about Nippon! Food, culture, entertainment…can I pick one of each?


I love the custom of exchanging business cards in Japan. I haven't quite learned how to do it Japanese style, but I love watching it!


Food-wise, my favorite Japanese food is okonomiyaki…Japanese pancake stuffed with bacon, onions and all kinds of stuff. I really love how they prepare it in Osaka, which is my favorite place to visit in Japan.


Finally, entertainment-wise I'm a big fan of animator Yoshihiro Tomino, the creator of Mobile Suit Gundam. I love Gundam robots and mythology, especially the 1985 series Zeta Gundam. Tomino is never afraid to kill off his characters and makes some of the darkest space opera ever written. Whenever I watch his stuff, I feel like a 15 year-old kid again.


Arigato gozaimashite, Joe-san. We Hip Hapa Homeez are looking forward to the feature-length version of Akira’s Hip Hop Shop!


Until next week, ja mata ne, from


Your Hip Hapa,

Yayoi